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Michael De Jong's images perform an operation of individuation, defining the viewer---the self---as isolated, withdrawn from the world, yet spying on it.

This exhibition covers a few artists whose work has joined the Maslow Collection at the end of the twentieth century.

The paintings of Wade Schuman, distinguised by observational skill, technical mastery, and recognizable subject matter is, however, less about Realism and more about Illusion. What is at the issue in his painting is not how depictions are madeto…