172 15 4132 https://omeka.wilkes.edu/omeka/files/original/d87a555ea023e2b0e570a79c1d36d2b1.pdf f533b47cb6dc469a11c22aa124d97d7c PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1992 June 21 Scavnicky: Portrait of a Anthracite Family Creator An entity primarily responsible for making the resource Nelson Morris Judith O'Toole Daniel K. Perry Annie Bohlin Date A point or period of time associated with an event in the lifecycle of the resource 1992 June 11 - July 26 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Scavnicky: Portrait of a Anthracite Family is a comprehensive series about the life of an anthracit coal miner and his family. Type The nature or genre of the resource Postcard Subject The topic of the resource anthracite coal anthracite coal coal mining Nelson Morris Rust Belt https://omeka.wilkes.edu/omeka/files/original/a8b214e3ea3ef31933610d31ff2d81d5.pdf ca03644965e1418b06eb10d2d03dd05d PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1992 March 1 Nature as Muse: Contemporary Works Based on Landscapes Date A point or period of time associated with an event in the lifecycle of the resource 1992 March 1 - 29 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Nature as Muse 1992 focuses on work that utilizes nature as a focal point for the exhibited work. Type The nature or genre of the resource Postcard Subject The topic of the resource nature muse https://omeka.wilkes.edu/omeka/files/original/7ab8b93c58afbd6e0628fbafd7985698.pdf d013dc04478ee196cd2ee112c3387cd4 PDF Text Text ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 November 10 Current American Printmake: SAGA Creator An entity primarily responsible for making the resource Linda Adato Michael Arike Kathleen Caraccio Susan Caster-Carter Michael DiCebro Gail Cohen Edelman Liz Exler Kathleen Gallagher Stanley Kaplan Shi-Ping Liao Martin Lenine Richard Pantell Merle Perlmutter ShellyThorstensen Emily Trueblood Steven Yamin Date A point or period of time associated with an event in the lifecycle of the resource 1991 November 10- December 8 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Current American Printmaking: SAGA is a survey of the state of American printmaking at the end of 1991 Type The nature or genre of the resource Exhibition program Subject The topic of the resource printmaking rints SAGA American printmkaing https://omeka.wilkes.edu/omeka/files/original/4781520502c97c3efaa63457d31c9611.pdf 992858039bf9f891b1d2106d69aa60bf PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 October 6 Spirit of Mauch Chunk: Six Artists of Jim Thorpe Creator An entity primarily responsible for making the resource Joseph M. Dunn Joel LeBow Edward H. Meneeley Shozo Nagano Harold Nothstein David W. Price Edward J. Morgan Aleta Connell Date A point or period of time associated with an event in the lifecycle of the resource 1991 October 6 - November 3 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Spirit of Mauch Chunk: Six Artists of Jim Thorpe is an exhibition highlighting the work of several, specifically six, artist from Jim Thorpe. Type The nature or genre of the resource Postcard Subject The topic of the resource Mauch Chunk Jim Thorpe https://omeka.wilkes.edu/omeka/files/original/707e1f5952b02a4f2fd3df563bfcdab2.pdf 9552d9406bc04d7560cca0636194a5f0 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 August 23 The Maslow Collection: Context and Content, A Year of Collecting 1991 Creator An entity primarily responsible for making the resource Robert Schweitzer Date A point or period of time associated with an event in the lifecycle of the resource 1991 August 23 - October 3 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource The Maslow Collection: Context and Content A Year of Collecting-1991 is an exhibition about the recent (circa 1991) acquisitions of the Maslow Collection. Type The nature or genre of the resource Poster Subject The topic of the resource Maslow Collection collection collector https://omeka.wilkes.edu/omeka/files/original/d04c15f03d2a7fa4bfebe384cb90fb06.pdf c6622411a51f1223ab9d4a3cb0d531bd PDF Text Text ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 August 30 Metamorphosis of a Butterfly Date A point or period of time associated with an event in the lifecycle of the resource 1991 August 30 - September 29 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Invitation https://omeka.wilkes.edu/omeka/files/original/601d43e29231b8ea8f7c0232bfc5f507.pdf 1dcc48b8127218b12f9ab53c672770e7 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 May 17 Collector's Choice Date A point or period of time associated with an event in the lifecycle of the resource 1991 May 17 - June 23 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Invitation Subject The topic of the resource collection collector https://omeka.wilkes.edu/omeka/files/original/5fca9a0341b50b4624c32205a7808261.pdf c936aaf71c6f01ed917e7c7a1189e32d PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 April 16 Official Image: New Deal Photography Date A point or period of time associated with an event in the lifecycle of the resource 1991 April 16 - May 5 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Official Images: New Deal Photography introduces exciting documentary photographs recorded during the 1930s by government photographers. Type The nature or genre of the resource Exhibition program Subject The topic of the resource photography photographs documentary photography documentary New Deal https://omeka.wilkes.edu/omeka/files/original/21f5ffedc6f1ce640a1ca49c7cd02534.pdf 06f09fa248325907c94ce9ae1fce0929 PDF Text Text ����� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1991 January 20 Balance and Assembly Creator An entity primarily responsible for making the resource Shawn Dulaney Lee Levine Date A point or period of time associated with an event in the lifecycle of the resource 1991 January 20 - February 24 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Balance and Assembly is a joint show between artists Shawn Dulaney and Lee Levine. Type The nature or genre of the resource Exhibition program Subject The topic of the resource painting ceramic ceramics Shawn Dulaney Lee Levine artist https://omeka.wilkes.edu/omeka/files/original/04a9b56ed0fca825aa42575c45fca6b2.pdf 92746e3b27efbd9cfacfed65cac5d5ad PDF Text Text ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1990 December 2 River Works Creator An entity primarily responsible for making the resource N/A N/A N/A Date A point or period of time associated with an event in the lifecycle of the resource 1990 December 2 - 1991 January 6 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource River Works is a multi-media exhibiton focused on the plight and beauty of the Lackawanna RIver and its tributaries Type The nature or genre of the resource Exhibition program Subject The topic of the resource river Lackawanna River https://omeka.wilkes.edu/omeka/files/original/0184eac94bfdab20d4242853dce8fe24.pdf 8f94275d8f554c493b4932ba0c09b822 PDF Text Text ������ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1990 October 21 Wilkes University Art Faculty Biennial Creator An entity primarily responsible for making the resource William Sterling Jean C. Adams Sharon Bowar Herbert Simon Mark Cohen Richard Fuller Michael Stanford Date A point or period of time associated with an event in the lifecycle of the resource 1990 October 21 - November 25 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource The Wilkes University Art Faculty Biennial is a showcase of work from the arts faculty circa 1990 Type The nature or genre of the resource Exhibition program https://omeka.wilkes.edu/omeka/files/original/4e5d16a184a25be6c9f65d4e57e8030d.pdf 166f715ae2fc427a5a812ef4ef4e5555 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1990 Septemeber 9 Selections from the Permanent Collection Date A point or period of time associated with an event in the lifecycle of the resource 1990 September 9 - October 14 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource This show is a survey of the permanent collection of the Sordoni Gallery circa 1990 Type The nature or genre of the resource Exhibition program https://omeka.wilkes.edu/omeka/files/original/ba881c1323364127974b432dd3f4a34e.pdf 970ea89088208db3290d585fbc0f542a PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1990 June 24 Keith Jacobshagen Creator An entity primarily responsible for making the resource Keith Jacobshagen Date A point or period of time associated with an event in the lifecycle of the resource 1990 June 24 - July 29 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource This exhibition is a survey of recent (circa 1990) paintings by Keith Jacobshagen Type The nature or genre of the resource Exhibition program Source A related resource from which the described resource is derived Babcock Galleries https://omeka.wilkes.edu/omeka/files/original/e8baa64ba9174c7aa55f72b81ab00a50.pdf 77fe8220e89bb60dd79bda71078713fd PDF Text Text ���� https://omeka.wilkes.edu/omeka/files/original/e95a1428eb9286166b9d9cdc99593c49.pdf d5c47c392dbf64ecf95f63de12a942e2 PDF Text Text ■bb io ,’■? 7 || - . ll » ' H <: _ ~ ” ‘'-I ’ I ' I I '|W' mi O ■ < ' ■'■; 7; ■■■■ 7 ■' 7 a .7-7 7 . <O 7 '?' ’■/?■ ■:: IB IIIBOS '■ 36- 77737 IgkSfci I HI ' - ij-it lr‘ - ■&• -: - • .; ■ -' •® 7 737 7737 II■ . ’ :' ■ p3; ■-■■ ‘ '- •Jj S62W5 • -- 7.7.. 7.:.<7 < ; 77-377:77j;77'7■ ■ :i’ . 77777: ■■ - 7'7 7. ..7; 7.. 1 7-. I '-A7 i ■. 77-7 37-7.777777 77 ...,O . 77^P37J.7 / • ■ ' '.7 . ■ IBO : 7 I H 11® . Illi Soli ' • ' 7< 3773-7 iffiii o. ■■■■i'll-fe ‘1 SB1! Ifi7..:;S7 7: ■. .. - - - ■ I I J . ■■■■ . ' . �_____ ■ archive; WILKES-E SENSES C An exhibition o the Sordoni Art of Wilkes unive Wilkes-Barre, Pf MAY 13 THROU I E S FARL WILKES. WILKE" I �WILKES-BARRE: SENSES ON SITE An exhibition organized by the Sordoni Art Gallery of Wilkes university Wilkes-Barre, Pennsylvania MAY 13 THROUGH JUNE 17, 1990 E.S. FAriLF* WILKES JV-'EnSHY WILKES - -E -A �MAF OP SHIPS: CD CD Curators statemer £ I ast Spring Brian Benedetti, Directoi approached me with the opportunity to orga with this year's 30th antiiwi diy Fiesta. Sin been interested in the idea of u-ing the Rive of site-specific sculptures. I hat location, wi foreground and distant background and the presents intriguing possibilities. After some auspices of the Sordont Art Gallery. Wilke* Pennsylvania Council on the Aris tor a gra temporary picci . designed -pc ill. alls tor f nearby location. A meeting with Marsha Mo,,, an in, logistical and bureaucratic complexities oft with initial direction. Sculpture Source, a s supplemented my knowledge of potential p located neatly one hundred artists doing w< The artists eventually invited were cl primary of which was my personal respons knowledge an exhibit of thr, nature had ne diversity was ai-o a consideration. John Bt River; Angelo Ciotti would address the arc; Hom would respond to the past recreation Poleskie would create a unique sky piece o\ to the Commons); George Shortess would incorporating the Burns Bell Tower on the commuter society; and, finally, Matthew T: designed for it-, location on the bank of th The succe-,»of the exhibition was bas with his/her own vocabulary and with an er developed an installation or performance-th; and provided us with the opportunity to exf 1 J Shbrtess > erweBr* rnoverctents. �Curator s Statement Last Spring Brian Benedetti, Director of the Fine Arts Fiesta in Wilkes-Barre, approached me with the opportunity to organize an exhibit of sculpture in conjunction with this year’s 30th anniversary Fiesta. Since moving to Wilkes-Barre in 1982, 1 had been interested in the idea of using the River Common as a venue to develop a series of site-specific sculptures. That location, with the dike dividing the landscape into foreground and distant background and the awareness of the River in between, presents intriguing possibilities. After some discussion it was decided that, under the auspices of the Sordoni Art Gallery, Wilkes University, we would apply to the Pennsylvania Council on the Arts for a grant to invite six artists to create and install temporary pieces designed specifically for the River Common or for an alternate nearby location. A meeting with Marsha Moss, an independent curator well experienced in the logistical and bureaucratic complexities of organizing such exhibitions, provided me with initial direction. Sculpture Source, a slide resource in Washington, D.C., supplemented my knowledge of potential participants through their registry, which located nearly one hundred artists doing work appropriate to our situation. The artists eventually invited were chosen for a variety of reasons, the primary of which was my personal response to their previous projects. Since to our knowledge an exhibit of this nature had never been done in the Wilkes-Barre area, diversity was also a consideration. John Bromberg would focus on the energy of the River; Angelo Ciotti would address the area’s historic involvement with coal; Mei-ling Hom would respond to the past recreational function of the River Common; Steve Poleskie would create a unique sky piece over Public Square (downtown and adjacent to the Commons); George Shortess would develop a sound interactive environment incorporating the Burns Bell Tower on the Wilkes campus and comment on today’s commuter society; and, finally, Matthew Tanteri would orchestrate a light installation designed for its location on the bank of the Susquehanna. The success of the exhibition was based on the fact that each artist, working with his/her own vocabulary and with an energy and integrity that was communal, developed an installation or performance that addressed the specific aspects of the site and provided us with the opportunity to experience our environment in different lights. Kevin O’Toole, Guest Curator �joho Brooubors I That th© waters of the earth can safely lead ©Mr passage throM9h dark times Location: Wilkes-Barre River common and Susquehanna River I i l i I I The excitement mounts as the date approaches. 1 have been most moved since the outset by the prospects of the river and how the bank interacts to create this marvelous vista. Driven by this my proposal is as follows Directly across from the Gallery amidst the tree,, in a park hkt atmosphere. 1 will construct what I see as a transmitter, twelve feet in circumference. A pyramid will sit atop bales of hay extending to the perimeter of the cylinder formed by the bales. The base of the pyramid will be aluminum wr! hold black line drawings while the top will be plexiglas, to expose object-, within. Protruding from the base are hundreds of blue sticks stuck into the hay. The second part of the piece is best viewed from up on To-.T behind the transmitter. Towards the water’s edge on the .service road appear three trees with their root systems exposed and with blue slicks stuck amidst the root . As you look out into the river, three large blue poles planted in the River bank stand as guardians poised in tension and movement with the river: on the opposite bank another group of poles also stands. “That the waters of the earth can safely lead our pas -.age thr<.mgh the dark times’’ is the name of the piece. John Bromberg February 1990 In conjunction with this piece, a ceremony was held on May 19 as a collaboration between the artist and Joseph J. Burinsky of Hazleton, Pennsylvania. This ceremony involved Native American ritual and conveyed respect for Nature especially as revealed in the many facets of the Susquehanna River. JHO'T Wilkes-Barre . • . wondrous, envigorating, varied, rich — a healing ceremony at its best! John Brombere June 1990 �^uehanna River been most moved ik interacts to create •ark-like atmosphere, umference. A of the cylinder im with bold black s within. Protruding i the bank direct:} ,ce road appear three ck amidst the roots, in the River rank rher; on the age :hr:ugb. the dark - t .We - 19 j.' c lazieton, ar.d corxeyea respect usquehanna River. n — a healing �Stephen Poleskie Circling the Square Location: 7000 feet above w In the 1960s Poleskie was a land.he found he couldn’t condense his visus — no matter how large he made it, it rt drawing on photographs taken from lh« Piper Apache in the specific pattern wh plane. A reporter who rode with him ci point pen. Recently he has been includi etc. — to co-ordinate with his movemei art all over the world, Poleskie’s sky piece for Wilkes-1 centered on Public Square during the F represents the completion of a cycle: P Poleskie exhibited his work when he w; For this performance he piloted an airj had six movements with titles relating ti and especially to the Flood of 1972, wl the Wyoming Valley. �In the 1960s Poleskie was a landscape painter, but once he started flying he found he couldn’t condense his visual perspective into a two-dimentional plane — no matter how large he made it, it remained flat and less than real. He began drawing on photographs taken from the air and would then fly his biplane or Piper Apache in the specific pattern while emitting smoke from the back of the plane. A reporter who rode with him compared it to being in the ball of a ball point pen. Recently he has been including events on the ground — music, dance, etc. — to co-ordinate with his movements in the air. Poleskie has performed his art all over the world. Poleskie’s sky piece for Wilkes-Barre (he is a native of nearby Pringle) centered on Public Square during the Fine Arts Fiesta. Circling the Square represents the completion of a cycle: Public Square was one of the first places Poleskie exhibited his work when he was still a student at Wilkes College in 1958. For this performance he piloted an airplane made in 1958. Circling the Square had six movements with titles relating to the history of Northeastern Pennsylvania and especially to the Flood of 1972, which caused significant damage throughout the Wyoming Valley. JHO’T �— MeHmg Mom untitled [Cabanas! Location: Wilkes-Barre River common The sculpture situated on the levee by the Susquehanna is a line of rhythmical, blocky, picket shaped forms. These oversized picket forms (8' high x 3 ' wide x 3 ' deep each) are in part my response to the trim tidiness of WilkesBarre and a visual play with the levee waterfront site suggesting a row of cabana­ like beach structures. On the levee the structure is a walk-through space forming an alternately covered and open arcade of dappled light filtered through walls of plastic construction fencing. The structure is built of orange construction netting and 2" x 2" lumber painted fluorescent orange. My perceptual game will hopefully be heightened as the setting sun illuminates and intensifies the orange netting and the fluorescent painted elements �A ■hm 1 I i I ! £■ anna is a line of picket forms (8 ' high x m tidiness of Wilkesjesting a row of cabana-through space forming iltered through walls of ge construction netting is the setting sun >rescent painted elements te backdrop of the beauty of each. 90 �BBS? \ ' y-i I & ■i I th > ‘?^'. *,+-*■ tf 7< * rl ' HZ ‘ijU.^ '■-« ■<■' �Angelo Ciotti Tintern Abbey Location: Wilkes-Barre River c In an art.cle far the . .r~a ;"..yr quoted as deicn’hJig h.; p.eces at ’ •’unc ■‘bring ?.:e bacK to a ?;-a_ ear.-. ' Re ­ shapes of Stone Age ar. a .'z cn.-r.. negative forms. or forces, Interact Jig. 7 sculptural style that no’ Inert Tiniern ce-.gnea to s from the Dorothy Dickson Dar.e Cerce: dramatic vista, ?. a cor... t .. -e r zbased on our coal .ega.y “';£village located a: .he er.a of a Rorr.ar. ? first coal mir.e< Th.s i~terrre aeon e: . ‘‘a place to re.< and por der upcr. natur content are relevant to our experience . �Angelo Ciottl Tintern Abbey Location: Wilkes-Barre River common In an article for the journal International Sculpture Angelo Ciotti is quoted as describing his pieces as “functional earthworks,” whose purpose is to "bring life back to a dead earth.” He is inspired in his work by the prehistoric shapes of Stone Age man and the oriental emphasis on simple positive and negative forms, or forces, interacting. The artist states, “I want to see a sculptural style that is living, not inert.” Tintern Abbey was designed to sit near the dike of the Susquehanna across from the Dorothy Dickson Darte Center where the River bends and creates a dramatic vista. It is a contemplative piece — the viewer is able to sit within it — based on our coal legacy. The title, Tintern Abbey, is taken from the Welsh milage located at the end of a Roman road, where the Emperor Hadrian built the first coal mines. This interpretation of a Gothic abbey is, in the artist’s words, “a place to rest and ponder upon nature’s rejuvenation of life.” Both theme and content are relevant to our experience in Wilkes-Barre. JHO’T �I ■ oeoiro® K* Shortens MAttowerk: cairradljo Location: Burns Bell Tower, Wilkes university Art is experience. Art is perception. Art is the process of our nervous systems The essence of art is in particular kinds of human perception, I make physical art objects and sounds that can be appreciated either as playful art works or as reflections on the nature of perception and art. The installation is designed to create art within the individual viewer that can raise questions about art and about social concerns as we experience the world around us. The objects and messages around the base of the tower provide visual commentary on a mobile, consumer-oriented society as a loose collection of ideas. The sounds generated within the installation stimulate some interactive aspects of the human nervous system, the system which is essential to our experience as human perceivers. They are computer-generated sounds and computer-modified radio sounds. The particular temporal pattern is influenced by the ways in which viewers move and interact with the sensors that provide the input to the small computers controlling the sounds. We move as we absorb the images of the space and the tower, generating the sound patterns which are suggestive of our neural aesthetic responses as cycles of interacting nervous systems contemplating the environment modified by human intrusions. In this way the installation becomes a metaphor for the perception of the altered environment. Structure is very important for me, particularly the isomorphism in the structure of the nervous system and the structure of my art works. For the expression of this kind of correspondence, the computer is an ideal tool, both for implementing particular ideas and for conceptualizing the relationships between neural networks, perceptions and art experiences. The computer and, by extension, the tower itself, becomes a metaphor for an interacting primitive nervous system that generates sound responses. The process is analogous to the way our own nervous system responds. Behind this installation is my hope that some viewers and listeners will appreciate esthetically the idea that neural activity is our art experience. George K. Shortess February 1990 �nervous 3n, I make yful art tallation is :stions about , The objects try on a interactive o our Is and influenced t provide the •, generating Dnses as modified by 'or the ism in the -or the tool, both for ips between by extension, rvous system our own •me viewers is our art �r — 9 I Matthew Tanter The Wilkes-Barre Tran H Location: Wilkes-Barre River This light sculpture consisted oi land’s edge along the curve of the Sus atmospheric conditions a grouping of 40' above the ground to form a ‘Big The installation was best viewe the evening hours. It was designed to conditions of moisture and air ou ■ f and dematerialized while mingling wit Watching it over a period of time all changes in atmosphere — variations : creeping over the dike. Positioned on light made visible their subtle interact ii 3 A Short History of the Work o Transmissometer ? < I i i Catching the last bus heading — sorting through a collection of sit repeatedly in my memory. Walking discovered the thin line separating e; of a vista, the boundaries of which i careful consideration. After working through severs plan to create a light structure that • extend it upward into the night sky. this visual effect I was left with two The runner up: the headlights of a and fuzzy at the edge. The winner: stamped on the back of it. In my dictionary I read: “tra measures the visibility or the capabi the lamp’s manufacturer, I learned local airport to determine the heigh by shining these lights up, and usu; the cloud, the height can be figured me in on their lesser known use — In my outdoor tests the lamps prod lent a conceptual basis to develop ti transmissometer that would allow t integral to the riverfront environme The W, of course, is for Wil �Matthew Tanteri Th® Wilkes-Barre Transmissometer or Big yy Location: Wilkes-Barre River common This light sculpture consisted of 12 sky pointing searchlights placed at land s edge along the curve of the Susquehanna River. Responding to local atmospheric conditions a grouping of four cloud-bound light columns crossed 40' above the ground to form a “Big W” in their center. The installation was best viewed along the dike area from late sunset into the evening hours. It was designed to make visible the active environmental conditions of moisture and air mass found along the riverbank. It materialized and dematerialized while mingling with the natural beauty of the landscape. Watching it over a period of time allowed heightened observation of subtle changes in atmosphere — variations caused by clouds passing overhead, a mist creeping over the dike. Positioned on the border where air, earth and water meet, light made visible their subtle interaction. A Short History of the Work or W is for Wilkes-Barre but What’s a Transmissometer? Catching the last bus heading back from Wilkes-Barre to New York City — sorting through a collection of sites seen that day — one image returned repeatedly in my memory. Walking towards the Susquehanna River dike, I discovered the thin line separating earth and sky opened — to reveal the drama of a vista, the boundaries of which gave the Susquehanna’s winding progress a careful consideration. After working through several project ideas I returned to this site with a plan to create a light structure that would define an edge along the riverside and extend it upward into the night sky. In the final round of lights tested to achieve this visual effect I was left with two lamps — both found at your local airport. The runner up: the headlights of a Boeing jet. It was bright, but a little too wide and fuzzy at the edge. The winner: a lamp with the word “transmissometer’’ stamped on the back of it. In my dictionary I read: “transmissometer” — an instrument that measures the visibility or the capability of the air to transmit light”. Speaking to the lamp’s manufacturer, I learned it was part of a ceilometer as used at your local airport to determine the height of the cloud ceiling above the earth. It seems by shining these lights up, and visually determining where the spot of light meets the cloud, the height can be figured by triangulation. Another manufacturer et me in on their lesser known use — in lighting the torch of the Statue o i ertj. In my outdoor tests the lamps produced the narrow beam I desired. They a so lent a conceptual basis to develop the idea of a large scale, W-shape transmissometer that would allow the viewer a visual measure of an activi y integral to the riverfront environment. The W, of course, is for Wilkes-Barre. Matthew Tanteri June 1990 �Acknowledgements Any exhibition requires the talents of many people, but with site-specific sculpture the numbers become legion. We were gratified by the many positive responses we received to our requests tor help, even though many of our needs were unusual and our product was a challenging form of outdoor art. In this year of public scandal about the arts we were pleasantly surprised to find our regional audiences willing and able to lend a hand and embrace our goals. We are grateful to all who made this exhibition possible, especially the artists who participated and so touched our lives in a unique and lasting way. Kevin O’Toole accepted his job as guest curator with a professionalism and diligence which resulted in a harmoniously divergent group of artists and pieces. Marsha Moss, an independent curator, and Andrew Zorn, Director of Sculpture Source in Washington, D.C., were helpful in lending advice and information during the formative stages. Annie Bohlin lent her usual uncanny sensibility to the design of this catalog and the map which served as guide to our visitor-. David Stevens of the Pennsylvania Council on the Arts was enthusiastic and encouraging. Richard Maslow of the Maslow Collection of Contemporary Ar: readily lent support for an educational artists’ symposium in conjunction with the exhibition. Brian Benedetti offered the safe umbrella of the Fine Arts Fiesta to help with security, insurance, and publicity. The Wilkes-Barre City offices under the direction of Mayor Lee Namey were accommodating and supportive — special thanks go to Dianna Gull. Ken Anderson, Manager of Forestry Operations at Pennsylvania Gas and Water, went the extra mile for us. At Wilkes University, Professor of Art Herbert Simon permitted the use of his sculpture studio for our guest artists. Ray Woods and Harry Miller, along with the ABM crew of Wilkes University under the direction of Gabe Sidonio and John Ruda, offered willing and much needed support to the installation and dismantling of the sculptures. The crew teams of both Wilkes University and mg s College stood ready to help with the river ceremony. Special attention should be given to those who gave in-kind support and are iste on a separate page in this catalog. To these, and to the manv supporters who cannot be named, we extend our thanks. Judith H. O’Toole, Director own body �.4/ W wY/0 Me-sP^lC L pos'uve, lo®"?? 1 ynt^s ■find o^r ■ oa^- , o KiaUV tbe lK°SeV« m r^- lauoniu0ne Kcou^'""' ■etinsj’-' »d tbe.-Xor^ Bkdsv^-/' ■sUY Mr �This exhibition is supported in part by a grant from The Pennsylvania Council on the Arts, with supplementary grants from The Marquis George MacDonald Foundation and The Maslow collection of contemporary Art. I we would like to thank the following organizations for their in-kind contributions: Brojack Lumber co., Montdale, Pennsylvania DeNaples Auto Parts, Dunmore, Pennsylvania Department of Earth and Environmental sciences, Wilkes university Pagnotti industries, west Pittston, Pennsylvania Pennsylvania Gas and water company, Wilkes-Barre, Pennsylvania Schulmerich, carillon Hill, Sellersville, Pennsylvania Sincavage Lumber, Plains, Pennsylvania Sterling Farms, Harveys Lake, Pennsylvania Susquehanna River watch, Luzerne county, Pennsylvania Tenax corporation, Jessup, Maryland valley Rent-All inc., Wilkes-Barre, Pennsylvania copyright by the sordonl Art Callery, Wilkes university, 1990. Photography by Nat Bohlln and Kevin O'Toole, catalog design by Annie Bohlln. Printing by Design Systems Printing. i ��■ J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1990 May 13 Wilkes-Barre: Senses on Site Creator An entity primarily responsible for making the resource George K. Shorten Angelo Ciotti John Bromberg Mathem Tanteri Mei-LingHon Stephen Poleski Kevin O'Toole Date A point or period of time associated with an event in the lifecycle of the resource 1990 May 13 - June 17 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Wilkes-Barre: Senses on Site is an exhibition of outdoor sculpture created specifically for certain locations in Wilkes-Barre by six nationally recognized artists. Type The nature or genre of the resource Exhibition program https://omeka.wilkes.edu/omeka/files/original/dc559d5aaff3211aecc0512e5eff89bd.pdf e58bb7bfc014d1d44bbd26f5b6f3b2fa PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1989 November 12 Louis Pontone: Myth and Mirth Creator An entity primarily responsible for making the resource Louis Pontone N/A N/A Date A point or period of time associated with an event in the lifecycle of the resource 1989 November 12 - December 17 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource N/A Type The nature or genre of the resource Exhibition program