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In Running the Numbers, artist Chris Jordan creates intricate photographic prints assembled from thousands of smaller photographs, visually depicting statistics that dramatize aspects of contemporary American culture.

pictures of Upward Bound students and staff, with notes written in

Seymour Lipton was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist but focused on sculpture from 1932. His early choices of medium…

Brian Wood is an American contemporary artist working with multiple media in New York. His paintings, drawings, photographs, prints, films, and books are exhibited internationally and are held in many private and public collections. Brian Wood works…

Exhibitions USA presents an overview of printmkaing of the last tweny years at the Flatbed Press.

pictures of Upward Bound students and staff, with notes written in

pictures of Upward Bound students and staff, with notes written in

American painter Ron Ehrlich is known for achieving rich surfaces and subtleties of tone melding the techniques of vessel-making with the spontaniety and vitality of action painting

The photographs in this exhibition reveal an intimate look at the friendship between artists Nicholas Taylor and Jean-Michel Basquiat.

"Sweatheart Like You": Roller Derby Portraits is an exhibition about the lives of the Coal City Rollers local to NEPA.

In a process that integrates the past into the present through the re-use of art history's forms, patterns, and figures, Aptekar challenges the passivity of influence and the burden of Old Master veneration.

This exhibition, Remembering Helen, honors the memory and generosity of this special friend, Helen Farr Sloan, of the Sordoni Art Gallery.

pictures of Upward Bound students and staff, with notes written in

Hands of a Displaced Sudan is an exhibit of some sixty photographs by Ryan Spencer Read, a member of Group M35. It chronicles the genocide in the Darfur region of Sudan.