168
15
4132
-
https://omeka.wilkes.edu/omeka/files/original/20b2699069f696c87ce88e15e72327c5.pdf
3f71dcd07f4a54949c9a2ca7a38b9369
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2010 Advance Traditions
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
Exhibitions USA presents an overview of printmkaing of the last tweny years at the Flatbed Press.
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
prints
printmaking
Flatbed Press
Source
A related resource from which the described resource is derived
Exhibitions USA
Rights
Information about rights held in and over the resource
Mid-America Arts Alliance
-
https://omeka.wilkes.edu/omeka/files/original/7d8075f00342a196531e4c359e9f4d4c.pdf
89caad63f64f51af67e2f0a79896f489
PDF Text
Text
�������
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
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Title
A name given to the resource
2008 October 17 A New Paradigm: Recent Work by Ron Ehrlich
Creator
An entity primarily responsible for making the resource
Nicholas Taylor
Date
A point or period of time associated with an event in the lifecycle of the resource
2009 April
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
The photographs in this exhibition reveal an intimate look at the friendship between artists Nicholas Taylor and Jean-Michel Basquiat.
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
Jean-Michel Basquiat
photography
contemporary painter
biographical
Source
A related resource from which the described resource is derived
Castellani Art Museum
Rights
Information about rights held in and over the resource
Nicholas Taylor
-
https://omeka.wilkes.edu/omeka/files/original/6b87f217965305a3c6c1add3323255af.pdf
36bd525bdd2aca0ab59ef69805c0ebfb
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2008 October 17 A New Paradigm: Recent Work by Ron Ehrlich
Creator
An entity primarily responsible for making the resource
Ron Ehrlich
Ronald R Bernier
Date
A point or period of time associated with an event in the lifecycle of the resource
2008 October 17 - December 12
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
American painter Ron Ehrlich is known for achieving rich surfaces and subtleties of tone melding the techniques of vessel-making with the spontaniety and vitality of action painting
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
Ron Ehrlich
painter
painting
abstract
abstract art
Rights
Information about rights held in and over the resource
SAG
-
https://omeka.wilkes.edu/omeka/files/original/538436824983d28e1f96d5b61692007a.pdf
ff21be9ebb8046cfa6fd74d790ae7821
PDF Text
Text
�����
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2008 August 15 Remembering Helen: The Sordoni Art Gallery at Thirty-Five
Creator
An entity primarily responsible for making the resource
Ronald R. Bernier
Ph.D.
Date
A point or period of time associated with an event in the lifecycle of the resource
2008 August 15 - October 5
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
This exhibition, Remembering Helen, honors the memory and generosity of this special friend, Helen Farr Sloan, of the Sordoni Art Gallery.
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
Helen Farr Sloan
Helen Farr Sloan collection
-
https://omeka.wilkes.edu/omeka/files/original/27a1b4c5e5b89ca8c3f7aff4717ffb5f.pdf
3f0b74d65b2d938fb44df2ea7764d8e5
PDF Text
Text
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2008 March 30 "Sweetheart Like You": Roller Derby Portraits
Creator
An entity primarily responsible for making the resource
Michael Poster
Date
A point or period of time associated with an event in the lifecycle of the resource
2008 March 30 - May 4
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
"Sweatheart Like You": Roller Derby Portraits is an exhibition about the lives of the Coal City Rollers local to NEPA.
Type
The nature or genre of the resource
Invitation
Subject
The topic of the resource
Michael Poster
photography
photographer
photographs
documentary
rollerderby
-
https://omeka.wilkes.edu/omeka/files/original/ceb78532ce0f38b06214b1e58d7e232f.pdf
954fe3f85c19cd0b9000cda3946a3592
PDF Text
Text
����������������
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2008 January 14 Some for Me, Some for You
Creator
An entity primarily responsible for making the resource
Ken Aptekar
Stanley I. Grand
Date
A point or period of time associated with an event in the lifecycle of the resource
2008 January 14 - March 2
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
In a process that integrates the past into the present through the re-use of art history's forms, patterns, and figures, Aptekar challenges the passivity of influence and the burden of Old Master veneration.
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
Ken Aptekar
art history
old master's
-
https://omeka.wilkes.edu/omeka/files/original/a007e1fe6e9c3980d09000fe870eacf0.pdf
75c06463f006bbd6bf14d945321ed286
PDF Text
Text
Q. Wrref ls a"gePlk
anel*?
A. Gradtic novels *Live o{.w de{rni,ta
chqi acl er t s +i c s. W,&,s_y a
u a(* y 1-,t ty
1 l.
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Q. Wlra+ is a "comic booko?
A. Yorr vuo,1 lhink yqt l<nowtrl"e auswer lo 1*;s
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1'pueA $wclers.
ilertoai+ Etrck with we q (er^t ,+tixutesz
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i'
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lnal ov*aiu s "' co*ri csl Glso knorr os cr* x l'),
Comics ig c melrttm 6v etweSgirrq in{oyyya*ion
ar.d/o. artis{tc ideas fuat ts f,ei(;neAlRt
.*
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�The Languoge of Comics:
Originol Drowings from Jessico Abel's Lo Perdida snd
Mott Modden's 99 Ways to Tell o Story: Exercises in Style
October 2? to December
9,
2OO7
Opening reception:
Soturdoy, November 3, 5:00 - 7:OO p.m.
Mott Modden will present o slide lecture on his work immediotely preceding the
reception ot 4:30 p.m. in Stork Leorning Center, Room 166.
This exhibition wos organized by the Richard F. Brush Art Gollery ot 5t. Lowrence University.
Front: Jessico Abel, What is a graphic novel?,2OOZ
Gicld,e print
Jessicq Abel is the outhor of Soundtrackand AAirror, Window, two
collections of stories ond drowings from her comic book, Artbabe. Her
grophic novel La Perdida won the 2002 Harvey Aword for Best New Series
ond wos nominoted for on " Essenf iels de la BD" oword of the 2OO7
AngoulOme Comics Festivol in Fronce. She is currently colloboroting on
onother grophic novel, Life 5ucks, ond is finishing up o textbook obout
moking comics with Mott Modden. She teoches at the School of Visuol Arts
in New York City.
minicomics in the early 1990s. He hos
created two grophic novels, Black Candy in 1998 and Odds Of f in 2001.
Mott teoches ot the School of Visuql Arts ond reviews comics for
Bookforum. His lotest comics oppeor in A Fine lAess, a series published by
Alternotive Comics. 99 Ways to Tell a Story: Exercises in Style wos
published in 2005 by Penguin Books.
Mott Modden storted self-publishing
�La Perdida tells the story of o young womon's misodventures
ond her desire to live on outhenticlif e. Carla, on Americon
estranged from her Mexicon father, heods to Mexico City to
"find herself ." She croshes with o former fling, Horry, who hos
been drinking his woy through the copitol in the greot trodition
of his heroes, Williom S. Burroughs ond Jock Kerouoc. Horry is
good-humored obout Corlo's reoppeoronce on his doorstep - until
he reolizes thot Corlo, who spends her doys sooking in the city,
exploring Frido Kohlo's house ond leorning Sponish, hos no
intention of leoving.
When Horry ond Corlo's relotionship of mutuol toleronce
reoches its inevitoble end, she relects his world of Anglo
expots f or her own set of friends: pretty-boy Oscor, who sells
pot ond dreoms of being o DJ, ond chorismotic Memo, aleftwing, pseudo-intellectuol lodies' mon. Determined to experience
the real Mexico, Corlo turns o blind eye to her new f riends'
inconsistencies. But then she cotches the eye of o drug don, el
Gordo, ond from thot moment on, her lif e gets a lot more
complicoted, ond she is forced to confront the irreparable
conseguences of her willful innocence.
fmoge: Jessico Abel,Cover drawing for La Perdida,2006
Offset printed jocket sleeve
��99 Ways to Tell a Storywos inspired by Roymond
Queneou's
Exercises in Style (1947), in which he spun ninety-nine
voriotions out of o bosic, two port text reloting two chonce
encounters with o mildly irritoting chorocter during the course
of o doy. He told the story in every conceivoble tense, then in
free verse, os o sonnet, os otelegram, in pig Lotin, os o series
of exclomations, in on indiff erent voice...you nome it, he did it.
fn
my book eoch comic presents the some story-recounts
exoctly the some events-but tokes o different opprooch
to telling the tole. You will find vorying points of view,
diff erent styles of drawing, homoges ond porodies, os well
as interpretotions thot moy chollenge your idao of whot
exoctly o norrotive is. For example, con mops tell o story?
How obout o full page of odvertisements? f'm not
suggesting thot there's o def init e answer , only thot it's
exciting to consider how mony different woys o story con
be told, how ort ond text interoct, ond how lhese comics
relate to other visuol ond norrotive medio.
-Mott
Tmage: Mott Modden, Color mop
Gicl6,e print
Modden
from 99 Ways to Tell a Story
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Vhat
ts
lt
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United statesf
of Jessica i
/
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l-
Refrigerator
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Soroonr aer Oouery
+[#*ir":::;%m
Tel 570-408-4325
Fox 570-408-7733
W ilkes.edu /so rdon iortgol ery
hallery Hours: Noon to 4:30 p.m., doily
I
The Languoge of Comics
October 22 to December
9, 2@7
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2007 October 22 The Language of Comics
Creator
An entity primarily responsible for making the resource
Jessica Abel
Matt Madden
Date
A point or period of time associated with an event in the lifecycle of the resource
2007 October 22 - December 9
Format
The file format, physical medium, or dimensions of the resource
PDF
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
comic
comics
graphic novel
illustration
-
https://omeka.wilkes.edu/omeka/files/original/2e6e47411cd87ceb635e9c715f3604b9.pdf
dca76613688fb0227fd5447b5daa0781
PDF Text
Text
�g
Sordoni Art Gallery
Wilkes University
150 South River Street
Wilkes-Barre, PA 18766
TeI570-408-4325
Fax570-408-7733
wilkes. e du/sordoniartgallery
Gallery Hours: Noon - 4:30 p.m., daily
Black DesertsAVelsh Tips
Phorograplts by Ray Klimek
August 27 - October 7, 2007
Opening reception with the artist:
Saturday, September 8, 5-7 p.m.
Hug hesto w n, Pe ruuy lo ania, 2003
20 x24in.
digital C print
courlesy the arlisl
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2007 August 27 Black Deserts/ Welsh Tips
Creator
An entity primarily responsible for making the resource
Ray Klimek
Date
A point or period of time associated with an event in the lifecycle of the resource
2007 August 27 - October 7
Format
The file format, physical medium, or dimensions of the resource
PDF
Description
An account of the resource
Photographs by Ray Klimek, more than 20 photographs contrasting the culm banks and mine-damaged lands of northeastern Pennsylvania and South Wales.
Type
The nature or genre of the resource
Invitation
Subject
The topic of the resource
Ray Klimek
coal
coal mining
photography
photographer
Rust Belt
South Wales
-
https://omeka.wilkes.edu/omeka/files/original/948a08f1d0d9e207204a2c58f1d61509.pdf
e7c86430593bbe2d102d56555e5c541b
PDF Text
Text
�IEF
Juruur,
.'
ur vdrrLr-r
IJll'l*Y.xt'l?.-
=.
Wilkes-Barre. PA 18z66
=Tel
57o-4o}-4325
Fax 57o-4o8-7737
wilkes. edu/sordoniartgallery
Gallery Hours: Noon
-
4:3o e.u., daily
Wilkes University
Art Faculty Exhibition, zooT
Aprilr-Mry2c.,2oo7
Opening Reception
Sunday, April r, z:oo
Participating Artists
Iean Adams
Sharon Bowar
Richard Fuller
Beverly Glennon
Bruce Lanning
David Leonard
David Schulte
John Sedor
William Sterling
Herb Simon
-
4:oo
P.M.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
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Wilkes University
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The Sordoni Art Gallery
Date
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1973-present
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Wilkes University retains copyright of these exhibition programs.
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English
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Exhibition programs, flyers, and calendars.
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PDF
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Title
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2007 April 1 Faculty Exhibition 2007
Creator
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Jean Adams
Sharon Bowar
Richard Fuller
Beverly Glennon
Bruce Lanning
David Leonard
David Schulte
William Sterling
Herb Simon
Date
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2007 April 1 - May 20
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PDF
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This exhibition proudly continues a long tradition at the Sordoni Art Gallery of showcasing the unique achievements of the Art Faculty at Wilkes University.
Type
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Invitation
Subject
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faculty exhibition, Wilkes University, faculty
-
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fc6ff83a67b00e3bc865c070b2924862
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�Related P
rams and Events
Children of Darfur: Picturing Genocide
o Farley Library, Wilkes University
January I7-February 17, 2007
An exhibition of children's drawings organized by Africa Action
All About Darfar
A film by Sudanese filmmaker Taghreed Elsanhouri
Special one-time screening at R/C Wilkes-Barre Movies l4
Wednesday, February 7,7 p.u.
Dr. fean-Marie Kamatali, professor of law at the University of Notre Dame and guest speaker,
will address the film immediately following. Co-sponsored by King's College.
.
Guest speaker, Iohn Heffernan
Director Genocide Prevention Initiative at the U.S. Holocaust Memorial Museum, Washington, D.C.
Thursday, February l5,7 p,u. o Henry Student Center,2nd floor Ballroom, Wilkes University
Gallery talk, Ryan Spencer Reed
Tilesday, March 13, 7 p,u.
Image: Kotobi, South Sudan
20 x 30 in.
courtesy private collection
ff
ffi:]ffi'J;;il"
Tel 570-408-4325
Fax 57O-4O8-7733
For more information please call
s70-408-4325
=il;il:$:I:r"#[T:.
wilkes.edu/sordoniartga llery
Gallery Hours: Noon-4:30 e.rvr., Daily
�rrilffi:l',ffi:,iiff'
A=I.
=-
r
50 sourn xrver >rreer
wilkes-Barre. PA r8766
SUDAN
The Cost of Silence
Photographs by Ryan Spencer Reed
�
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Title
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The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
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The Sordoni Art Gallery
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Wilkes University
Publisher
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The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
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Wilkes University retains copyright of these exhibition programs.
Language
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English
Type
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Exhibition programs, flyers, and calendars.
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PDF
Text
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Title
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2007 January 15 Sudan: The Cost of Silence / Hands of a Displaced Sudan
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Ryan Spencer Read
Date
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2007 January 15 - March 18
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PDF
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Hands of a Displaced Sudan is an exhibit of some sixty photographs by Ryan Spencer Read, a member of Group M35. It chronicles the genocide in the Darfur region of Sudan.
Type
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Invitation
Subject
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Sudan
conflict
photography
photographer
photograph
documentary
-
https://omeka.wilkes.edu/omeka/files/original/91811e209db031a26cd332ec8e7254d6.pdf
2eef465995716b29b5ea6ff19857b9aa
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Text
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Title
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The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
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The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
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English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
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PDF
Text
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Title
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2006 October 28 Beyond Recognition: The Art of Alan Magee
Creator
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Alan Magee
Ronald R. Bernier
Ph.D.
Date
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2006 October 28 - December 10
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PDF
Description
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Using fantastical realism as a medium for conversation, Alan Magee's work is representative of both the every day and the magic behind it.
Type
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Exhibition program
Subject
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Realism
hyperrealism
magical realism
Alan Magee
painter
paintings
Source
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Forum Gallery
-
https://omeka.wilkes.edu/omeka/files/original/3731cd5040e69490d5b016ee51e1fdae.pdf
26675ae454e9f9e10f4dee916626beee
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�,ii-i:
ffi
�Sordoni
Art
Gallery
Wilkes University
I50 South River Street
Wilkes-Barre, PA I8766
Tel 570-408-4325
Fax 570-408-7733
sordoni.wilkes.edu
Gallery Hours:
Noon to 4:30 n.u. daily
PENUMBRA
an instalktion
Jon
C1ark
'
oJ glass,
light, and sound
Angus Powers
'
Jesse
Daniels
August 28-October B, 2006
Opening reception to mer:t the artists
Saturdap September 9, 5 to 7 p.u.
�
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Title
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The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
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The Sordoni Art Gallery
Source
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Wilkes University
Publisher
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The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
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Wilkes University retains copyright of these exhibition programs.
Language
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English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
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PDF
Text
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Title
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2006 August 28 Penumbra: An Instalation of Glass, Light, and Sound
Creator
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Jon Clark
Angus Powers
Jesse Daniels
Date
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2006 August 28 - October 8
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PDF
Description
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Penumbra is an organized installation of glass, light, and sound.
Type
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Exhibition program
Subject
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installation
installation art
glass
audio
video
-
https://omeka.wilkes.edu/omeka/files/original/45a8b20e68d9fe40837016da4c095ff3.pdf
4eebf632de9f8189efa52c258e6d1b9a
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�Sordoni Art Gallery
Wilkes University
'150 South River Street
Wilkes-Barre, PA 18766
Tel
Fax
570-408-4325
570-408-7733
SLICES OF
TIME
Photographs by Michael Mirabito
June 14-August6,2006
Opening reception: Sunday, )une 25,2 - 4
Come meet the artist!
sordoni.wilkes.edu
Summer Gallery Hours
Noon - 4:30 p.tvt.,
Wed.- Sun.
TheTor,)anuaty,2006,digital inkjet print,collection ofthe artist,actual size
p.r,ri.
�
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Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
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Title
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2006 June 14 Slices of Time
Creator
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Michael Mirabito
Date
A point or period of time associated with an event in the lifecycle of the resource
2006 June 14 - August 6
Format
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PDF
Type
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Exhibition program
Subject
The topic of the resource
N/A
-
https://omeka.wilkes.edu/omeka/files/original/e464b4149567291ce04f0c1e1bf0c6d1.pdf
68997b643fd691fb419bd3403c4df62b
PDF Text
Text
COMMITTED TO CLAY
,OE BENNION ,/ RANDY JOHN5TON ,/ MARY LAW
/
)EFF OE5TREICH
,/ sANDY SIMON
�Sordoni Art Gallery
Wilkes University
150 South River Street
Wilkes-Barre, PA 18766
2006 Dr. Roy
E.
Morgan Exhibition
COMMITTED TO CIAY
Joe Bennion / Randy Johnston
Mary Law / Jeff Oestreich / Sandy Simon
Tel 570-408-4325
Fax570-408-7733
March 18-May 21,2006
sordoni.wilkes.edu
Opening reception: Saturday, March 25,5-7 p.v.
Gallery Hours:
Demonstration Workshops:
with Joe Bennion, March25,2006
with Jeff Oestreich,April 1,2006
Noon-4:30 e.m.,daily
Slide Lecture by Jeff Oestreich: Friday, March 31,2006
7:30 p.rvr. at Wilkes University.
Lecture is free and open to the public.
For more information call 57 0-408-4325
Price list available upon request.
�
Dublin Core
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Title
A name given to the resource
The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
An entity primarily responsible for making the resource
The Sordoni Art Gallery
Source
A related resource from which the described resource is derived
Wilkes University
Publisher
An entity responsible for making the resource available
The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
Information about rights held in and over the resource
Wilkes University retains copyright of these exhibition programs.
Language
A language of the resource
English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
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Title
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2006 March 18 Committed to Clay
Creator
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Joe Bennion
Randy Johnston
Mary Law
Jeff Oestrich
Sandy Simon
Date
A point or period of time associated with an event in the lifecycle of the resource
2006 March 18 - May 21
Format
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PDF
Type
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Exhibition program
Subject
The topic of the resource
ceramics
ceramic
clay
Joe Bennion
Randy Johnston
Mary Law
Jeff Oestrich
Sandy Simon
-
https://omeka.wilkes.edu/omeka/files/original/60b25e3455b2fabc1f9c8574ba8e8a84.pdf
463080b0c41ccffab7723147e955d766
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Text
Johnnie Win*nm ffi*ss
�Cover:
Sand Bend Drow (SBD-01),
2OO4
ocrylic, mixed medio on linen
60
x 57 in,
Collection of Stephen Holler,
New York, NY
(detoil)
�Johnnie Winonc Ros
Jonuory
llMorch 5
2006
Johnnie Winono Ros
SordoniArt Gollery
Wiikes Universiiy
Witkes-Borre, Pennsylvonic
�uorl Dnoniw einnrloL
�Johnnie Winono
Ross
Jonuory lS-Morch 5, 2006
SordoniArt Gollery
Wilkes University
Wil kes-Borre,
Pennsylvonio
�O 2006 Sordoni Art Gollery, Wilkes University
150 South River Street
.l8766
Wilkes-Borre, Po
Telephone
57 O- 4OB-
4325
Fox 570-408-7733
sordoni.wilkes.edu
2000 copies were printed by Ook Lone Printing
Cotologue design: John Beck, Scronton
.l950s
for the mogozine of thot nome by Herb Lubolin
Typefoce: Avont Gorde, designed in the
ISBN: 0-942945-27-l
�Acknowledgments
ince first encountering the work of Johnnie Winono Ross neorly two yeors
ogo, I hove hod the greot good fortune of working with people who hove
given generously of their time, expertise, ond enthusiosm, Foremost omong
them, of course, is the ortist himself who hos liberolly shored both his tolent ond his
insight ond hos mode working on this project truly o pleosure ond o privilege, A
greot debt of thonks olso goes to the stoff of the Stephen Holler Gollery in New
York, porticulorly Stephen Holler ond Doniel Fenis, for their tireless support, potience,
ond good humor. lt wos, in foct, on exhibition of Ross's work of the Stephen Holler
Gollery in 2OO4 thot prompted my initiol interest in following the work of this
foscinoting ortist.
Ronold R, Bernier, Ph.D.
Director
��A Conversotion with Johnnie Winono
Ross
The conversotion took ploce between the outhor (nna) ond the ortist (iwB) from October 5
to October 19,2005.
More thon one reviewer hos mode the ossociotion between your pointing
ond thot of Minimolist ortist Agnes Mortin ond the logic of the grid, But there olso
oppeor to be less remorked-on ossociotions thot could be drown between your
work ond, for instonce, the color drips ond woshes of Morris Louis ond Ad Reinhordt,
ond the primory structures ond stocked verticols ond horizontols of Donold Judd.
Could you comment on the significonce, if ony, of the work of these ortists to your
nns:
own pointing?
lwn: 'The Agnes thing.' lt is one of those things thot I don't fully understond,
ond I hove given it o greot deol of thought, My work hos hung in the some room
with Agnes's work, ond they ore quite different, she demoteriolizes the pointing os
onobject, ldoolmosttheopposite, lcollottentiontothephysicolobject,,.but,,.
we both creote pointings ihot either ollow the viewer to feel o sense of
tronscendence, or the pointings themselves to tronscend the weight of their own
physicol presence, There ore certoinly severol ortists, both contemporory ond
historicol, thot do the some, I think the effect of tronscendence is the common link
between our work, ond it is something thot few viewers or writers hove commented
on, Just using the word fronscend, or trying to tolk obout it, is quite tricky ond
usuolly not ottempted, but it is certoinly port of both of our pointings, os well os
Brice Morden, Ad Reinhordt, Donold Judd, Jockson Pollock, Mork Rothko, etc, . .
.
�It is thot feeling thot you get in the smoll of your bock, thot thing thot you con't
quite verbolize, it is something thot con only be communicoted visuolly,
whot viewers/writers usuolly lond on with the Agnes thing is 'white' ond
'horizontol bonds':
The primory colours thot I use ore titonium white ond zinc white. The density,
opociiy, ond physicolity of titonium offer o strong yet subtle controst to the
ephemerol, otmospheric tronslucency of zinc. Eorth/sky. lf you use white os o colour
(few ortists hove, Robert Rymon is certoinly one, Morondi onother), it feels obsolute
next to other colours, it is pure without ony odulterotion visible, you con't mix
onything wiih it without o feeling of dilution, lt is o difficult colour to use effectively.
I use white-not only os o colour, but os o moteriol, l'm not sure Agnes Mortin uses
white beyond the white of the gesso ground. Her colours ore generolly very thin
woshes over white gesso. ln most of the pointings white is the support thot is under
the other colours,
The horizontol bonds. , , Brice Morden relied
on'grid structure' untilthe Cold
Mounfain series. When I wolked into Dio where those were first exhibited, I sow o
new possibility with contemporory structure' Thot series chonged how I sow the
world; literolly when I wolked from the Cotd Mounfotn series I wos different, He not
only mode the grid orgonic, mony ortists hove ochieved thot, but . , , he seporoted
the verticol from the horizontol with the complexity of turning the ground into
otmosphere, insteod of mere support of the grid lines on the some plone' Seems
'BOs' Thot is
simple, but it isn't, Thot shook my visuol world. When wos thot? Eorly
when I begon to opprooch the horizontol more symbolicolly, more of o physicol
moteriol, o component. Cy Twombly olso did much the some of obout the some
time, just different ond not os cleor. Over the post 25 yeors or so, my big step wos
to creote the somewhot rigid horizontol controsting the orgonic quolity of the
�verticol drip. Agoin, it seems simple but there ore severol things hoppening within
thot controst of moteriol ond effect.
Morris Louis wos not much of on influence. I never found his work thot interesting,
except the lorge size thot couses on impoct, . , but, , , Jockson Pollock, imposto
point over eorlier drips, Thot got my ottention when I wos quite young in the '50s.
Ad Reinhordt, of course, Kosimir Molevich even more, the first of the contemporory
oesthetic, we ore still deoling with thot, one of the first ond still one of the few who
successfully combined ihe spirituol with contemporory vision, Donold Judd's
monostic oesthetic, on extension of Bouhous design. How con he creote so much
with so little? Suson Rothenberg, onother importont ortist for me.
I continue to romble on, but for the moment let's stop,
nna: Your process ond technique is evidently o long, poinstoking, slow one,
one which includes repeoted scropings ond burnishings of the surfoce. Could you
describe this process, its rotionole, ond the importonce of this sense of slowness
ond occretion to your convoses?
"long, poinstoking, slow,"
114ln: I didn't stort out to creote o working process thot is
As on ortist, I never found technique by itself to be thot interesting or reolly very
importont. I om bosicolly on intuitive pointer, with much to owe to obstroct
expressionism, lntuitive moves hoppen quickly. They ore reoctive, honest, direct, ond
complex to understond.
Crofting on object, whether it is o titonium white bond, or o burnished surfoce,
or o perfectly stretched linen tocked with copper is contemplotive, intentionol, slow,
ond done with obvious skill, Melding those two woys of working into one seomless
stroin of energy creotes o mogic; it seems to contoin the primory ospects of 'being,'
,l50
times
This ploy between intuition ond the contemplotive is ployed out moybe
'history.'
just
it
overpointing
but
doing
repeoting,
per pointing, giving the
lt is not
o
�within the context of ihe structure of on individuol pointing-until o resononce, o
mogic occurs. lf I could do the pointing in one cycle ond see the mogic I would
certoinly be o hoppy pointer, but with my simple mind, it tokes scores of cycles'
A morble stoirwoy in o new structure hos for less interest thon seeing o morble
stoirwoy thot hos been used for 400 yeors, lts weor is its history, the hordness is
softened by the touch of countless feet, when one is holding on Anosozi pot with
o burnished surfoce, it is B0o-9oo yeors old, you know the process of rubbing o
smooth stone over ond over to horden the surfoce, the time it tokes, the beouty,
the core of the moker, , , mogic , . '
Your
nne: This sense of slowness seems to be expected of your viewers os well.
convoses require o certoin potience of the beholder, long ond close observotion,
ond the expenditure of consideroble effori, o stote of meditotion of sorts' ls this o
foir ossessment?
:wn: Yes, contemplotive, meditotive-it is on importont port of the diologue
'mogic' is not o possive
between you os o viewer/me cs on ortisi, Experiencing the
'self.'
oct. lt tokes energy, openness, sensuolity, ond o need to see beyond
pointingnns: l'm interested in the longuoge you use to tolk obout your
fronscendence, spirifuol, ond, in porticulor, your reference to Molevich ond his
efforts to discover o visuol longuoge oble to tronscend mundone experience ond
noiurol oppeoronce ond ploce the viewer in touch with on olternotive, ultimotely
spirituol world through pure, non-objective form.
,*n: The obove is tricky, Much of how tronscendence ond the spirituol ore
perceived by the reoder/viewer is context, One con sound 'woo woo' very quickly.
As on ortist, ond olso you os o writer/curotor, we ore reolly in on unknown oreo
here, ond difficult to orticulote, First, you ore deoling with o non-verbol experience
(the feeling or sensotion one gets when viewing) thot is not dependent on words,
�some type of sensuol response in mony people, whether it is the smoll of
the bock thing thot I feel when I see or heor something thot offects my core, or o
sense of well being or even the opposite, ogoin quite tricky to orticulote,
nna: Elsewhere you olso mention the need to "see beyond the self," Together
with the ideo of 'tronscendence,' this sense of o coll to invisibility, to unrepresentobility. would seem to be port of the oesthetic trodition of the Sublime-the
ideo thot something 'beyond' tronscends the limits of our ordinory phenomenol
being, Would you go os for os to soy thot the ideo of ihe Sublime is port of whot
you ore ofter, ond thot, perhops, your pointing moy be seen/experienced os on
There
is
instrument or embodiment of the spirituol?
.lwn: The Sublime, o tricky oreo once ogoin. Context, , , mony of the ortists ond
composers of the eorly-to-mid twentieth century used symbolism to key the viewer/
listener to sublime direction. This of best is romontic ond rother schlocky, ond goes
downfromthere. Molevich'sSupremotism(19.l4-.l9.l9)wostoppingintosomething
quite different-unchortered territory, I think Brice Morden picked up on this with
his Cold Mounfoin series, Jomes Tenellsometimes olso enters this reolm, os well os
John Coltrone. And yes, Agnes sometimes.
I try not to noil this down too much, I don't understond it, but I do know when
l'm in thot oreo, whether with my own work, or experience it through someone
else's, I only ottempt to provide o situotion for the viewer to experience something
thot is outside of everydoy experience-o quick meditotion? o deeper
understonding/perception? . . , but thot is bosicolly whot you soid before , , . but
context removes this from being too 'woo woo,'
I find it interesting thot my work is doing so well ot this point in our culture, lt is
reolly outside of prevoiling ortworld 'speok.' , , , ln one sense, is it reflecting something
thot is needed?
I
t
�RRB:
ln spending time looking ot your work, time the pointing itself urges-insists
on, even-it seems thot there ore opporent tensions, suspended oppositions, or
perhops better, equivolences, in your work between: surfoce ond depth; repetiiion
ond spontoneity; opocity ond tronsporency; presence ond obsence; emptiness
ond plenitude. Con you comment on this?
.rwn: I believe in the ol' Joseph Albers soying, "you never see o colour isoloted,
but olwoys reloted to o society of colour" (l octuolly combined two quotes there),
Every mork, or copper tock, or piece of linen, surfoce, or colour is reloted to the
collective whole of the poiniing (o Jungion phrose), Like noture, Within thot relotive
context "opposites" creote on energy, o life, or power, Tension , , , the bolonce
between two opposing forces . , , doesn't quite describe it for me, lt is more like
sensing the potentiol between two opposiies.
nna: Finolly, there seems to be o subtle but deliberote evocotion of the physicol
environment in your pointing, of geologicolstructures ond formotions, porticulorly
of the southwest where you now live ond work. Could you tolk o bit obout these
implied experiences or sensotions of the desert environment ond its importonce to
your work?
lwn: Eorlier, when you osked obout Mortin, Judd, ond other ortists, which
I
oddressed briefly, those were/ore influences, certoinly importont within the
longuoge of the visuol, os well os contemporory historicol context, (But) Notureis the inspirotion, Nothing is more powerful, importont, complex, simple, owe
inspiring, Noture is mother, Art is friend, I don't use specific shopes, colours, or
potterns from noture, but use the power of o ploce, I work with the effect it hos on
me os o person, The owe. The mystery, The beouty,
When I look through the gloss doors of my studio ond I see the mountoins
everydoy, I om humbled, lt would seem olmost silly to try to imitote the oppeoronce
�of the mountoins, but I try to creote something with some of the complexity ond
power, on object to elevote one's senses, something thot chonges your sensibilities
os when looking of those mountoins, or looking out over the conyons, with o gentle
wind, feeling the sun on your skin, sond on your honds, the smell of soge, you just
keep looking, you ore not possive, your senses ore heightened, they become
quite shorp, you get thot feeling in the smoll of your bock. I try to creote on
experience similor, but different. lt's not obout Mortin or Judd. You ore humbled
by being o smoll port of noture,
�I
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Friends of the Sordoni Art Gollery
M&T Bonk
Andrew J, Sordoni, lll
Wilkes University
Business Council Sponsors
Benco Dentol
Creotive Business lnteriors
First Liberty Bonk ond Trust
Morquis Art ond Frome
Quoker Oots
Stoff
Ronold R, Bernier, Ph,D,, Director
Brittony Kromer, Coordinotor
Bruce Lonning, Preporotor
project wos supported in
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Council on the Arts, o stote
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Joseph Butkiewicz
Morion M, Conynghom
Virginio Dovls
Dorin Fields, Ph.D,
Joseph E, (Tim) Gilmour, Ph.D,
Robert J. Heomon. Ph,D.
Keith A. Hunter. Esq.
J. Michoel Lennon, Ph.D,
Melonie Moslow Lumio
Theo Lumio
Kenneth Morquis
Alison Moslow
Honk O'Neol
Arnold Rifkin
Chorles Shoffer, Esq,
Suson Adoms Shoemoker, Esq.
Williom Shull
Helen Forr Sloon
Andrew J, Sordoni, lll
Sonford B. Sternlieb, M.D,
MindiTholenfeld
JoelZitofsky, Choir
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Sordoni Art Gallery Exhibition Programs, 1973-present
Description
An account of the resource
Exhibition programs created by the Sordoni Art Gallery from 1973 to the present.
Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha.
Creator
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The Sordoni Art Gallery
Source
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Wilkes University
Publisher
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The Sordoni Art Gallery
Date
A point or period of time associated with an event in the lifecycle of the resource
1973-present
Rights
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Wilkes University retains copyright of these exhibition programs.
Language
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English
Type
The nature or genre of the resource
Exhibition programs, flyers, and calendars.
Format
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PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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2006 January 15 Johnnie Winona Ross
Creator
An entity primarily responsible for making the resource
Johnnie Winona Ross
Ronald R. Bernier
Ph.D.
Date
A point or period of time associated with an event in the lifecycle of the resource
2006 January 15 - March 5
Format
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PDF
Description
An account of the resource
By calling attention to the physical object, Johnnie Winona Ross allows the viewer to feel a sense of transendance beyond the weight of the object itself.
Type
The nature or genre of the resource
Exhibition program
Subject
The topic of the resource
Johnnie Winona Ross
abstract art
abstraction