Browse Items (135 total)

By calling attention to the physical object, Johnnie Winona Ross allows the viewer to feel a sense of transendance beyond the weight of the object itself.

Penumbra is an organized installation of glass, light, and sound.

Old Master tradition, sacred myth, and now modern pathology and film noir are the sources that collectively inform the works in this exhibition. The real and the imagined, the present and the past all have equal weight.

Though empty of people, his photos of intimate landscapes are filled with the evidence of humanity. With clarity and simplicity, Kenna's images suggest rather than describe, offering up just a few elements of the landscape, leaving it to the viewer…

The paintings of Wade Schuman, distinguised by observational skill, technical mastery, and recognizable subject matter is, however, less about Realism and more about Illusion. What is at the issue in his painting is not how depictions are madeto…

This exhibition proudly continues a long tradition at the Sordoni Art Gallery of showcasing the unique achievements of the Art Faculty at Wilkes University.

Jon Carsman was a classic example of a creative and charismatic American artist who, during his short but productive career, lived a vibrant life and died tragically young. He was described as one of the New Realist or Photo Realist painters who…

This exhibition is the first survey of the work of the Sordoni's original permanent collection.

Birds in Art is a comprehensive catalogue of artists depictions of birds of various species and in various forms. From hyperrealistic to abstract and in 2D and 3D mediums, artists share their love of ornithology.

This exhibition covers a few artists whose work has joined the Maslow Collection at the end of the twentieth century.

Pamela Earnshaw Kelly's subjects are ordinary---farm or jungle animals---and her material is humble----clay. But there is nobility in her depiction of her subjects, and thousands of years of ceramic history to show clay's potential to move, provoke,…

Michael De Jong's images perform an operation of individuation, defining the viewer---the self---as isolated, withdrawn from the world, yet spying on it.