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                    <text>�WILKES COLLEGE

DEPARTMENT OF MUSIC

presents

THE

PROGRAM

Anatolia (Turkish Rhapsody) (1967). ,

Sinfonietta for Concert Band (1961)

WILKES COLLEGE

CONCERT BAND

1.
2.
3.

Introduction and Rondo
Pastoral Nocturne
Dance Variations

Off-Stage Trumpets

conducted by

Lawrence Hughes
Glenn Landis
Steven Zannetti

RAYMOND NUTAITIS

INTERMISSION

Thrusday Evening, December 21, 1972
8:30 p. m.
DOROTHY DICKSON DARTE

CENTER FOR THE PERFORMING ARTS

Paul Creston Op. 93

Ingolf Dahl

�PERSONNEL
Percy Aldridge Grainger

Lincolnshire Posy (1940)

"This bunch of 'musical wildflowers'. . . is based on
folksongs collected in Lincolnshire, England. . .mainly in
the years 1905-1906. .. and the work is dedicated to the old
folksingers who sang so sweetly to me. Indeed, each number
is intended to be a kind of musical portrait of the singer who
sang its underlying melody-a musical portrait of the singer's
personality no less than of his habits of song-his regular or
irregular wonts of rhythm, his preference for gaunt or
ornately arabesqued delivery, his contrasts of legato and
staccato, his tendency towards breadth or delicacy of tone. 11
----- from the composer's Program-Note

1.
2.
3.
4.
5.
6.

"Lisbon Bay" (Sailor's Song)
"Horkstow Grange" (The miser and his Man - A local Tragedy)
"Rufford Park Poachers" (Peaching Song)
"The Brisk Young Sailor" (who returned to wed his True Love)
"Lord Melbourne" (War Song)
“The Lost Lady Found" (Dance Song)

FLUTE

ALTO SAXOPHONE

Helen Earl
Jovanna Gatti* (piccolo)
Michele Goldberg
Carol Johnson
Pearl Kondas
Deborah Morano
Elaine Notari
Darice Sabalesky

Joseph Jedju
Paul Mellan
John Reap*
David Stewart

OBOE

BARITONE SAXOPHONE

Robert Atherholt* ,
Diane Guterman
Marcia Haase
Stephen Malone* (English horn)

Michael Reibe

BASSOON
Heister Hower
Gail Ober*

SOPRANO CLARINET
Russian Christmas Music (1969)

Alfred Reed

".. .the College Band
a serious and distinctive
medium of musical expression
of vital service and
importance to its members, its institution and its art. "
(from the College Band Directors National Association
Declaration of Principles)

David Asman
Joseph Barancski*
Mary Bice (E-flat soprano)
Paula Castrucci
Dennis Herbert
George Kinsley
Roger Sorensen
Raymond Suda
Judy Yee

TENOR SAXOPHONE
Harold Mayo

TRUMPET
Lauren Andrews
Jack Bower
Ann Marie Cusick
Mark Dubik
Thomas Gazowski
Lawrence Hughes*
Glenn Landis
Craig Manhart
Wayne Marianelli
Bruce Phair
Steven Zannetti

HORN
J ean Cranstoun
Mary Lou Miller
Jenny Wunder
Bruce Yurko*

BASS CLARINET

Fred Pacolitch

*-Principal Player

�trombone

Marcia Dodd
Albert Dunn
Jane Lewis
Barry Lindhorst
Eugene Lispi
John Mainwaring
Dennis Millet*
Brenda Ricco
Ronald Shuleski
Donald Williams

Bruce Yurko

Vice-President

Jovanna Gatti

Secretary

EUPHONIUM

Robert Atherholt

OFFICERS

Dennis Millett

President

Treasurer

George Brezna
Paul Csigi
Michael Cuprzinski
Bruce Frederick
William Morris
Ethel Shannon*
Kenneth- Stone
TUBA

William Boronow
James Powell
Brian Turnbull*

The next concert of the Wilkes College Band is Thursday
evening, March 22, 1973 at 8:30 p.m.

PERCUSSION

David Cooper
Thomas Frew
Joseph Gurka
David Lutz
Joseph Rider
Margaret Waligorski
Robert Zampetti*

*-Principal Player

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                    <text>WILKES COLLEGE
DEPARTMENT OF MUSIC

presents

THE
WILKES COLIEGE
CONCERT BAND

conducted by

RAYMOND NUTAITIS

Thursday Evening, May 11, 1972

8:30 P.M.

DOROTHY DICKSON DARTE

CENTER FOR THE PERFORMING ARTS

�PERSONNEL

PROGRAM
SYMPHONIC SUITE(1957)
Intrada
Chorale
March
Antique Dance
Jubilee

Clifton Williams

SIMMER IN VALLEY CHY(1971)
1. Fanfare
2. Interlude
3- Parade
U. Gaines
5. Fireworks
6. Night

Ross Lee Finney
OBOE
* Robert Atherholt(English Horn)#
Marcia Haase#
Stephen Malone#

PARADES NO. 2 FOR WIND ENSEMBLE(1971)
Bruce Yurko
Allegro con spirito
Class of 1973
Andante sostenuto
Allegretto
Vivace
The Wind Ensemble
Conducted by Lewis Strouse

INTERMISSION
FOLK SONG SUITE(192U)
Ralph Vaughan Williams
1. March - "Seventeen come Sunday"
2. Intermezzo - "My Bonny Boy"
3. liar ch - 'Folk Songs from Somerset"
THREE PIECES FOR BAND(1967)
Intrada
Passacaglia
Variations

THE RED PONY, film Suite for Band(19&amp;9)
I a. Dream March
b. Circus Music
II Walk to the Bunkhouse
III Grandfather's Story
IV Happy Ending

FLUTE
* Michael Collins#
Jovanna Gatti#
Michele Goldberg
Carol Johnson (Piccolo)#
Elaine Notari
Joanne Schreibmaier
Molly Wunder (Piccolo)#

BASSOON
Heister Hower#
* William Weber(Faculty)#

HORN
Mary Lou Miller#
Georgia Munro#
Jenny Wunder#
* Bruce Yurko(Librarian)#

SOPRANO CLARINET
Joseph Baranoski#
* Mary Bice#
Paula Castrucci#
Dennis Herbert#
George Kinsley#
Helena Kruse
* Joseph Rosato(E-flat)#
Raymond Suda
Judy Yee#

TROMBONE
* Donald Ball#
Albert Dunn
Barry Lindhorst
Eugene Lispi
John Mainwaring
Dennis Millett#
Brenda Ricco
Ronald Shuleski(Librarian)#

ALTO CLARINET
Mary Rogan#

Phillip Rhoades
BASS CLARINET
Kay Platt#

Aaron Copland

TRUMPET
Lauren Andrews
Jack Bower#
Ann Marie Cusick
Thomas Gazowski
* Lawrence Hughes#
Glenn Landis#
Larry Lindner#
Wayne Marianelli#
Bruce Phair
Byron Roth
Wayne Szakal

EUPHONIUM
George Brezna
Paul Csigi
* Ethel Shannon(Librarian)

ALTO SAXOPHONE
Fred Pacolitch
* John Reap

TUBA
Clark Hamman#
James Powell
* William Sauder#

TENOR SAXOPHONE
Harold Mayo

STRING BASS
Charles Kraieski

BARITONE SAXOPHONE
Michael Riebe

�PERSONNELCcONT'D)

PERCUSSION
David Cooper#
Thanas Frew#
Joseph Gurka#
* Dean Houck
Doug Krienke
Julie Levoy (Piano)
William Lehmkuhl
Margaret Waligorski
Robert Zampetti#

* Principal Player

# Wind Ensemble Personnel

OFFICERS

Donald Ball
Dean Houck
Jovanna Gatti

President
... Vice-President
Secretary-Treasurer

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                    <text>�WILKES COLLEGE
DEPARTMENT OF MUSIC

presents

THE WILKES COLLEGE CHORUS

Richard Probert, director

Julie Levoy, accompanist
Marilyn D'Andrea, assistant accompanist

Tuesday, March 14, 1972 - 8:30 P.M.
DOROTHY DICKSON DARTE CENTER FOR THE PERFORMING ARTS

�PROGRAM

INTERMISSION

Te Deum.

Flor Peeters

God is Our Refuge ... (K. 20)

W. A. Mozart

De Profundis . . . (K. 93)

•

.

Ave Verum. . . (K. 618)

W. A. Mozart
.W. A. Mozart

Four Sixteenth Century Madrigals

She is my love, this Holy Maid
Michael Praetorius
Ye friends and neighbors
..........................Thomas Sartorius
The Cuckoo
.......................Joann Stephani
One Small White Hen
...............
Antonio Scandelli

Clap yo hands - "Oh, Kay". ............... George Gershwin
Men of the Chorus

Five Fragments of Jade

Jeno Von Takacs

Song on the River
The Leaf on the Water
The Fisherman
Intoxication of Love
On the River

Women of the Chorus
Just as the tide was flowing

Ralph Vaughn Williams

The Peaceable Kingdom

.................................Randall Thompson

Say ye to the righteous
Woe unto them
The noise of the multitude
Howl ye
The paper reeds by the brooks
But these are they that forsake the Lord (Recitative)
For ye shall go out with joy
Have ye not known
Ye shall have a song

WILKES COLLEGE CHORUS
Richard Probert, Director

AGOLINO, ANNE D.
AMETRANO, CELESTE
ANTANELIS, EVA
BATES, KAREN D.
BAUMANN, CATHERINE A.
BEEBE, LOUISE
BENNETT, CHERYL
BILLET, MARK
BLITZSTEIN, SYBIL
BOGUSKO, ANDREA A.
BONANNE, JOANNE
BOYLE, KEVIN J.
BREZNA, GEORGE
CASTRUCCI, PAULA D.
CAVAILINI, THERESA
CELUSNIAK, RITA M.
CONNIFF, RICHARD
COOPER, DAVID J.
CRISPELL, CORINNE E.
D'ANDREA, MARILYN J.

DARING, LORENE N.
DAVIS, SHIRLEY L.
DENION, SHEILA
DENNIS, DEBORAH
DENNIS, THEODORE
DEWITT, RUTH C.
DEWITT, M. BELL
DILLON, SHERYL
DONAHUE, CHRISTINE
DROST, DIANE
DUNN, ALBERT
ESLINGER, GARY S.
FERIS, BERWADETTE
FINK, PAMELA J.
FRABLE, JAMES
FRY, KAREN
GANGI, CARYN M.
GARRITY, PAUL E.
GOOD, MARY E.
GREENBERG, NANCY E

�GREGSON, DEBORAH
GRIFFITHS, JARET
GROSS, THOMAS
HOFBAUER, NANCY K.
HOOLEY, ROBERT T.
HOOVER, HAROLD
JOHNSON, CAROL J.
JONES, JOEL
KANDEL, LINDA E.
KELLY, PATRICK
KEMPINSKI, MARCIA T.
KINSLEY, GEORGE W.
KMIETOWICZ, KAREN R.
KOTERBA, KATHLEEN
KRESGE, CAROLYN A.
KUNIGEL, ARLENE P.
LAMOREAUX, NANCY
LEASER, MARY
LEVOY, JULIE A.
LEWANDOSKI, JOANNE
LUKESH, ANDREA M.
LUTZ, DAVID
MAINWARING, JOHN R.
MALONE, STEPHEN E.
MARIANELLI, BRUCE A.
McCARTY, CATHERINE
MERCURI, MICHAEL
METCALFE, WILLIAM J.
MILLER, MARY LOU
MILLS, FREDERICK J.

MORRIS, MARY E.
MURRAY, HELEN M.
OLIVERI, CONSTANCE R.
PACOLITCH, FRED J.
PHAIR, BRUCE E.
PICKETT,. LEDA
PLATT, KAY M.
POCHASKI, CAROL D.
RICHIE, GRACE E.
RIEBE, MICHAEL
SANGER, JUDITH A.
SASLAW, KENNETH S.
SAUERHOFF, JOHN
SCHONFELD, DEBRA L.
SHULESKI, RONALD A.
SMITH, MARY JUNE
TRETTER, TERRY H.
UNGER, CHRISTOPHER
VADEBONCOEUR, JEAN
VIVIAN, ANN L.
WALIGORSKI, MARGARET
WHALEY, JEAN
WILLIAMS, JUDITH M.
WINFIELD, GRETCHEN
WOOLF, JANICE A.
YOUNGKIN, SUSAN J.
YUNKUNIS, STANLEY
ZAMPETTI, ROBERT M.
ZIEGLER, ROMAN A.
ZOLA, JUDITH A.
ZUPKO, CHRISTINE M.

The Next Chorus Concert
May 9, 1972
8:30 p. m.
Dorthy Dickson Darte Center for
the Performing Arts

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                    <text>�WILKES COLLEGE
DEPARTMENT OF MUSIC

PROGRAM

Paul Creston
Op. 61

Celebration Overture (1954)

presents

THE
WILKES COLLEGE
CONCERT BAND

Concertino for
Three Brass and Band (1970)

Floyd E. Werle

I. Vintage Foxtrot
II. Lullaby

III. Greek Dance
Lawrence Hughes — solo trumpet
Donald Ball — solo trombone

conducted by

William Sauder — solo tuba

RAYMOND NUTAITIS
Masquerade for Band (1966)

. Vincent Persichetti
Op. 102

Incantation and Dance (1963)

John Barnes Chance

Thursday Evening, October 21, 1971

8:30 p.m.

DOROTHY DICKSON DARTE

CENTER FOR THE PERFORMING ARTS

INTERMISSION

�PROGRAM (cont’d.)

Sinfonia No. 4 for
Symphonic Wind Ensemble (1966)

PERSONNEL
Flute

Walter S. Hartley

I. Allegro deciso
II. Adagio

‘Michael Collins (1)
Jovanna Gatti (1)
Michele Goldberg (1)
Carol Johnson (piccolo) (1)
Elaine Notari
Molly Wunder (piccolo) (1)

Oboe

III. Vivace

Robert Atherholt (1)
Marcia Haase
‘Stephen Malone (1)

IV. Allegro molto
The Wind Ensemble

Bassoon
William Weber (faculty) (1)

Statement (1970) ... .... .... . ..

Brent Heisinger

“ ‘Statement’ is a portrayal of contemporary America . . .
the rhetoric is ours . . . but the expressive metamorphosis is
universal ... it represents the turmoil of man’s existence
throughout time — uneasy calm — unrest -— chaos —
struggle for resolution — peace . . .”
B.H.

Danza Final from
the Ballet “Estancia”

Soprano Clarinet
Joseph Baranoski (1)
Mary Bice (1)
Paula Castrucci (1)
Dennis Herbert
George Kinsley (1)
Helena Kruse
‘James Kundreskas (1)
Joseph Rosato. (E-flat soprano clarinet) (1)
Raymond Suda
Judy Yee

Alto Clarinet
........... Alberto Ginastera

Carranged for band by David John, 1965)

‘Mary Rogan
Gretchen Winfield

Bass Clarinet

“. . . the COLLEGE BAND ... a serious and distinctive
medium of musical expression ... of vital service and im­
portance to its members, its institution, and its art.”

‘Heister Hower (I)
Kay Platt (1)

(From the College Band Directors National Association
Declaration of Principles.)

Fred Pacolitch (1)
‘John Reap (1)

Alto Saxophone

�PERSONNEL

PERSONNEL

Tenor Saxophone

Tuba

Harold Mayo (1)

Keith Barber
Clark Hamman (1)
James Powell
‘William Sauder (1)
Harry Swepston

Baritone Saxophone
Michael Riebe

Trumpet
Lauren Andrews
Jack Bower (1)
Ann Marie Cusick (1)
Richard Garinger
Thomas Gazowski
‘Lawrence Hughes (1)
Glenn Landis (1)
Larry Lindner (1)
Wayne Marianelli
Bruce Phair
Byron Roth
Wayne Szakal

String Bass
‘Charles Kraieski (1)
Anthony Pedone

Percussion
David Cooper (1)
Thomas Frew
Joseph Gurka
‘Dean Houck (1)
Doug Krienke (1)
Julie Levoy (piano)
William Lemkuhl
Margaret Waligorski
Robert Zampetti (1)

Horn
Mary-Lou Miller (1)
Georgia Munro (1)
J enny Wunder (1)
‘Bruce Yurko (1) (librarian)

Trombone
‘Donald Ball (1)
Albert Dunn (1)
Barry Lindhorst
Eugene Lispi
John Mainwaring
Dennis Millet
Brenda Ricco
Ronald Shuleski (1) (librarian)

Euphonium
George Brezna (1)
Paul Csigi
‘Ethel Shannon (1) (librarian)
Kenneth Stone

* Principal Player

(1) Wind Ensemble Personnel

OFFICERS
Donald Ball ................................... . .................................

President

Dean Houck ............................................................... Vice President

Jovanna Gatti .................................................... Secretary-Treasurer

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                    <text>WILKES COLLEGE DEPARTMENT OF MUSIC
presents

®f)e Wffita College Cijoeug
Richard Probert, conductor
Julie Levoy, accompanist

jUestea M Gloria
by

Giacomo Puccini

Tuesday Evening, November 16,1971 — 8:30 P.M.
WILKES COLLEGE CENTER FOR THE PERFORMING ARTS

�PIANO I —JULIE LEVOY

CHORUS PERSONNEL

PIANO II — MARGARET BELL DEWITT
SOLOISTS

STANLEY YUNKUNIS, TENOR

GARY ESLINGER, BASS
WILLIAM METCALF, BASS

CHARLES ROBBINS, BARITONE

DAVID LUTZ, TENOR

THEODORE DENNIS, BARITONE

KYRIE

GLORIA
Stanley Yunkunis, tenor
CREDO

Gary Eslinger and William Metcalf, basses

SANCTUS
Charles Robbins, baritone

AGNUS DEI
David Lutz, tenor
Theodore Dennis, baritone

Agolino, Anne D.
Ales, Joseph
Ametrano, Celeste
Antanelis, Eva
Bates, Karen D.
Baumann, Catherine A.
Beebe, Louise
Billet, Mark
Blitzstein, Sybil
Bogusko, Andrea A.
Bonanne, Joanne
Boyle, Kevin J.
Cardias, Paula
Castrucci, Paula D.
Cavallini, Theresa
Celubniak, Rita M.
Competti, Regina M.
Connor, Eileen A.
Cooper, David J.
Crispell, Corinne E.
D'Andrea, Marilyn J.
Daring, Lorene N.
Davis, Shirley L.
Denion, Sheila
Dennis, Deborah
Dennis, Theodore
Dewitt, Ruth C.
Dewitt, M. Bell
Dillon, Grayson Sheryl
Donahue, Christine
Drost, Diane
Dungey, Clifton
Eslinger, Gary S.
Feris, Bernadette
Fink, Pamela J.
Frable, James
Fry, Karen

Gambucci, Gilbert
Gangi, Caryn M.
Garrity, Paul E.
Good, Mary E.
Greenberg, Nancy E.
Gregson, Deborah
Griffiths, Jaret
Haegele, Linda
Haynycz, Joanne
Hofbauer, Nancy K.
Hooley, Robert T.
Hoover, Harold
Hughes, Amy F.
Johnson, Carol J.
Jones, Joel
Jones, Ruthanne
Kandel, Linda E.
Kempinski, Marcia T.
Kinsley, George W.
Kmietowicz, Karen R.
Kresge, Carolyn A.
Kunigel, Arlene P.
Leach, Robert
Leaser, Mary
Levoy, Julie A.
Lewandoski, Joanne
Livingston, Thomas E.
Lukesh, Andrea M.
Lutz, David
Mainwaring, John R.
Malone, Stephen E.
Marianelli, Bruce A.
McCarty, Catherine
McDowell, Molly A.
McLean, Carol M.
Metcalf, William J.
Miller, Mary Lou

Mills, Frederick J.
Morris, Mary E.
Morse, C. Julie
Murray, Helen M.
Oliveri, Constance R.
Pacolitch, Fred J.
Petrillo, Rosemary
Phair, Bruce E.
Pickett, Leda
Platt, Kay M.
Pochaski, Carol D.
Richie, Grace E.
Riebe, Michael
Robbins, Charles
Sanger, Judith A.
Saslaw, Kenneth S.
Sauerhoff, John
Schonfeld, Debra L.
Shuleski, Ronald A.
Smith, Mary J.
Tretter, Terry H.
Unger, Christopher F.
Vadeboncoeur, Jean P.
Vivian, Ann L.
Vivian, Jean
Waligorski, Margaret
Whaley, JeanE.
Williams, Judith M.
Winfield, Gretchen
Woolf, Janice A.
Yee, Judy
Youngkin, Susan J.
Yunkunis, Stanley
Zampetti, Robert M.
Ziegler, Roman A.
Zola, Judith A.
Zupko, Christine M.

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                    <text>WILKES COLLEGE
DEPARTMENT OF MUSIC
presents

THE

WILKES COLLEGE

CONCERT BAND
conducted by

RAYMOND NUTAITIS

Thursday Evening, December 16, 1971

8:30 p.m.
DOROTHY DICKSON DARTE

CENTER FOR THE PERFORMING ARTS

�PERSONNEL
PROGRAM
Alto Saxophone

Flute

Spiritual for Band (1948)

................... H. Owen Reed
. Alan Hovhaness

Svmplionv No. 20 for Band (1969)

“Three Journeys To A Holy Mountain”
I. Andante espressivo
II.

Allegro moderate

III.

Andante maestoso

Op. 223

William Weber (1)
(faculty)
(tenor saxophone)

Soprano Clarinet

. ...___ Kent Kennen

(arranged for Solo Flute and Wind Ensemble by the composer)

Michael Collins, Solo Flute

The Wind Ensemble

Music for Prague, 1968
I.
II.

Oboe
’Robert Atherholt
(English horn)
Marcia Haase
Stephen Malone

Bassoon

INTERMISSION

Night Soliloquy (1940)..

* Michael Collins
Jovanna Gatti (1)
Michele Goldberg (1)
Carol Johnson
Elaine Notari
Molly Wunder (1)
(piccolo)

_____ _____ ____ Karel Husa

Introduction and Fanfare

Interlude

IV.

Toccata and Chorale

Alto Clarinet

Tenor Saxophone
Harold Mayo

Baritone Saxophone
Michael Riebe

Trumpet
Lauren Andrews
Jack Bower (1)
Ann Marie Cusick
Richard Garinger
Thomas Gazowski
’Lawrence Hughes (1)
Glenn Landis
Larry Lindner (1)
Wayne Marianelli
Bruce Phair
Byron Roth
Wayne Szakal

Hom
Mary-Lou Miller
Georgia Munro
Jenny Wunder (1)
’Bruce Yurko (1)
(librarian)

’Mary Rogan
Gretchen Winfield
Heister Hower
’Kay Platt (1)

* Principal Player

Trombone
’Donald Ball (1)
Albert Dunn
Barry Lindhorst
Eugene Lispi
John Mainwaring
Dennis Millett
Brenda Ricco
Ronald Shuleski (1)
(librarian)

Euphonium
George Brezna
Paul Csigi
’Ethel Shannon
(librarian)
Kenneth Stone

Tuba
Keith Barber
Clark Hamman
James Powell
’William Sauder (1)
Harry Swepston

String Bass
’Charles Kraieski (1)
Anthony Pedone

Bass Clarinet

Aria

III.

Joseph Baranoski (1)
Mary Bice (1)
Paula Castrucci
Dennis Herbert
George Kinsley (1)
Helena Kruse
’James Kundreskas
Joseph Rosato (1)
(E-flat soprano clarinet)
Raymond Suda
Judy Yee

Fred Pacolitch
’John Reap

Percussion
David Cooper
Thomas Frew
Joseph Gurka
’Dean Houck (1)
Doug Krienke
Julie Levoy (1)
(piano)
William Lehmkuhl
Margaret Waligorski
Robert Zampetti (1)

(1) Wind Ensemble Personnel

OFFICERS

A Christmas Festival (1950)

Leroy Anderson

Donald Ball
Dean Houck
Jovanna Gatti

President
Vice-President
Secretary-Treasurer

�“. . . the COLLEGE BAND ... a serious and distinctive medium
of musical expression ... of vital service and importance to its mem­
bers, its institution, and its art.”
(From the College Band Directors National
Association Declaration of Principles)

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                    <text>!sis:istii2CCiai:&lt;sisawsi5Sisiaisii3i3cisststsi£issi:iet!isisiSP®iws lsKislslztKM

WILKES COLLEGE DEPARTMENT OF MUSIC
presents

THE WILKES COLLEGE

CONCERT BAND
Conducted by Raymond Nutaitis

Thursday Evening, December 17,1970
8:30 p.m.
WILKES COLLEGE CENTER FOR THE PERFORMING ARTS

aS12lSlBiaaSt31BaSl»8&gt;5®l5®aSlB®®aaiSlS!lSSffl5Sl3aiS®affllSSSS&gt;5t31212&gt;515i3s31

�SIX EVENTS FOR FIFTY-EIGHT PLAYERS (1965) . Barney Childs

PROGRAM

PSALM FOR BAND (1952)

Vincent Persichetti

A SOLEMN MUSIC (1949)

Virgil Thompson

SWIPHONY FOR BAND (1967)

1.

Andante — Allegro moderate

2.

Adagio non tanto

3.

Allegro ritmico

Robert Washburn

INTERMISSION

DESIGNS, IMAGES &amp; TEXTURES (1966)

1.

Oil Painting

2.

Water Color

3.

Pen and Ink Drawing

4.

Mobile

5.

Bronze Sculpture

Leslie Bassett

"It will take at least two rehearsals before the players begin to be
accustomed to the general sonoric fabric of this piece and to how what
they are playing fits into it and contributes to it. The first two or three
rehearsals will sound as if far too much is going on: they will also, in all
probability, be too loud because of the players' unfamiliarity with the
nature and sound of the piece and their self-consciousness both at having
to choose much of what they play and at having to make sounds that
seem unusual. Soon, however, the players should begin to sense the fact
that anything they play must be played with care, with thought, ideally
with sensitivity; that choices of pitches, durations, even of which alter­
natives are chosen for performance, must be made with a sense of the total
dynamic ensemble freshly felt each moment and a sense of each player's
personal grasp of and feeling for his instrument and its potential; and
that each part, in silence as well as sound, is a vital thread in the total
fabric of the piece. They will, hopefully, discover that chance/choice music
demands as high musicianship as anything else and can generate an ex­
citement, a group rapport, and a feeling of creative participation some­
times lacking in more "conventional" music.
"The average basic density of sound in the piece is relatively high: its
frequency varies extremely rapidly within a limited amplitude. This has
been done to provide a rich and enormously plastic sound texture, for a
number of reasons: to exploit the immense variety of sound potential in
the concert band which has not even begun to be dealt with in other
works, to present a more immediate appeal than a more thinly scored
piece might, and to carry the players through what the composer hopes
will be an exciting musical experience to a wider appreciation of new
music at every level."
— Barney Childs

Excerpted from the Conductor's Sheet

RITMO JONDO (FLAMENCO) (1952)

Bulerias
Saeta
Garrotin

- *25X1.1----- l^&lt;L^CC^L;L^&lt;L\2OCiriLiD^;riDi2i21SjD^i^l2»S1^3iS^^i21Dl

Carlos Snrinach

(arranged for band by the composer — 1967)

�PERSONNEL
Kathy Kunkle
Alto Clarinet
Georgia Munro
Shirley Davis*
Michael Collins
Bruce Yurko*
Mary Rogan
Jovanna Gatti
Gretchen Winfield
Carol Johnson
Trombone
Elaine Notari
Donald Ball
Bass
Clarinet
Dody White*
Thomas Birkett
Molly Wunder (Piccolo) Kathy Franks
Eugene Lispi
George Matz*
(Contra-alto Clarinet) John Mainwaring
Oboe
Joseph
Miller*
Kay Platt
Deborah Daniels
Dennis Millett
Linda Hill
Alto Saxophone
Ronald Shuleski
Stephen Malone*
John Reap
Richard
Rusnak*
Euphonium
Bassoon
George Brezna
Christopher Unger
Tenor Saxophone
Paul Csigi
William Weber*
Fred Pacolitch
William Morris*
(Faculty)
Ethel Shannon
Baritone Saxophone
Kenneth Stone
E-flat Clarinet
Michael Riebe
Janice Zamos

Flute

Trumpet

Clarinet
Joseph Baranoski
Mary Bice
Paula Castrucci
Richard Ciuferri
Edward Esler
Noel Filipini
Dennis Herbert
George Kinsley
Helena Kruse
James Kundreskas
Howard Moss
Robert Okrasinski*
Joseph Riillo
Joseph Rosato

Lauren Andrews
Jack Bower
Ann Marie Cusick*
Shawn Farley
Patrick Gannon
Richard Garinger
Lawrence Hughes
Larry Lindner
Allen Marini
Bruce Phair
Wayne Szakal
Harold Van Hise

Horn
Jane Corrigan

Tuba

Kevin Boyle (Piano)
Clark Hamman
(String Bass)
James Powell
William Sauder*

Percussion
David Cooper
Dean Houck*
Doug Krienke
William Lehmkuhl
Thomas Livingston
Francis McMullen
Margaret Waligorski
Robert Zampetti

* Principal Player

Officers
Thomas Birkett, President
Richard Garinger, Vice President
Donald Ball, Secretary-Treasurer

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                    <text>WILKES COLLEGE DEPARTMENT OF MUSIC

presents

The Wilkes College
Concert Band
conducted by

RAYMOND J. NUTAITIS

THURSDAY, MARCH 19, 1970 — 8:30 P.M.
at
Wilkes College Center for the Performing Arts

�PROGRAM

PROGRAM
Festut Overture, Opus 96

Dimitri Shostakovich

Trittico for Symphonic Band (1963)

Vaclav Nelhybel

(Transcribed for symphonic band by Donald Hunsberger)
ALLEGRO MAESTOSO

Festive Overture, composed in 1954, was premiered in America in 1955
by Maurice Abravanel and the Utah Symphony Orchestra. A Russian band
version was released in 195S, and it is from this versoion that the present
transcription was made.

Fantasy On A Theme

by

Haydn (1968)

Norman Dello Joio

TTTF-.TT- — allegro scherzando
FANTASY I — LO STESSO TEMPO

FANTASY II — ADAGIO
FANTASY HI — ALLEGRO, MOLTO SPIRITOSO

“This work for band is based on a theme from a composition for piano
by Joseph Haydn. The subtly conceived theme, I concluded, offered an
opportunity to fantasize in the musical language of today.

adagio

In the final sense, it is my homage to a composer who will always re­
main contemporary.”
N.D.J.

Herbert Bielawa

Spectzum

“Spectrum was written in the spring of 1966 for the Memorial High
School Band in Houston, Texas ... It is a work for mixed media — pre­
recorded tape and live musicians — and is a serial piece in one movement of
about six minutes duration.
Two particular aspects of the piece are thus thrust beyond the tradi­
tional: instrumental color (electronic sounds) and harmony (cluster sonor­
ities, in part a result of the serialization). To counterbalance the courtship
of the two extremes, I have purposely kept the overall form of the piece
rather straight-forward, namely ABA...

To many, the composition may seem a digression from tradition. To be
sure it is a digression into the untried field of electronics for me, but di­
vorced from the compositional tradition it is not Cause and effect, unity
and variety, exposition and development, tension and repose all operate in
Spectrum."
H.B.
INTERMISSION

(Sheryl Lucker and Shirley Davis, pianos)

The composer was bom in 1919 in Czechoslovakia, studied at Prague
Conservatory of Music, and at the universities of Prague and Fribourg,
Switzerland. He was affiliated with Radio Prague as composer and con­
ductor while still a student there. In 1948 he had become active in Swiss
National Radio as composer-conductor. Since 1957 he has lived in New
York, become a U. S. citizen, and is now active as composer, conductor and
lecturer. Since 1964 he has lectured and conducted his music at the invitation
of universities in more than thirty states. His music is alive and energetic,
and Trittico is certainly no exception.

Berceuse

and

Finale from “The Firebird” (1910) .. Igor Stravinsky
(Arranged for band by Richard Franko Goldman)

The three movements are a constantly varied examination of Haydn’s
basic idea.

The bubbling humor of the first and third fantasies flank a second which
is intensely lyric.

—

ALLEGRO MARCATO

“The composition of The Firebird was the beginning of the collaboration
between two great artists (Stravinsky and the great Russian dancer, Serge
Diaghilev) — a collaboration that enhanced the development and prosperity
of Stravinsky and of Diaghilev’s famous Ballet Russe.

The final theme of The Firebird is based on an old Russian folk time
first ‘discovered’ by Rimsky-Korsakov. The song appears here as a thanks­
giving hymn, followed by the motif of The Firebird. A rhythmical transformation of the first theme follows and a brief reappearance of The Firebird
motif concludes the work — certainly one of the finest compositions of
our day.”
R.F.G.

Liturgical Music

for

Band, Opus 33

Martin Mailman

INTROIT
KYRIE

GLORIA
ALLELUIA

Composed in 1967, this work is a well-written instrumental statement
of four sections of the church liturgy. The Introit is a fanfare, a procla­
mation! One can almost hear the words Kyrie Eleison in the second move­
ment The Gloria is unbridled joy, and the fugal Alleluia serves as a
stirring Finale!

�PERSONNEL
Flute
Michael Collins
*
Carol Johnson
Susan Olsen
Dody White (Piccolo)
Molly Wunder
Oboe
Deborah Daniels
Kathleen Hay
*
Clarinet
Richard Ciuferri
Shirley Davis
Lindsay Farley
James Kundreskas
George Matz
Nancy Orcutt
Robin RenningersMary Rogan
Joseph Rosato
Diane Stinziano
Thomas Varinecz
Janice Zamos

Alto Clarinet
Michael Riebe
Bass Clarinet
Joseph Baranoski
*
Kevin Boyle
Alto Saxophone
Robert Okrasinski
*
Abigail Pratt
Robert Wilson

Tenor Saxophone
Richard Rusnak

Ralph Cook
Michael Demelfi
Shawn Farley
Patrick Gannon
Richard Garinger
Lawrence Hughes
Larry Lindner
Allen Marini
Bruce Phair
Marvin Stein
Wayne Szakal
Harold Van Hise
*

Baritone Saxophone
Walter Carpenter

Horn
Jane Corrigan
Virginia Larson
*
Georgia Munro
Bruce Yurko

Euphonium
Thomas Birkett
*
George Brezna
Paul Csigi
Sheryl Lucker
William Morris
Ethel Shannon
Percussion
Dean Houck
Vincent Hurley
*
Doug Krienke
William Lehmkuhl
Julie Levoy
Margaret Waligorski
Robert Zampetti

Trumpet
Lauren Andrews
Paul Callary

Trombone
Donald Ball
*
Paul Frenchman
Kenneth Ganser
Eugene Lispi
Joseph Miller
Dennis Millett
Mark Stair
Lewis Strouse

Tuba
Joseph Ales
Clark Hamman
Charles Mateer
*
William Sauder
String Bass
Michael Lisko

* Principal Player

&amp; &amp; &amp;
OFFICERS

CLASS REPRESENTATIVES

Virginia Larson, President

Eugene Lispi — Freshmen

Thomas Birkett, Vice-President

Larry Lindner — Sophomores

Donald Ball, Secretary

Joseph Miller — Juniors

Ethel Shannon, William Sauder, Historians

Vincent Hurley — Seniors

LIBRARIANS — Clark Hamman and Joseph Ales

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                    <text>^□□□□aaaoacoonoaaQOoanoaooaaaaaaDaoooaooaaoaDuoasQQnaDODocaoaManc

WILKES COLLEGE DEPARTMENT OF MUSIC
presents

K

“POPS" CONCERT
by

THE WILKES COLLEGE
CONCERT BAND
conducted by
RAYMOND J. NUTAITIS

Tuesday Evening, May 5, 1970 — 8:30 P.M.
at

WILKES COLLEGE CENTER FOR THE PERFORMING ARTS

�PERSONNEL

PROC RAM

OVERTURE FOR BAND, Op. 24

Felix Mendelssohn

SYMPHONY NO. 6 FOR BAND, Op. 69

Vincent Persichetti

Highlights from MISSION: IMPOSSIBLE

Lalo Schifrin

INTERMISSION

~HOROUGHLY MODERN MILLIE

Sammy Cahn
lames Van Huesen

I WANT TO HOLD YOUR HAND

John Lennon

Paul McCartney

Pierre Barouh

A .MAN AND A '.'. OMAN

Jerry Keller

Francis Lai

FLUTE
Michael Collins*
Carol Johnson
Susan Olsen
Dody White (Piccolo)
Molly Wunder

OBOE
Deborah Daniels
Kathleen Hay*

CLARINET
Richard Ciuferri
Shirley Davis
Lindsay Farley
James Kundreskas
George Matz
Nancy Orcutt
Robin Renninger*
Mary Rogan
Joseph Rosato
Diane Stinziano
Thomas Varinecz
Janice Zamos
ALTO CLARINET
Michael Riebe

BASS CLARINET
Joseph Baranoski*
Kevin Boyle
ALTO SAXOPHONE
Robert Okrasinski*
Abigail Pratt
Robert Wilson

TENOR SAXOPHONE
Richard Rusnak

BARITONE SAXOPHONE
Walter Carpenter

HORN
Jane Corrigan
Virginia Larson*
Georgia Munro
Bruce Yurko

TRUMPET
Lauren Andrews
Paul Callary
Ralph Cook
Michael Demelfi
Shawn Farley
Patrick Gannon
Richard Garinger
Lawrence Hughes
Larry Lindner
Allen Marini
Bruce Phair
Marvin Stein
Wayne Szakal
Harold Van Hise*

EUPHONIUM
Thomas Birkett*
George Brezna
Paul Csigi
Sheryl Lucker
William Morris
Ethel Shannon

PERCUSSION
Dean Houck
Vincent Hurley*
Doug Krienke
William Lehmkuhl
Julie Levoy
Margaret Waligorski
Robert Zampetti

TROMBONE
Donald Ball*
Kenneth Ganser
Eugene Lispi
Joseph Miller
Dennis Millett
Mark Stair

Lewis Strouse
TUBA

Joseph Ales
Clark Hamman
Charles Mateer*
William Sauder
STRING BASS
Michael Lisko

* Principal Player

Tony Hatch

DOWNTOWN

James R.ado

Selections from 'HAIR"

Cerome Ragni

Calt McDermot

AMERICAN CIVIL WAR FANTASY

OFFICERS

CLASS REPRESENTATIVES

Virginia Larson, President
Thomas Birkett, Vice-President
Donald Ball, Secretary
Ethel Shannon, William Sauder, Historians

Eugene Lispi — Freshmen
Larry Lindner — Sophomores
Joseph Miller — Juniors
Vincent Hurley — Seniors

Jerry Bilik

LIBRARIANS
Clark Hamman— Joseph Ales
■

JJi ?zax/ijj.-jitjjj-jj.'j’jrjntjcn

ijttasn lonou xitxx jooooaooo

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WILKES COLLEGE DEPARTMENT OF MUSIC
presents

THE WILKES COLLEGE
CONCERT BAND
Conducted by

RAYMOND J. NUTAITIS

Thursday Evening, May 14,1970 — 8:30 P.M.

at

WILKES COLLEGE CENTER FOR THE PERFORMING ARTS

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiitiiiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

�liiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiKiiiiieii

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiin

OVERTURE IN C MAJOR FOR WIND BAND, Op. 24

SYMPHONY NO. 6 FOR BAND (1958)

PRELUDE AND AZTEC DANCE

I.

PROGRAM

(1809-1847)

"The tumbling of the church bells and the bold noise of fireworks at midnight offi­
cially announce the opening of the Fiesta. Groups of Mexicans from near and far
slowly descend upon the huge court surrounding the old cathedral; some on foot,
some by burro, and still others on bleeding knees, suffering out of homage to a
past miracle.

Vincent Persichetti

"After a brave effort at gaiety the celebrators settle down on their serapes to a rest­
less night until the church bells and fireworks again intrude upon the early quiet
of the Mexican morn.

Felix Mendelssohn

"At mid-day a parade is announced by the blatant blare of trumpets. A band is
heard in the distance and almost immediately the musicians round the corner of
the plaza. The attention is focused upon the Aztec Dancers, brilliantly plumed and
masked, who dance in ever-increasing frenzy to a dramatic climax.

Adagio - Allegro
Adagio Sostenuto

Allegretto

Vivace

MASS

II.

BADINAGE FOR PERCUSSION AND BAND (1969)

"The tolling of the bells is now a reminder that the Fiesta is, after all, a religious
celebration. The rich and poor slowly gather within the walls of the old cathedral
for contemplation and worship.

Rosendo E. Santos, Jr.

CARNIVAL

III.

"Mexico is at its best on the days of the Fiesta —a day on which passion governs the
love, hate and joy of the Mestizo and the Indio. There is entertainment for both
young and old —the itinerant circus, the market, the bull fight, the town band, and
always the 'cantinas' with their band of 'Mariachis' —on the day of days: FIESTA."

INTERMISSION

- H.O.R.

ENGLISH DANCES FOR BAND (1965)

LA FIESTA M EX 1 CANA, A Mexican Folk Symphony
for Concert Band (1954)

1.

H. Owen Reed

"The Mexican, as a result of his religious heritage, feels an inner desire to express
love and honor for his Virgin. The Mexican 'Fiesta,' which is an integral part of this social

structure, is a study in contrasts: it is both serious and comical, festive and solemn, de­
vout and pagan, boisterous and tender.

Malcolm Arnold

Andantino
2.

Vivace
3.

Mesto

4.

Allegro risoluto

"LA FIESTA MEXICANA, which attempts to portray musically one of these 'Fiestas/ is
divided into three movements. These movements, plus possible choreographic notes,
are described below.

mi iiiiiiiiin in i mm mi iiniiiiiiiiiiii i iiiiiiinif mi iiiiiiiiiiii mi iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

Illlllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll

�IIllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll Illi llllllllllllllllllllllllllIIIIIIIHIIIIIIIIIIIIIIIII

PERSONNEL
FLUTE
Michael Collins*
Carol Johnson
Susan Olsen
Dody White (Piccolo)
Molly Wunder

OBOE
Deborah Daniels
Kathleen Hay*
CLARINET
Richard Ciuferri
Shirley Davis
Lindsay Farley
James Kundreskas
George Matz
Nancy Orcutt
Robin Renninger*
Mary Rogan
Joseph Rosato
Diane Stinziano
Thomas Varinecz
Janice Zamos

ALTO CLARINET
Michael Riebe

BASS CLARINET
Joseph Baranoski*
Kevin Boyle
ALTO SAXOPHONE
Robert Okrasinski*
Abigail Pratt
Robert Wilson

TENOR SAXOPHONE
Richard Rusnak

BARITONE SAXOPHONE
Walter Carpenter

HORN
Jane Corrigan
Virginia Larson*
Georgia Munro
Bruce Yurko

EUPHONIUM
Thomas Birkett*
George Brezna
Paul Csigi
Sheryl Lucker
William Morris
Ethel Shannon

TRUMPET
Lauren Andrews
Paul Callary
Ralph Cook
Michael Demelfi
Shawn Farley
Patrick Gannon
Richard Garinger
Lawrence Hughes
Larry Lindner
Allen Marini
Bruce Phair
Marvin Stein
Wayne Szakal
Harold Van Hise*

TROMBONE
Donald Ball*
Kenneth Ganser
Eugene Lispi
Joseph Miller
Dennis Millett
Mark Stair
Lewis Strouse

PERCUSSION
Dean Houck
Vincent Hurley*
Doug Krienke
William Lehmkuhl
Julie Levoy
Margaret Waligorski
Robert Zampetti

TUBA
Joseph Ales
Clark Hamman
Charles Mateer*
William Sauder

* Principal Player

STRING BASS
Michael Lisko

OFFICERS

CLASS REPRESENTATIVES

Virginia Larson, President
Thomas Birkett, Vice-President
Donald Ball, Secretary
Ethel Shannon, William Sauder, Historians

Eugene Lispi — Freshmen
Larry Lindner — Sophomores
Joseph Miller — Juniors
Vincent Hurley — Seniors

LIBRARIANS
Clark Hamman-Joseph Ales
The Music Department expresses its appreciation to Mr. Nelson Carle and the men of the
Wilkes College Maintenance Staff for their assistance throughout the year.

..............I............. I1IIIIIIIIIIIIIIIIIIII1IIIII1IIIIIIII ........... .

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                    <text>WILKES COLLEGE DEPARTMENT OF MUSIC

presents

THE
WILKES COLLEGE
CHORUS
Richard Chapline, director

Julie Levoy, accompanist

Tuesday Evening, October 27,1970 — 8:30 P.M.

WILKES COLLEGE CENTER FOR THE PERFORMING ARTS

�PROGRAM
I.

Te Deum Laudamus ..................... ................................. Alessandro Scarlatti
Soprano

Alto

Corinne Crisped
Christine Donahue

Paula Cardias
Tenor
Raymond Smith
Bass
William Metcalf

Stopping by Woods on Snowy Evening

Lauree Barnes
Karen Bates
Catherine Baumann
Ann Beierschmitt
Mark Billet
Thomas Birkett
Louise Beebe
Cheryl Bennett
Andrea Bogusko
Eugene Bourque
Kevin Boyle
Carson Brown
Paula Cardias
Donna Coffin
Michael Collins
Eileen Connor
David Cooper
Jane Corrigan
Corinne Crispell
Deborah Dalon
Deborah Daniels
Lorene Daring
Shirley Davis
Sheila Denion
Ruth Dewitt
Christine Donahue
Clifton Dungey
Dennis English
James Ferrario
Pamela Fink
Kathryn Franks
Karen Fry
Caryn Gangi

Choose Something Like a Star

Ronald Ganis
Mary Good

Carolyn Kresge
Arlene Kunigel

II.

Psalm 57 (1964)............................. ............................................... Jean Berger

INTERMISSION

III.

Anne Agolino
Joseph Ales
Celeste Ametrano
Marlene Atherholt

Frostiana — Seven Country Songs (1959)
(Words by Robert Frost)

The Road Not Taken
The Pasture

Come In
The Telephone

A Girl's Garden

Randall Thompson

Sheryl Grayson
Nancy Greenberg
Jaret Griffiths
Kathryn Hafich
Clark Hamman
Linda Hill
Nancy Hofbauer
Robert Hooley
Judith Hudson
Amy Hughes
Ruthanne Jones
Linda Kandel
Leonard Kemmerer
Marcia Kempinski
Karen Kmietowicz
Diane Kondor
Carolyn Kresge
Arlene Kunigel
Robert Leach
Julie Levoy
Lee Ann Leydig
Don Liddle
Nadzia Litiaho
Ann Lovecchio
Andrea Lukesh
Bruce Marianelli
Molly McDowell
Carol McLean
Barry McCloud
William Metcalf
Mary Mickulik
Fred Mills
Mary Morris
Julie Morse

Helen Murray
Peggy Occhipinti
Gail Partyka
Leda Pickett

Carol Pochaski

Abigail Pratt
Grace Richie
Michael Riebe
Charles Robbins
Judith Sanger
William Sauder
John Sauerhoff
Anthony Saullo
Raymond Smith
John Sopp
Carla Sturgis
Karen Toslosky
Christopher Unger
Jean Vadeboncoeur
Iris Vaughan
Margaret Waligorski

Elaine Watson
Jean Whaley
Judith Williams
Gretchen Winfield
Louise Wintermute
Janice Woolf
Elizabeth Yunkunis
Stanley Yunkunis
Janice Zamos
Robert Zampetti
Roman Ziegler
Christine Zupko
DFFICFRS
President
Ronald Ganis
Vice-President
Marlene Atherholt

Secretary
Gretchen Winfield

Librarians
Julie Levoy
Corinne Crispell

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                    <text>J\nnual @ommcntcmcnt
~urkuell ~uibersitt!
a(uufor filolle£e

Jtfirst Jresht!teriau Jarisq ~ouse
~ilkes-~arre, Jlenns~hmttia

filqursbat!, ~at! 21st, 1942
s:oo JL ~-

�{jraduales
SUMMA CUM LAUDE
Allred Eisenpreis

Milton Tobias Edelman
Daniel Rupert Ormanowski

MAGNA CUM LAUDE
Elizabeth Denison Lance
Warren Aubre y Kistler

Order of 6xercises
STRING QUARTET SELECTION

Quartet in B Major

Mo zart

THE ACADEMIC PROCESSION

CUM LAUDE
Robert Franklin Babskie

Sallyanne Frank
Phyllis Theresa Kempinski

IN THE BACHELOR OF ARTS COURSE
Morris Altman
Phyllis Theresa Kempinski
Alfred Eisenpreis
Elizabeth Denison Lance
Joseph Benedict Farrell
June Mary Owens
Sallyanne Frank
Marion Marcia Thomas
Katherine Philipps Freund
Olive Jean Thomas
Joseph Anthony Denis Higgins
Michael Mervin Wargo
Stefano Hoyniak
Charlotte Jean Waters
IN THE BACHELOR OF SCIENCE COURSE
Robert Franklin Babskie
Morriz Aaron Joseph
Francis Joseph Bednarek
Pe ter Paul Mayock
Richard Edgar Crompton
Ralph Gregory Norbert
Milton Tobiac. Edelman
Frank Christopher Ostapovicz
Phyllis Sandre Eichler
Mary Josephine Pohala
John Danie! Groblewski
Charlotto Leah Reichlir.
Jeannette Ann Jones
Rita Bernice Seitchek
IN THE BACHELOR OF SCIENCE IN COMMERCE AND FINANCE COURSE
Gerald Green
Warren Aubrey Kistler
Sheldon Leonard Greenbaum
Lois Jane Morgan
Joseph Charles Kelly
Aaron Weiss
Miltor. Blumner Kerr
Elizabeth Caroline Womelsdorf
IN THE BACHELOR OF SCIENCE IN EDUCATION COURSE
Richard Clinton Bantle

INVOCATION

Charles Stilwell Roush
CHORAL MUSIC

Hostias Et Preces
(Offering and Prayers)
Spring Song
ADDRESS

William A. Shimer
';The Mess Our Fathers Left Us"
VOCAL SOLO

Mr. Christopher O'Malley, 41
Reci-tati ve and Air from "The Messiah" H andcl
PRESENTATION OF CERTIFICATES

Gilbert S. McClintock

IN THE BACHELOR OF SCIENCE IN CHEMICAL ENGINEERING COURSE
Daniel Rupert Ormanowski
IN THE BACHELOR OF SCIENCE IN ELECTRICAL ENGINEERING COURSE
Elmo Michael Clemente
Francis Matthew Figlock
William Vincent Dapkus
Joseph George Sweeney
IN THE BACHELOR OF SCIENCE IN MECHANICAL ENGINEERING COURSE
Robert Stanley Rovinski
Robert Henry Fritzges
Robert Emerson Shrader
Jerome Michael Martis
James Daniel Fearn
In addition, the following students are eligible to enter the Junior Year
al Bucknell University at Lewisburg:
John Rexford Noack
Wallace Fred Perrin

Lorance Robert Spencer
Stephen Jackson Whiteman
Forrest William Price, Jr.

Arnaud C. Marts
Aw ARD

OF PRIZE

Offered by the Wilkes-Barre Chapter of
The American Association of Univ:ersity
Professors.
JUNIOR COLLEGE SONG

BENEDICTION

Samuel Wolk
Students and parents are invited to meet the faculty
in the Reception Room after the exercises

Sabbatini
Parry

RECESSIONAL

�Junior Colleqe Son9
Bucknell Junior College,
We pledge our hearts to Thee;
Honor, faith and courage,
Truth and loyalty.
As we leave Thy guiding spirit
To prove our way as men,
We'll take Thy mem'ry with us,
To help us to the end.
Thou hast led us onward
In search of finer heights.
May we leave no mem'ry
To mar Thy spirit bright.
May our deeds and deep devotion
To one we love so well,
Stay with Thee for others.
Oh Bucknell, dear Bucknell.

�</text>
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