13 15 4134 https://omeka.wilkes.edu/omeka/files/original/97db6aaefadc11c7bbacf59c48541f55.pdf 5263afad1a8b5ca4f23f63bb01c03a38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1971 https://omeka.wilkes.edu/omeka/files/original/4d6ff14900c7098310ce04459eab863c.pdf e0bd48bd96bca29605a56335cfd8913d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Fall 2009 https://omeka.wilkes.edu/omeka/files/original/59e165a0785b41ec98dfd4b68a28a3f4.pdf db593e7af3374ffbf9559835c1dfc4ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1980 https://omeka.wilkes.edu/omeka/files/original/5848de180a7e1e5a0b910eb27c5bbc45.pdf 679d09c0621b796ba71878fae2bcbea9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1981 https://omeka.wilkes.edu/omeka/files/original/79d4d20c8329c58552d22a129e9a5405.pdf 569cb4cbf0e17a2ec24b3fe8f804f065 PDF Text Text MANUSCRIPT �t MANUSCRIPT �-; i: - Copyright O 1982 by the Manuscript Society. All Rights Reserved. Printed in the United States of America. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, :mechanical, photocopying, recording or otherwise without the prior written permission of the publisher: Wilkes College, Wilkes-Barre, PA 18766 Vol. XXXV MCMLXXXII futi @ I �CONTENTS 5:37a.m. Eggs. .. ......RebeccaSchmiu Henry E. Long. . Abstracted Brooke Shields . . . . . Henry E. Long ReturningforMother.... ......AnneMay... ASongforEmily ......\MlliamMondlak ExcerptfromThrenodyofaVirgin Panlll...... . Donna KayScott Boys... SteveCorcoran..... Easter Sunday . Lynn Taylor. Untitled NancyDeisroth...... Sisters and the Rain . . . . Mark James Untitled KenGillis Martyr HenryE.Long.. TheNightShiftNurse. .HenryE.Long.. ForaFriend. ...AmyElias.. Boxers and Dancers . . . . Steve Corcoran . . . . Garvey'sPoint .LynnTaylor Veins.. AnneMay RealityandOtherBadTranslations.. ...\MlliamMondlak Mask.. ClydeA.Soltz.. WalpurgisNighf ...... .LarsenOrehotsky TheFortuneTeller.. ...JustineJohnson... FirstSnow. ....MarianT.Koviack Eckley,Pennsylvania.. .BernieMartz.. ToaMolly'sWife... ...BernieMartz.. Untitled BarbaraMetroka JumpingofftheBridge .SteveCorcoran .... The Early Days .BernieMartz.. Untitled MarianT.Koviack Alone.. AnneMay Bayville LynnTaylor. Currents ......BernieMartz.. Untitled Michael Stone. Rage .. r...... Lisa Cobb RainandDrumPoem.. .SteveCorcoran.... Untitled JoeLarnerd TheMacBeths .StanleyFreeda. Untitled HenryE.Long.. Autumn BernieMartz ManTransparent...... Carol H.Jerrytone CoffeeSpoons .AmyElias BornAgain ....LynnTaylor. LovePoem ....SteveCorcoran Mussels LynnTaylor r9oses.. BernieMartz The MailroomClerk.. ..\Mlliam Mondlak Untitled Kenneth Waters TheTiger. .....KenGi1is... S urrealist Shirley Temple and the Assassinated Catholic Untitled PoemforPeter Where the Dead Sleep. President. Henry E. Long. . EricWidmer .AnneMay .ShelleyFreeman 1 2 3 4 5 5 6 7 8 g ..........10 ....11 ....11 .......12 . . . . . . . 13 ........14 .........15 .......... 16 ....17 .......... 18 ........ 19 .........20 ..... 21 .....21 ..........22 ....... 23 .....24 .........25 .........26 .......27 .....28 ....n .... .. ... 30 .......31 ........92 ....33 ...|37 .......38 ......... 39 .........n .......41 ....42 ........43 .......44 .......... 45 6 .......47 . . . . 48 .......49 ......... b0 ....52 �5:37 a.m. I share the dawn with rain and unsleeping birds as the moon burns my lips as she flicks the last ash of night on my tongue and settles cold and full solemnly implanted in my belly my bedsprings call to sleep and echo pink crying when whistles of lightning flashed veined with silver iust as I can't close my eyes on this unshared beauty that tumbles alone with me in my grandmother's nightgown Rebecca Schmitt I �TO GET RID OF THE WIFE WHOSE CONTINUED EXISTENCE BORED HIM, HE INVEIGLED HER INTO A DESERT SPOT, SHOT HER FOUR TIMES, AND THEN, AS SHE LAY ON THE GROUND AND SAID TO HIM, "YOU DIDN'T DO IT ON PURPOSE, DlD YOU DEAR?'' REPLIED, "NO, I DIDN'T DO IT ON PURPOSE," AS HE RAISED A ROCK AND SMASHED HER SKULL. William James -from "The Will to Believe." OR EGGS I lust couldn't tell her That I didn't order my eggs Sunny-side up. She dashed back to the pick-up window Before I even had the chance To mention it. Well, if I did say something, She'd probably get upset And start to cry or something. She's probably new here. And the boss would see her crying Over my eggs And come over and say, "What's the problem here?!" And she'd end up getting fired Because l'm picky. Hell. I hate eggs this way. I really should have said something. But maybe she woulda gotten angry, And whip my plate off the table And 5 minutes later Throw it back with two little black thingies Flipped-over "Just the way you like them, SIR!" Damn. They're cold now too . . . "Excuse me, sir. ls everything okay?" "Oh! yes Miss, everything's iust fine. May I have another cup of coffee?" Henrv E. LonE / �BORED HIM, HE AND THEN, AS T ON PURPOSE, AS HE RAISED A 3 �RETURNING FOR MOTHER This spring morning looking into the mirror, my mouth curls into a firm fist. I deny resembling you. My hair doesn't grow past my waist, spilling down into snow. When you come out of your Vermont winters, your ends are twisted tight with ice. I am ten, gripping the cabinet. You turn, a black eye swollen, bruised by your husband. My hands grasp table edges, claws clutched rigid. ln the yard of this crumbled house from which I've grown our bush is a broken cage of branches, your red mouth gapes with a trap's teeth. Anne May 4 fl �A SONG FOR EMTLY - Dear Mr. Pound, I suppose you've heard it all before from pubescent little girls with sapphire eyes of afternoons in winter and rolling hills of pony-tail gold as when they're first aware of a stallion's mare and surrender to a shadowy blur, an icon that looms in their minds. But here's another thing Zetetikos, Those ftolemaic whispers can coax even whiskers from grimy plowmen's faces that never reveal but one conscious wheel and rather seek to conceal like stone and stained glass a violence about and within. What are you looking for? Whom did you seek as you trudged through the reek of bones, of ash strewn bones? Your very own troubadors found out your fears in an instant, in a magical age and sullen though they were they had never sung, would never sing a music of the spears. William ttlondlak Excerpt From Threnody of a Virgin part (The Miscarriage) Glory be to the King The Queen is Ravished Death be to the Sinners All is Red . . . all is red . . . the blood of babies. The Birds . . . the blackbirds Fly over me The lost souls search the graves For the songs of dead children. Donna Kay Scott 5 I ill �I BOYS* When winter comes I see Old men with make.shift canes, Straight limbs of trees and Day-old beards, Cradling six_packs like Heavy grandchildren in Thick brown bags that Make crackling sounds As they walk and soit. They wear thread-dangle ff;?; f 11# HJ black ;'nTlr".' sad th i n gs "? Did they really look like ,Blonde or freckled Little schoolboys with Shiny rubber balls and model airplanes. Puppies ticking their thenlsmoii'ffi;' Cool breeze drying eacn sweaiy-;r;"- _ As tney ptayed ball in grassy fields Of old hometowns _ Dreaming of soldiers. Cowboys, novelists and Fathers? As young men, did they fall into Sad. tove with bigeyed girls in uack seats of cars on Friday nights? They combed their hair tf,"., iit i"f,, But they must have torO tfroie siri;"' To go away. Do they wonder where they are right now Those soft, sad girls? And what sounds would their own Mothers make, To see sons moan and sway, Careen to supermarket dumpsters In search of damaged cans and Husty lettuce? What woutd they think lf they knew their sons Don't say their prayers at night anymore? Steve Gorcoran *Honorable Mention 6 �7 �UNTITLED The half-light of early morning filtered through the scrap of curtain at the one window, casting a pall over the single-room hut. Maura stirred into wakefulness but didn't open her eyes. She was accustomed to the constant gnawing in her stomach, knew the pain as an old enerly' and the cold, too, was becoming familiar since they'd sold the last of their blankets but one, to buy food. As she lay on the straw tick she struggled against the hunger-induced lethargy, pulling the thin blanket closer about her. Somethi-ng in her head was trying to become a thought. Something was different, somehow. wrrl't, wnat was it? Cold. Something cold. where was lan? Gone for fuel? yes, he'd build a turf fire and then slip under the blanket and warm her with his strong, hard body. lan. oh, God, she knew. Without opening her eyes she knew and the unfoimed thought crashed into full truth, unbearable reality. lan lay still beside her, cold and emaciated. Maura stretched out her fingers to touch him, but she knew he was dead. Her gesture ended in clutching the blanket iloser to her. "Soon, then, for me, too," she thought. she didn't open her eyes, didn't want to look at lan. She couldn't bear to see that pathetic head with its thick, dead auburn curls. She didn't want to see the barren room that had once been warm and bright. lt hurt her head tothink of it . . . every stick of furniture, every dish and pot, everyth-ing they possessed, sold for food. Costly food, that wasn't enough to save their little ones. First one, then the other, shrivelingto nothingalmost as she watched. oh, gracious Father, bless my little Ann, and Timmy. And my lan. Soon, soon she would follow. Nothing could be done. She would just lie here and wait for death to come to her. lt was suddenly a pleasant thought. she triea to say a ,,Hail Mary" but was asleep again before she finished. "Blessed is the fruit . . . ." She dreamed of great baskets of apples and pears in her mother's kitchen. Mama was there, her face red and moist from the heat of her cook stove. And lan was sitting smoking his favorite clay pipe, his legs stretched out to the warmth of the fire, h-is feet resting on a three-legged stool on the hearth. And there were her two brothers . . . Toby and Stephen . . . it was all so clear. They were all there, laughing at one of pa's yarns. A thick potato soup bubbled on the stove and there were biscuits as big as sauceis and a tub of sweet butter. Maura was slicingfruit intoa bowl, thick luicy crescents tumbling from her hands. As they fell into the bowl they became tiny white babies, growing, clirn'oing out of the bowl and into her lap. "oh, mama, I'm going to have lots of bibies,';she said ind she began to eat them, one by one and they were sweet and the iuice ,oiled down her chin and over her fingers and her father roared with laughter and blew away, while her mother shriveled up and disappeared in the smoke fiom the cookstove. Her brothers yelled at h.er and the room changed shape, filled with smoke, burned her throat. she awoke. This time she opened her eyes. The sun was streaming into the room now, dust motes sparkling and dancing in the light. The hearth was cold and ashes were spread across the floor b! 6e oownoraft from the chimney. She could still taste the smoke from her dream. Sheihought she heard a thrush singing and tried to think what month it was. She tried to remember when it was that they had lain down to die. There was no discussion, no decision, simply an end to food and moneyand nothingelse to sell. And then thefire burned out and neither ofthem had the strength to go out looking for fuel. When was it that the f ire went out? lt seemed important that she remembered. She couldn't. Did lan talk to her last night?"She was sure he had. There was a sickening odor in the.air, familiar and disgusting. Sne tried to think, what is it? what is it? Then she realized, it was the potatosline rotten, rotting, failed potatos. She remembered looking out over the fields . . . when? Surely it was only two or three days ago . . . they were usually deep, bright green at this time, promising rich harvest. But not this year. Nor last year either. shl was remembering no* .-nd i S-:,"r.:-tl t ' i-- -:-' -:--.a:- ...,- �wishing she could stop. But the images came and she saw again the potato fields blackened with decayed plants . . . it looked like a fire had swept over the land. And the :^e one window, :-i ; didn't open -erv the pain as l. : ::e last of their al g against the c-ething in ':* her What, what : :-rld a turf fire :: an. Oh, God, ' -Eers to touch closer to her. r'ant to look at g-: crashed into i:: : -: -'n curls. She : rurt her : head - e.,' possessed, .-:: 3ne. then the )' : ess my little -ere and wait :: say a "Hail stench. She'd never have believed anything could smell so foul, nor . . . smoke again. She knew she was awake, but it was like her dream. How could there be smoke? Yes, there was thick smoke now, and she thought she could hear f ire crackling nearby. She was shaken by a series of convulsions. The "burners" were there. Of course. Fear of plague was greater than fear of starvation. So many died, and the living too weak to move the dead into the street. When the hungry times were bad like this, the burners would come and burn everything. . . houses, bodies, all. "Oh, God, am I going to burn? Please, God, it wasn't my fault the children died. I did the best I could. And lan, Lord, he tried, he did. Holy Mary, save me, give me strength to get up, to get out of here." She was sure she could hear the fire in the thatch above her head. "Mother of God, help me, please, don't let me burn." She was crawling now, sobbing a tearless litany, "help me, help me." She wasoutside. Smokeand fire. . . men'svoices. . . yelling. . . . "Help me, help me." She kept crawling, over the dirt and stones, toward the men. Someone running toward her. "My god, Jack, there's one here that's alive yet. I thought you said they was all dead? Come on woman, we'll see to ye'. Here now, it's goin' to be all right." Maura looked at the man's face. She didn't know him. He was saying something to her but the words wouldn't come together in her head. And then he was lifting her, carrying her away from the fire, talking to her like she was a child. He set her down in a wagon, wrapped her in blankets, gave her some tea from a flask under the seat. Then she began to cry. No sobs now, no sound at all came from her, but the tears flowed and would not stop. Sne dreamed :"e,e. her face -g his favorite : 'esting on a I : Nancy Deisroth and Stephen thick potato iub of sweet -e,'hands. As of the bowl :-: she began to n and over :' ner mother yelled at awoke. This :arcing in the : :,'r nd raft f rom she heard a +rhen it was iimply an end to SISTERS AND THE RAIN I remember summers ago, years ago When my sisters in their shorts Would sit on the sidewalk When the afternoon showers came. They would get up later And see the dry outlines Of their legs on the ground And become amused. Mark James -e iherofthem : -i? It seemed - grt? She was She tried to ':::en, rotting, t was only promrsrng a Sering now and 9 �10 �l i/iARWR To see where the dots C[ light Were reflected from, The fish surfaces onto the shore, And smiling At the stars Realizes the Penalty for truth, And dies. Henry E. long THE NIGHT SHTFT NURSE The nurse ln tight-white clothes Clacking her Doctor Scholled heels Down a checkerboard hallway At 3 o clock in the morning. It took her 4 years To get her B.S. in Nursing, And another t9 to get where she is now, Which is at 3 o'clock in the morning, Clacking towards a blinking red light Above room 334 ln which an 89-year-old woman Has just shit her guts out ln her bed And would like the sheets changed. Henry E. Long �FOR A FRIEND The house is silent heavy with breathing and the echo of rain, noiseless sound, muted and ripe like a hollowed pumpkin or a dimpled, purple-black eggplant in Autumn. The raindrops run from the sky, eager to meet the open-armed embrace of the delicate grass; on my back, eyes to the clouds, the ground is sky and the inverted rain falls up to meet it, wet kisses for the dripping grass, which stands quivering, open-mouthed, black humus giving off the smell of unused graves to the heavy air. Cool grey rocks - a throne covered with a tapestry of green and edged with fallen sticks instead of ermine; above these, piled to the bottom of the sun, other rocks fit awkwardly together like the arthritic fingers of an old woman, and in one of the crevices sleeps a sogry pack of Marlboros. Civilization had crept into the fissures. Darting in amongst those rocks we laughed as they dared us to climb; a violet, plucked from the stream's bank, shouted from the whiteness of your breast pocket and tried to make the field nearby hear purple, as dandelion fuzz blew in a careless snowstorm across the whispering grass. I smelled the blue sky in the snowdrop in your hand; I laughed, my back a luscious shade of warm gratis from the setting sun. I don't know you at all in crowds. It is only when you walk among the silent rocks that you smile carelessly and talk without self-censure. - to walk there again with you that I can understand your quiet like the darkness of the fissures or the heavy richness I wish so of the deep green water. Amy Elias 12 T �BOXERS AND DANCERS Boxers and Dancers Tighten and relax Smooth muscles Back and Forth Like ropes On sails On ships. Like lovers Back and forth, They are perfect. Both so thick with concentration As if they played chess With the thickness of their bodies. Thighs like horses' thighs, Faces Blank Because they do not Paint Pictures With their faces. They are not actors. They are alone and Have learned to love their loneliness, Like a gold-star-sticker Floating above their heads. They do not care lf you watch them. My father dreamed That I would dance-in-the-box but I boxed the dream And watched instead. That's where poets come from because, I can tell you, When I see them pulling up their satls My heart beats and Flutters in my throat like The wings of a bird ln a tiny chimney. Steve Corcoran 13 �14 �VE!NS From the smeared bus window I watch a woman with cheeks the color of blood turn away. ln a large room of wooden tables and dim light, unwrapping the bandage of a hat from my head, winter becomes the desolate wait for ice-veins to thaw. Sitting down I press back hairs dangling like limp fingers. Walking up to my house at night I count remaining ice-veins. Sunlight could not dissolve this road's ice. Cold air from the roof floats down and hovers below my room's ceiling. I wait for the angel of pillars, or the angel of cleft hooves. Both speak my name. Anne May 15 �REALITY AND OTHER BAD TRANSLATIONS* Here cometh. again. that Oralre Ulysses ro oe popped, har 3.rui;J?#;iX,#l;:iJlI-:,1?fl*,J,e.".tn.pi".". o. *'.. - " -'"' ;,# &"!i:i{;:'l;XilJ,! f "i,s;'ni moini, "ni "plus, realite.,, y What am I to think, to reatileZ "And down from tl r,worde avyse trris ritire spo,; ;lilJ:: \ as the ctee; Hll::,tremble uome away! Away the hearth!,, and in fearful reverence, fall to my knees. lmpassive sky, crisp ,nO .fllj, *|lCls.heavily, emptity rings with briiliant smites. RnO mists. come murmuring, tJirfut as echoes from the shore. rney swell and rush, swing back, sway forth. Strall we attempt, amys.e oursetves lo Or,weigh the odds ,rrrJl, ,,r" ,uor" "nO ir," ,iirl] ,nip tf,.'rri' f#[tiffiHffiffi;, .y.": blur the truth or lincs Li:^h every tight sharp edse each builet ,no i"Je8" btot, i \ l?,iil3d:yy anrmate, bleak, and drawing ne]ar a lrozen face tike hoilow ring , ,.uiingiriiilr, Pj-qo,ooTu.n r.rr. I^"-T:d rongtng ,"n0. tike,mud_veined carp, off_shore and to,dream of blessed wood to hear .,pt, n-,g *Honorable t linnet. # I ",."j,..'ijTi;l &1 lii|#x'"T[ haro Wiltiam Mondlak Mention 16 �a , n+s t \\. \ 17 �WALPURGIS NIGTIT O spirits of the world, arise, Ye have until the sun doth risel The moon is shining full and bright, It is Walpurgis Night tonight. The fiddler strikes a tune of old Amid the tombstones bleak and cold; Mmnlight shining cool and chilling Makes the spirit quick and thrilling. Sentries guard the graveyard door As phantoms from the days of yore Begin to dance the night away Until the dawning of the day. The specters leap upon their graves, The goblins sing within the caves, A jackal howls amid the shade, A bat flies in a forest glade. The wind is blowing through the trees, The tempest rages o'er the seas, Walpurgis Night is here at last! Its terror setting men aghast. A vampire creeps about the bog, The marsh king travels in the fog, Ghostly sounds make children shiver Causing even knights to quiver! Skeletons in the graveyard dance While satyrs in the moonlight prance; A phantom floats about the gloom, A witch rides freely on her bioom. A-haunting we will go tonight To give the men of earth Jfright, For when the morning comes at last We are but mem'ries of the pastl - Yet while Walpurgis Night is here Our job is but to make men fear; So join ye spirits one and all And look beyond the graveyard wall! 1 A young boy lies in bed awake: His room is dark, the boy doth quake His face is white with fear anO tiight He knows it is Walpurgis Night! 1n _ 4 : �I' And so it is with many more' This night of old they all dePlore' But listen now and hear mY crY: The sun is rising in the skY! We musi return unto our graves, To death once more we shall be slaves! But on this eve again next Year Walpurgis Night is once more here! So wait we must until that time To hear the toll of midnight chime, And then we come about once more To haunt the earth from shore to shore' Larsen OrehotskY //,tr,: ., , ,1,, '>: .'7 7t1 ,/ ,, 19 u[,t; �w/ t & @,.*i a TOAI _ =,:- -a r ,.. i^i' - . -- ': tr t- r-^c_t rr = =-',. T.:- .-i,: n^#iwi:r.1.:n ;*ji! ,:.:::,llXl; .%.;,.,,, A! W :; . 20 -r" �Eq(LEY, PENNSYLVANIA Near the broken picket fence Where once swung the graveyard gate Above the stained-glass windows Where widows wept ln the agony of their wisdom That always came too late, The churchbell rings atop the belfry tower Breaking the silence of the icy November morning, Echoing along the empty earthen street Where dormant stands the company store Faltering, Torn relentlessly by the wind That moves among the tiny clumps of grass And whistles past houses To sear its rotting timbers And strip another board From the vigilance Of square, rusted nails. Bernie Martz TO A MOLLY'S WIFE Upon the moss that greens the path That winds beyond the courtyard wall The shadows cast Wither in the silence of their grasp. And there the nightbird calls While Katherinei wanders Through the early evening billows ln her tattered dress and shawl Below the upcast wooden steeple That looms below the light Where sometimes swallows whisper ln absence ol their flight Between the rows of orchids That from passing currents pressed Moisten in beds of fresh-turned earth That settle in the turbid mist . . . As winds smooth sides of granite stones. Bernie Martz 21 �22 �JUMPING OFF THE BRIDGE I lie in my bed, ln my beer drunkenness, And fall at first like a slow anchor, unconcerned, lnto octopus inky black depths Of feathery water or A corner in space where there are no stars and think of weepy things like unattended lovers and poetry. My eyes feel thick like Beaten boxers'eyes, as if There were paperweights on them To keep my novels from escaping. lrlow on the blank bed-sheet canvas I have become the painting: an abstract arm-angel in the snow, I curl my hands close to my face, Perlorm the fetal alphabet like a Horizontal dancer and reach the starfish ochre, The softly liquid Bottom. Steve Corcoran 23 �THE EARLY DAYS ln spring mornings Gusty winds and schoolroom blues Find laughing boys in corduroy ^Pyfyint ftocks grumbting of pijeons With wooden guns Across the ancient loading platform That stretches the length Of Livingston Station. There, with untainted hopes, Shiny copper pennies are placed On weathered rails While brown eyes strain to greet Trains that seldom come And peer through dirty windows ...At empty desks and yellow ledgers Where against the glass With noses pressed They dream of war and glory And ways to break inside. Bernie Martz 24 �i:litti,l :i$i..ll:il :iiri:ir!:i:,,:,:i.,,s:::iii I jii.ji:':iii!:l:i tt:ii$.,!:ii,,, t::- ,lll;ii i:.:,i,.:]:i!$L'itl' 25 *, *& drr x ,r.., ::::ii:::!:r:::i:.:i:r:., ::'$v..: iii*.iffi ;ia,r,t:,$i [** t *"'. --(J o .g Y F t! .g = �ALONE Something knocks upon my kitchen door. I stare at it imagining a blonde edge of moustache, soJt on-keV humming, a head turning to cough out cold breath. But it is late, lam tired. It is the wind pounding its hard fists demanding me to release it into each room where it can explore with frozen fingers. ; f I Every log burning tn the stove softly whistles a monotonous tune. loyal soldiers traveliing I L to war. lvly dark-haired friend wtro. travels the countryside as tt tt is water and he a dolphin. has gone to heal the ocean,s weightless singing. A drunken ex-lover does not hum outside my door. I boil water to wash dishes and round light cups. I measure the thickness of frost inside all windows with one fingertip. Anne May 26 I �:+J >: 27 �CT.'RRENTS v*r. btue eyes twinkre rrom?grn,. "l:tthe depths ,*J't#.rino, FiS9ilq its wav to a"ttt" somber moon ahead, .#[.#-','fi##,nsix.,,u"," trfrftfl in oi rresrr_siee.Ji errin ",1::lb. ;ffi ;,#H#'l$ l'6m:", :i'fi swirting fietds e.'c u tt i n g ;lla;:'""#k,}"".'Lqffi 'eo tn the splendor lli fi lii fl l: fi of its harvest. Bernie Martz I 28 ��RAGE These are times of ra, *, ;',';:l:: :tili:f flJ:_:l#*i J:l: ili.'l'l1'no e'ntrv'r"Iil 'ff*"nT Il " y:lr J ;;;l; ; ;"J:5",:;' iii;,,,il 1,'!?::?, : f, :: lff ::"J,':;i T:l;: :*lmi m,",. X iJ. dfl i.l,:#,TiXlJ""#1,.T1|.":11"*'lil;",0 ;-"?#t TJHi _:"..4;,; iilfi :lHii Ihen fall again. yet he would give xr'u,o his all Io break the cage, release ttre-.age, jn-[riss. Lisa Cobb 30 il �RAIN AND DRI'M POEM Drops of rain are Kamikaze dancers or Bullets Forming bullseye echoes ln puddles on the road. They speak in code, Rhythm languages against my windows, Little dots and dashes that are Sweet slow drizzle l.lot obnoxious thunder Buddy Rich-rain. This wednesday morning drips ln intricate delicacy, Like Louis Belson Brushing with the Duke. Steve Corcoran 31 �w'in' 32 .. �"The MacBeths,, sceae t: A barber shop, somewher" ,, ;r:i;"#. to each other. Three very effeminate barbers are tarking lst Barber: Double Bubble chews like rubble, Toothaches, f illings. dentu re trouble. }rd Barber: Hearkenl I hearsomeone. 3rd Barber: lt might be a customer. What say we look? (outside the shop, Mr. MacBeth and his friend Banquo watch the barbers through a window.l Banquo: Are you sure we can trust these guys? They look rike weird Sisters. MacBeth: All they're going to do is cut our hair. Banquo. After ail, we,re not trusting them with our futures! 2nd Barber: las MacBeth and Banquo enter the shop) Hearken unto thee, MacBeth MacBeth: lpaying no attentionl cut and shave. (He sits in one of the r chairs.) 3rd Barber: (to Banquol Pray thee. sit here. And wilt thou have thine hair cut as well, cute one? Banquo: (nervouslyl I haven,t decided yet. lst Barber: lpersuasivel l'll throw in a free fortune. MacBeth: (interruptingl you teil fortunes, too? I thought this was a barber shop. 2nd Barber: (insultedl A Tonsorial parlor! MacBeth: whatever. (a pausel ls there any reason for such a combination? I mean. a (exagerrating words for the 2nd Barber's benefitl Tonsorial Parlor ahd Crystal Ball Palace all in one? lst Barber: where have you been lately, silry? No one goes to a Barber Shop anymore. Banquo: (shrugsl Oh, boy. 3rd Barber: lto Banquol So, what about it, blue eyes? Banquo: backing offl Nothing for me, thank you. MacBeth: l'll have a fortune along with the cut and shave. 2nd Barber: (overioyedl Goodl lt'll just take a second to prepare. (He turns his back toward MacBeth. The I st and 3rd Barber start to shave and cut MacBeth's hairl . MacBeth: (after a few secondsl Does this take long? 2nd Barber: (abruptly turns around and points a finger at MacBethl Hearken unto me, MacBeth. lMacBeth jumps, which scares the two Barbers who are attending himl lst Barber: lin a frenzyl rhere's no telling how it,il turn out, if you don,t sit stilr. 2nd Barber: (still pointing at MacBethl By the time this day is out, thou shart roose an argument with thy wife. Thou shalt have guests for dinner, and thou shalt lose a piece of cutlery. lseemingly exhausted, he huries outl Banquo: (excitedl Wow, this is interesting. What about mine? 3rd Barber: lconsideringl yourfuture looks a bit hazy. Maybe if you come over to my place for a few drinks tonight, we could work something out. Banquo: lbacking off againl I don,tthink so. 3rd Barber: loffendedl you had your chance, blue eyes! lst Barber: lbrushing off MacBeth,s shoulders) All done, fella. frl �MacBeth: (risingl weil, that was quick! (reaching into his pocketrwhat do r owe you? 1st Barber: lthinkingl Shave and a cut? Two bits. MacBeth: (as he pays the barberl Thanks a bunch. (to Banquo)Let,s go. 2nd Barber: (enteringlwaitl (He walks grd over to the Ist and Barber and they form a line) Barbers; Hearken unto we, MacBeth! Remember the cutlery! Banquo: (hushed to MacBeth as they cross at the door) Those are the weirdest sisters l,ve ever met. I lExitl scene MacBeth's house, the dining room. Mrs. MacBeth is setting the tabre. ': Mrs. MacBeth' Were it not so, r wourd not be v,orried. yet, the crock is past its prime, and he isn't here' (she fumbres around the tabre, nervousry setting t) oh, the fout pain of it a,. I am sick with.worry. il;;; ;;;;"usoanor tt.s tate. The Where is my husband with .nv ri.nl"tv Fried Chicken? ",o"n.l::.lr-r"! (Scott, the MacBeth,s young son, enters) (srng Scott: song) Mommy look. I found a book! Mrs. MacBeth i lpretending to care) Very good, son. lThe boy starts to suck his thumb; Mrs. MacBeth sees this and is irgryl Ho* r.n, tir", ,-r.-ti ,"tt about that? ,o, nr teach you to suck your thumb! cet tt artinge;ori-oi'ro* mouth before r pruck it out and bash your head against tr,ri irrrr-*t,i your brains fry outr r didn,t raise you to suck your thumb! Scott: (norp hased a bft) Don,t be caddy. Where is daddy? Mrs' MacBeth: (pracing her hand on her foreheadr wourdst that knowredge onry be mine. Oh, such foul torture I must endure . . . tsroi ioi" not home yet. "-i nn, confusedl He,s Scott: I hate this play being done this way. You're not given a start if you,ve got a small part. All the time you talk in rhyme! (ex)?) (MacBeth,s voice is heard from another room) MacBeth: (from offstage) Honey, l,m home. Mrs' MacBeth: rrerievedr At rast. oh sweet, dear husband. At rast you are here. Have you the poultry? MacBeth: (enteringr oh, rforgot. r went with Banquo to get a haircut, and . . . Mrs. MacBethi (interrupting) And you forgot my chicken? MacBeth: lcontinuingl. . . We met these weird barbers . . . Mrs' MacBeth' ;;;JnT,llr have that chicken! Have vou rost vour senses? Go out and get mv MacBeth: . . . They told my future. They said. . . MacBeth and Mrs. MacBeth: We,re having guests for dinner. (They realize they,ve said the same thing, smile, hook their tittle fingers together. Then their looks turn confused.) Huh? Mrs. MacBeth; (anxiousr you knew about our guests. But how courd you have known? you have been kept apart from this lnowredge s- f". '- *;;[ "vv'|\s. ,i;,ov thee, te, me how itisyou camebythis knowledge? MacBeth: lexptainingl As I was trying to tell you before, I had three predictions for my future totd me. one has atreidy trr". Why are;; ;;;;;r"sts for dinner? "or" 34 I �greatness lies in Mrs. MacBeth: lvery interestedl Pray, hasten to tell me the others' What our future? . MacBeth: we,regoingtoloseapieceof cutlery,and,.. .lheistryingtorememberl forget the other. I remember the cutlery, though' ' 'l you must journey to las the clock strikes sx) What foul friend, time. Ouickly. the Colonel's. We must feed our guests' MacBeth: lreasoningl Can't you cook something for them? feast Mrs. MacBeth: blenching her fistsl No! I didn't have timel We must seek our elsewhere . . . my cupboard is bare. Get thee the chicken! Mrs. MacBeth I you! The MacBeth: la sudden realization\ Of course! l'm going to lose an argument with now. chicken the for be off l'll proves be true. to one prediction. Another third lexit.l Mrs. MacBeth: Such a friend is he who is my husband ' lexit'l Scene ltl: MacBeth's.house. The laundry room. Mrs. MacBeth is taking her dress out of the washing machine. She looks it over carefully, frowns, then takes a bottle from a shelf,opensitandpourssomeliquidonthedress,rubbingfuriously' old Mrs. MacBeth: Outl Outl Damned spotl I say out! Yet, who would have thought the bottle to have so much ketchuP in it? Scene lV: on a The living room. MacBeth is shooting darts at a dartboard which is hanging enters. Duncan and open swings door one, the as he throws Just door. Duncan: Hello, son, it's your Uncle Duncan, how . . . (he is struck by the dartl oh. dear, something's amiss in the state of Scotlandl lHe fatls to the floorl Et tu, MacBeth! Then fall Duncan. lThen Duncan diesl. for himlOh. my! What have I done? Mrs. MacBeth; lenteringl What have you done? ls he dead? You stupid fool! You fool! what hive you done? He's bleeding on the carpet I just had cleaned. ouick, MacBeth: lit was all too .:.:- fast take out the dart! he tries to remove the dartl I cannot. lt's stuck! MacBeth: las lt Mrs. MacBeth: Then go out to the kitchen and get the carving knife and we'll dig it out' expense. must be removed at any MacBeth: lagreeingl You're right. as always, dear' (exrt) Mrs. MacBeth: las he goes) The mad, impetuous fool! lThe doorbell ringsl Oh, this would be the unkindest cut ot alll lcatting to MacBethl HuttYl Help me! The door,.our guests arrive! just as easy to go MacBeth: lrationalizingl I have stepped so far in the kitchen that it is forward and get the knife as it is to answer the door. (There is banging on the door nowl Mrs. MacBeth: Well, then we must make haste! MacBeth: lenteringl What luck I have had this dayl I can't find the knife' We've lost our knilel lmore bangingl Mrs. MacBeth: lremembering) That's the knife my mother gave us. What did you do with it? ... The prediction! The.knife is lost! (more bangingl oh, stop! lcatting outsidel You'd swear you were banging the gates of hell! Who's there, in name of Beelzebub? MacBeth: lremembering) Banquo: lfrom offstage) lt is Banquo! �Mrs. MacBeth: lcalling outsidel Just a minute, Banquo. lto MacBethl Hurry, we have little time, let's put the body in the bathroom until later. we must tend to the guests and tend to this rater. (They drag Duncan's body offstagel Remember, husband, change the stupid look upon thy face. False face must hide what false heart knows is :rlue. khey exit; there is another bang at the doorl MacBeth: lruns out and answers the door, smilingl Banquo, old chuml why didn,t you tell me you were out there? Banquo: (confusedl I thought I did. MacBeth: Don't let it bother you. Go into the dining room. The others will be here in a minute. My wife will tend to you. (MacBeth takes his shoulder and leads him out. exitl scene v: The dining room. The room is full of people all wearing seat is empty. party hats. MacBeth,s Guest 1: (leans overto Mrs. MacBethl where is your husband, my dear? Did he forget his own birthday? Mrs. MacBethi uwitchingl rhe hour has not yet come. He will be here, fear thee not, good friend. (she sfa res down at the table, then announces) We might just as well begin the feast, Mr. MacBeth will be with us very soon. (she lootks again at table, then rearizingl What is this? rs this a dagger r see before me? Let me clutch thee. lt is my mother,s very own giftl All is well now. (MacBeth enters the room. There is a red spot on his chin. The guests rise and sing "Happy Birthday" to him. He sits down next to Mrs. MacBeth, embarrassed.l MacBeth: (to Mrs. MacBethl Honey, you remembered. Mrs. MacBeth: lwhispering) There is blood on thy face. MacBeth: lpuxing his thumb on his chinl I cut myself shaving. Mrs. MacBeth: ls the body secured? pray, tell me truly. MacBeth: Still in the bathroom, my sweet. lt was so considerate crf you to think of this surprise party for me. Mrs. MacBeth: lshowing him the knifel Look, I found the knife. MacBeth: (taking itl Well, then l,ll just go . . . ( Mrs. MacBeth: (interrupting) Sit down, you fool! (fo a/, Let,s eatl ItheY start to begin, but are interrupted by a rather large man who enters the room- He is wearing overails which say "MacDuff,s prumbing,, on the back.l MacDuff: lshoutingl Alright everyone. which is the murderer? MacBeth: WhatT Who are you? Why do you come here? MacDuff: My name is MacDuff. r am a prumber by trade. r was summoned by a boy named Scott, a funny rittre kid, tarks in rhymes. Anyway, he tord me that something was clogging up the bath tub. He sure was right. lt was a 178 lb. dead man. MacBeth: (vanquishedl l'd never believe itl How could this happen? There,s the rub! Mrs. MacBeth: You fool! lCurtainl Stanley J. Freeda 36 / �,! �AUTUMN ln late September The days of sunlight wane; And amidst the fields and hardening furrows, Along the barren cliffs that cast their shadows, Winds begin to move And quietly make their way; Embarking on their journey And undertake a new found task To seek the leaves of ripening brown That cling to weary, laden branches. _ Bowing to the northwind, cold, Stowly they begin to ftutter. And alone, One by one, they fall Dropping where they may: Some to earth, Others to clay. And quickly they are scattered, Turned and tossed by every passing gust, To rustle in the night, Alone to find a rest that waits, Soil for another year's harvest. And the eyes of autumn softly smile At those who wonder at the swallow's.flight, Who southward gaze And taste the air That whistles through the attic soft And passes with the fading tight, While gussets strain and joinls creak And tell their tale of woe, Crying in their dark despair Someday to only break. Bernie Martz 38 �}rr-- jri;'Itl '-'I I .,s: \c ;!"'.t,'rl I "'..-+ '.c. -.--i rr +'i t'..# F--.-' ,i (:.. \w:l{ it.tiir'i t'iiF:l ) Wffi *.t l,-'- ri. l,\1 v1? N r::BA .. x t\- li 39 �COFFEE SPOONS Juggle ambition in both hands and leave No hold for recollection Until all eyes unequivocally state success: Sad recompense for unrewarded dreams. We are so steeped in waiting. Stuff platitudes and tempered passions in vast voids, damp and darkened, Crowding urgent inspiration, which remains unborn for my reflections. A leaf formed, its potential sealed, is called, presents even its soft, fine underbelly to the world: No distress in preparation. And yet should I be called to show such trust in supposed predetermined courses How lwould be stayed by recollections of others in the past Foolish, beguiled into innocence; And, wanting only confirmation of a dream, would stumble over visions sleeping in the wind-tossed grass. Amy Elias - �41 �LOVE POEM With each other we are not such delicate artists Such careless sculptors each Never leaving the other ln Gallery condition. Little scars form a maze, A pattern so complex that As years go by It becomes harder to find its center, The heart in which we live. I remember the religion of romance. We worshipped love itself, Each union a passionate sainthood, Each touch an honest flame, a votive touch. But now we are reluctant canvas Sculptors, brittle and pale as dusty plaster, Lost somewhere in our frantic puzzle Crazy prizon-maze. Now we are mature. Steve Corcoran 42 I �43 �ROSES Fresh from the warmth - And the love in their cutting Carelessly dropped Left huddled in the snow Roses are quickly brittled By winter's chill That strips each stem of life And cracks each frozen petal ^ Splintering the pieces Among thorns That lie fallen Embedded in their place Bernie Martz 4 �THE MAILROOM CLERK "Dear John," Ah - even I know that! - but how about, "Auntie Claire, I'll be in town next week, can I borrow the flat?" Bah! There's no Poetry therel Oh "Look," they say, "He scribbles." "But it's true, he has no heart." show them heartless drivel, -I'll I'll make them fear me from the start. "Dear Customer," nothing there, A second notice, . . . lights out next. Here perhaps . . . "Mother Dear" (seehere, seehere) "Signed, Frightened and fearfully perplexed." Thus, I'll give them something, Yes? Close to home? I'll break their hearts. "Charles, Loved it ever so much . . . "Some time again." There's homespun art! Star-crossed lovers? They'll have their fill. "Catherine, You know well I seldom write." Well! mm-perhaps. Bah! His head doth swill. But there's hundreds more, we'll sniff them out. You want the stuff that dreams are made of? "Dear Elizabeth," What? Do you suppose? Here Yes. Here. Tender, loving, full of hope. What's this? "P.S. This comedy's about to close." - William Mondlak 45 �UNTITLED The clock stirs the hours behind the glass, after evening's faint blush took its time passing the birds feeding from my strange hands, undisturbed to think that they and I are not alone. j I Kenneth Waters . i { 46 J �J j 47 �\ / ( SURREALIST SHIRLEY TEMPLE AND THE ASSASSINATED CATHOLIC PRESIDENT At age 5 She would dance in her attic With President f\ennedy, While Bobby ptayed the Baby grand. Mr. Kennedy was never stifI. And not once Did he ever step on her toes Henry E. Long \ / ( \ ( e 48 I �49 �POEM FOR PETER* All the broken trees are falling. Snow descends, melting with polluted ice along streets that stretch their dark underbellies like snakes lf the sky could open and release pure rain to the ground's breathing pores, I could close my eyes and no longer imagine you. l{ the wind were stirring twigs and small leaves, I would not want the touch of rain and grass under my bare feet. I would want only the long amber heat of autumn. Anne May 'FHonorable Mention 50 �7"i;:,t 7;*:, :j).:it;:'l 51 �WHERE THE DEAD SLEEP for my mother and father The ashes of memory lie scattered among forsythia and lilac and turn to dust beneath the shadow of the elm' The wind moans through its nodding branches' petals The earth is a blanket of moist yellow bears' stuffed of tombs concealing No smooth stones mark these graves' The beach graduallY disaPPears, receding into the sea' At dusk, dunes rise, and behind them sandpipers find refuge from surf and fishermen. Shreds of kelp catch the toes of boys who kneel in moonlight waist deeP and unafraid. Lullabies wander in silence from the river's cradle wfiere water rolls and foams, a toothless old woman forgetting her way' The rough murmurs of stars govern a child's dreams, casting tight and shadows of elm which clutch tiny feet like sea crabs' Shelley Freeman 52 �EDlTOR .Shelley Freeman ASSOCIATE EDITOR Linda Pallion ART EDITOR Lynn Taylor STAFF Stephen Badman Joanne Dal Sasso Ann Devlin Amy Elias Ken Gillis Marian T. Koviack Henry E. Long Bernie Martz Karen Mason Terry McCoog Kathy McHale Barbara Metroka William Mondtak Larsen Orehotsky Clarke Smith Lisa Ann Sowcik Anna Mae Stanley Kenneth Waters Wendy Weir Jill P. Whitehead Eric Widmer Gautham Yadama ADVISORS Patricia Heaman Robert Heaman COVER Terry McCoog �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1982 https://omeka.wilkes.edu/omeka/files/original/985756c8dea09b6da87a247f7cdb05e7.pdf 49f9cb3bb8319215e6302758a4314d8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1978 https://omeka.wilkes.edu/omeka/files/original/24b8c5fafd5f0128bdf5e9251d250b9f.pdf ef78e32e0ef8065134d2a6e1ae246bbe PDF Text Text MANUSCRIPT �Manuscript �O Copr lrght 1995 by the Manusclipt Society. All rights leserued. Printed in the Uniterl States of Arnerica. No palt of this pubiication may be lept'oduced. stolecl rn a letlieval system, ol tlansmitted in any fotm ol by any meatls, electlonrc. rnechanical. photocopying. recordin-s. 01'otl-rerwise without plior peln.ris:ion of the publishers: Wilkes Universitl,, Wilkes-Barre, PA 18766. The \lanuscript Societ)' accepts subrnissions from Wilkes University students. iacLrltr. and ahulli. Volume XLYIII MCMXCV �Tasrr oF CoNTENTS POETRY i995 Poctnl Contest Wittner \1ine Fires i995 Poetnl Contest Rtrnner-tqt Fsr Crving Out Loud Shared Treasure rDaddy Can You Hear Me?) Vicarious Rebirth \-iolent Moment Plaving The Game \\'hat She Hears In Her Head Crace Loosened (It's davs like this) Best Damn Popcom l Er.cr Ate (that su,eatshirt of vours) -{ Bitter Woman Ianuary Five 9 Five Burial Ground Rain Shorver Neried 1995 Prose Contest Winner The Prize Inside the Cereal Box 1995 Drama Contest Winner Blackness Footprints Unsuspecting (The smoke filtering...) Lazurus and The Butcher TheNightmare Confession of a Daughter of Cain Art ContestWinner The Dead, the Dying, and tl're Struggle Within Bill Rasmovicz Susan Kovaleski t7 Donna Bytheway Marisa Rae 6 6 Susan Kovaleski Ed McGinnis Tim Williams Holly Jones Bill Rasmovicz Ed McGinnis Marisa Rae Susan Kovaleski Marisa Rae Karen Ziagos TimWilliams Susan Kovaleski Patfy Puerling Ed Mccinnis 10 13 15 76 27 28 28 30 30 35 37 38 39 40 PROSE & DRAMA Karen Ruduski )q Eric Riviera 11 Deirdre Swinden 7 Tarah Trivelpiece Tarah Trivelpiece Bernie Kovacs 74 24 25 Deirdre Swinden 31 Susan Kovaleski 36 ART 1995 Decisions Amy Blease Untitled Anonymous 2X2X12073 Changes Untitled Eve of the Second RobertWittman Millenium RobertWittman Amy Blease Henry Bisco Donna Bytheway COVET 18 79 20 27 22 23 �MaruuscRrPT Srarr Eclitors Ed McGinnis Deirdre Swinden Art Editor Donna Bytheway Assistnnt Editors Tarah Trivelpiece Karen Ziagos Society Members Barbara Campbell Bernie Kovacs Susan Kovaleski Andita Parker-Lloyd Mario Sayllo Tim Williams Aduisor Bonnie C. Bedford In addition to publishing this magazine, the Manuscript also sponsors readings and workshops on campus with poets, fiction writers, and dramatists. Trips to other performances and conferences to New York, New Jersey and within the state are also sponsored by the society. Manuscript meetings are held every Thursday at noon, on the third floor of Chase Hall. If you would like to get involved in next year's publication, please feel free to join the weekly meetings. �MIwE Fmrs Having only heard stories and never really known our father's fathers, we crept into the breaker expecting to find their skeletons thrown up on racks like moldy coats in the cellar stairway, jaws still locked and caught in mid sentence. We were young. Anything was possible we knew. For years we fashioned the huge spaces within; cogs sti11 grinding, faces sealed in dust in the high, black windows, the eternity of machines. One by one then and holding on to each other's shirts, we found ourselves inside, stumbling over the wreckages of wood and steel, over the vacant dreams of all that was happening, trying to peel back with every step the thin membranous darkness. We were scared. Scared of what we'd find, of ghostly encounters, but scared more perhaps to learn of what had never been therejust the skin and bones of words and memories that our parents had to dig out for us and the invisible remains of life's tragic lives. Discovering there was nothing left behind, we quickly wanted out! And so, having never gotten to know our father's fathers, we left running, screaming, smashing windows, assuring ourselves we'd never return: Their secret identities trapped like a little flame at the core of our hearts. To this day if you look to the North you can see smoke rising from the cracks. Four hundred feet in the side of this mountain there are fires still burning in the deepest fissure, the darkest vein. BILL RASMOVTCZ ) �Suannn TnTRSURE As we walked beside the sandy road the sun flashed off a semi-buried crystal. We stooped and dug out with our fingers a faceted, glass doorknob. To the nine year oid boy, it was a diamond which he laid upon the pillow of his sleeping great-grandma. DONNABYTHEWAY 6 Daddy can you hear me? another notch on my bedpost... No salvation there little one Tell your Mommy you're coming soon. She won't like you there birds and bees sting... my daddy teaches me. MARISARAE �FoorpnINTS DEIRDRE SWINDEN "This sucks." "MurphY Anderson You watch dat tongue afor i rip it right outta yo' mouth'" But it seemed true enough' This really did. suck, the rain, the tightin'. Everythin' was jus unbearable. Thekitchenwas stiflin'me sos i f,ua to get out. Murphy provided my relief' Someone to shout at was always useful' "But Ma," he saYs an I smacked his mouth. "But Ma nothin'. You march Yo'self right up those stairs this instant. An dun you thlnk a comin' down here 'afor supper's ready' Now git." The boy in a pair of dungarees and a tshirt scooted up the stairs. Strange un, that kid. Of my two sons, he was the brightest and the most promisin', but he sure was strange' Never complained a day in his 'tire life where as my youngest, Smith, was a whiner' "Momma! Dat rain! It's comin' in da door!" Smith's voice called me from the edge of the stairs. The light front door had dun blowed itself oPen and the rain was a rushing inside. I flew over and slammed it shut' "Ain't nuff it's hotter 'an F{ades' Gotta rain onmyrugs too." I turned tomy son' "It's alright baby. We're safe in this house'" "No we're not." His matter o'fact tone dun shocked me' "Well we most certainly arel Don't you git upset sweetie." "No Momma, we're not safe' MurPhY say we ain't safe with thatman es..es"escaped yesterday." " ll{as Murphy been tellin' the 'lunatic dun come t a gity i story' garn?" Smith nodded and I pulled him to mY breast. "He says when it rains theY all come out an git whoever they find. They won't git us will they? Dem lunatics?" I laughed and squeezed mY son' "Come on. Let's You anme go see what we're makin' DaddY for suPPer'" Smith trailed after me inta the kitchen and we went about our normal battle about what ta eat. Chicken,I would say, and Smith would shake his head. Hot dogs, he would say and I would argue for the chicken' Finally, when we had decided we would have chicken, I glanced up at the clock. "Go wash uP, DaddY'llbe home soon'" "No he won't." I glanced uP to find MurPhY had been standin' in the doorwaY. "What are You talking'bout?" "Dad is not coming home, not tonight, not ever." "MurphY Anderson don'tYou ever say such morbid things in this house' Smith go wash up. MurPhY sit Yerself dolvn'" Smith made a run for the bathroom as I stared at my oldest. A flash caught my eye' 7 From wherei was standin', the bay winda by I the door was barely visible. Somethin' had just passed it. I gasped and then berated *ytuf. It was only a leaf or a branch or somethin'. Or someone. I glancedback atMurphy' Nothin' had moved iept his eyes, which were now fixed on the winda. "MurPhY?" He didn't move. "MurPhY!" He glinied at me and then turned and fled back uP the stairs. Outiide the storm raged, banging boldly on my door 'til it finally kicked it's way in. 'Stead of chasing my son, I chased the raindrops away from mY floor as I slammed the door again. Fifteen minutes found Smith and I settin' in the bay wihdow at the front of the house. Peering through the sheets of rain, we could barely make out the driveway' �Sixteen minutes an I shifted my position for the eighteenth time. "Momma, where's Daddy?" Smith asked and I dropped my worried eyes to his. "I dun know sweetie. He's late. It's the rain." "No Momma, get it through your skull. He's not coming home tonight." Murphy's voice slapped atme. I turned 'round to find the boy behind me. His blond hair was tussled beyond combing, the almost white eyes were starin' straight at me. He didn't look like a part of this family. Smith was a smaller version of his father, but Murphy....well, who knew what recessive never acted so bad. "Stop it! Stop sayin' that. Git to bedl NOW!" He was still standin' there, justa gawkin' at me. "NOW!" '1y'l,hy you love him so much? FIe's never done shit for you. I've seen him hit you. I've heard you screamin'. Heard you cryin'. I know he's dead Momma. You never have to cry again. Never again. Ain't you happv now? Now that he's gone?" I stared, gapin' at this boy in front of me. "You are no son o' mine. Git ta bed fore I paddle yai' I sputtered. "Murphy why are you saying this?"' "Mama he's gone! The lunatic dun got He stood and gawked at me. him! I know it!" "Murphy answer me." "Go ta bed." He shrugged. With that Murphy gave me a glare and "What's for dinner, Momma?" marched up them steps. I somehow made my He turned his back on me and plopped way ta the couch and thought about what down in front of the T.V. Murphy had just confessed. And I thought "We might as well eat. Dad's not gonna about Murphy. The boy seemed to think to make it." himself more a man than he should. He seemed "Momma! Why's he sayin' dat?" I to think his father was gone, he thought himself glanced at Smith. He crawled inda my lap and the head of the house. Smith climbed up next stared up at me, tears cloudin' the beautiful to me and I clutched him and prayed. genes he had. I eyes. "It's airight. Daddy'll be home soon. We'll wait for awhile yet to eat," Isaid more to Murphy than Smith. Two hours and we were puttin' the dishes in the machine. The clock on the walI Four more hours and Smith was in bed. I was dozin' on the couch watchin'- the Iate news. Every so often the door would swing open 'tilI finally had ta bolt it. "Man aged...escaped from... asylum...and is said....still in the.....of Blue Lake.....Residents....warned to be on...for a man....tattoo over right elbow and very large feet. Seems strange folks, but they are struck nine. "Dammit Jonathan, where ate you?" I slammed my fist into the counter, and it was as if the door heard and understood that I wanted someone to enter. The storm tried unusually large feet. The man may be armed again ta fling itself inside my livin' room, but and is very dangerous. Please stay indoors it wouldn't deliver my husband on its winds. and tuned to CBS for further news." Murphy managed to close it this time. The I flicked off the broadcast and storm seemed to be dyin'. Slowly, but it was shuddered. I didn't like the fact that the door dyin'. came open so easy, and I was'fraid. Jonathan "Momma, he's dead." wouldbe home soon. He had ta be. I shutmy I stood, shocked stupid for a second. I eyes, and before I knew it, I was sound asleep. didn't know what to do with my child. He had I woke to a breeze blowin' 'cross my �feet and the rest of my body shiverin' uncontrollably. I rubbed my eyes and glanced at the clock. I had been asleep for two hours, and the clock had just struck three. I glanced around, wonderin' where the breeze was comin' from. The door had somehow come open again. I got up, mumblin' as I did so. "Goddamn locks won't even keep the rain out. Shee-it." It took my tired body u tltUe longer to fight the wind than before but I finally managed ta close the door. It never occured ta me thatthelocks onthe doorweren't damaged. Someone had opened it this time. Someone on the inside. I turned and leaned against it, laughing at the movie star picture it drew in my head. Something caught the light on the floor. Silver. And small. I crossed to the thing quickly,myheart picking up a beat every step. I crouched and and the driver side door was ajar. And three feet away lay my husband, face up on the gravel. 'Jonathan!" I cried and rushed to his side. Open eyes stared at me. The rain pelted those eyes, makin'it look like he was cryin'. I screamed and run back to the house fast as I could. I pressed my body against the front door and sobbed. And screamed again. There on the floor, imprinted on the carpet, and standin' alone on the hard wood, these were the biggest I ever did see, these 'uns were. And the feets thatmade these footprints now stood in my kitchen door. Laughin'. examined it. A ring. A weddin'ring. That matched the one on my finger. "Jonathan?" I asked into the house. There was no answer. I stood and glanced around. The rest of the floor was wet. "Momma?" Murphy drew my attention away from the fioor. "Go to bed honey, go now." "I think I saw dat guy from T.V., dat lunatic? He's hidin' out in the tree. Smith will get scairt if he sees him." I choked. "Go to bed honey, Daddy's home, he's just in the kitchen. You were dreamin'." Murphy turned and wentto his room, rubbing his eyes. I stood staring at the air he had vacated, wonderingif I should look anywhere eise. Like the tree. I opened the front door and ventured out on the porch. The rain had let up some, but the wind was a tryin' to rape me. I looked out at the tree, and then stepped off the porch. Nothin'. There was nothin' in the tree at least. The driveway, however, was a sight. I let out a gasp as I looked at the car. My husband's car, 9 �VICARIOUS REBIRTH Sweetness melts upon the eyes 10 of naive humanity at the birth of a personal savior. lost but two years before in the red shadow of my two sister suns rve raised our eyes to the new white light born to preserve the last of our youth. warming. its chaste figure graces the walls within with laughter SUSAN KOVALESKI �l BrncxNESS ERIC RIVIERA Il:r'i'c'-s nkrtocknttlLedottrittaqtLnint,hrightly-litltonrc:.The liaingspnce isioe!!-itLnrisJrctl,btLtbsrrctr. '; .tll lrumnn lifc. Not n souttd fnr the next t'czu secottds. . . tinrc being n little ltlryet: thatr benrn[tle for any .i::n'il lttuttntt rcsltottc,c. . . .'.titttlrcr ktrcck, s{mrc as lsst.lt eclroes tltrough the sytnce tobe receioerl .tttl.ietrce douhtittg if tlrere's atty rt:nl nctors in the idrole play. . btltotnl silence , sti/lttess . . . the lrcsr tlte cnerge tic yt.otrttdittg ttt' t'ootsttLts cotttiug nround the second flttrtr and doittu tlte steps. i :tt11,11J, nge three, ru trc frorn off stage to the door. He looks tltrough the cr.Lrtnin oi the do6r ipitrloio ntul -,:trtoit'lt,d!_es the presence ot'sontcone ioe hnaetlt seetr t1et. He siarts to ftrrnble ioitlt the doorktrcb, but ::.tttt'ittg nlot of trttuble-his titty ltnnds nre just bnrelv nble to ttrr n theknob, neut:rtinl nctualltl gettirtg ),,' tloor olten. . F: tLLtlhl, itte . Titt yttrsott behitd the door seen$ to sense thnt the child is hnaing trotrble nntl opets it hintself . The rrger is about sirty seaetftrl , his stnf ur e gioing n pozoerftll inrpr essiott. He lms a lo w, iohite benrrj ,or r:'irrg;i1t dttitttr tohis chest, a dnrk-gret1 fedora, a dark-grey ouercont, utLl n ltlack suit tLirdertrcntlt. He -'.')r/rd-s itt corryittg n lorge,blnck bng, bending dott,tr to tnlk to the boy. S:r'rr STRANGER: Jimmy, your father is dead. .Co upstairs rightnow and tell your mother tir.-ri your father is dearl. Tite bo!/ doesr't renct, He 11 stattls .,.,i,l rLnzs back the it,sy he ctltltc. there t'or n nrornett staritry nt the Strmrge r. He eaeiftrLally ttLrns sroutul -\ i)i{' n/orrtr , the Stronger stnrts to nnae nrotnd the hottse zoitlt a subtle sense of ptLrpose . He ptLts rioitttt ,: l,og,.tokes ot'f his oaercoat nnd incket and plnces thent ott the rnck. There sri nbout three ti,ghts itt tlrc 'L ' -'ot.tt itthich he 1:troctc,l.s to.ttrrn off one by oirc. He t'olls tLp his sleeoes atd tnkes pnitftrttg sippties out -'i iJrc bng. Using n rrtller, he goes to the nmin ionll nnd Stnitfts it blnck, tnking tloiort fnnt'i')y picttrres as :a srlrr-s ncro-s-s, Tiit trnthet' etters, holding Jimnry's hmd, she is in tramendous shock. \IOTHER: Is. . .um. . .is it true? :CTRANGER: Yes, Mrs. Ripfield. Your husband is dead. Firl/. \{OTHER: Well, um. . .how did he die? The stranger stops h.is ruork and puts dorun the brush, She cries uncontrollably onto his shoulder. He goes oaer to the rnother nncl giaes her n hug. STRANGER: You have to understand that you will never see him again, Mrs. Ripfield. You have to understand that though you've loved one another, it is inevita[le that we ali must die, and any love you have for the dead is wasted in the wind. �Bent One day, you'llfeel stronger. . . MOTHER Who are you? The Strntry(r releascs hcr ntd STRANGER: goc-s back to ptnirtittg, I doubt that matters much no\v. . . Beat MOTHER: Bnt, I, I don't understand. What are you doing? Why are you painting rn)- rvalls? Tlrt: Strtutger tnl<es out sotttt ltushes autl ptoiut cans ntttl lmtLds tlrent f o the motlrcr artd sotr. Jitrutty ,1ii : tJrc l',rush ntttl rturc uptstoit's, STRANGER: We harze a lot of r,rrork to do. Better that r,rre start now. MOTHER: No! I rvon't let you do this! I don't even knor.v you! What do the rvalls have to do rvith my husband? Not just the rvalls, Mrs. Ripfield. The tables. . .the chairs. . .the appiiances STRANGER: rugs. . .the floors. . . 1_2 . . .the lin'utty rwns in chnsing a ztthite cat ittith his brtLsh, STRANGER: ...Erzerythi.g... MOTHER: But this is MY HOUSE! I still have to live here! You can't just come in here and decide to paint everything black! It's not rightl It doesn't rnake any sense! I rvon't let you do it! (as he hugs her again) You CAN'TI You can't! You can'tl You. . . STRANCER: Shhh. Shhhhh. . .You're going to feel pain. You're going to feel ernpty And you can't tell me rvhat I can and cannot do. He's gone, Mrs. Ripfield. No force on earth can change that fact. And the sooner rve start the rvork the sooner the rvork rvill be finished. (ioipitrg the tears t'ronther eyes) OK? He goes bnck to zoork on the ittnll . I lmnry is nlr eady Sloioly her eyes go to the brush nnd can inher to paitft it blsck. pahtittg the door . The ruother looks nt the tztto of thern. hands. Softly sobbing, the mother goes orer to the couclt md stnrts The Sirmryer ttotices that there is still n considernble anrctuft of light contittg in from the ittirtdoitj, He paints it black, squeezing the. light out of existence, As he does so, the stage lights sloztly start to t'ade to blnck. . . END �VrornrurMovtENT we fall apart. I unfold from your arms while thundefrolls over the autumn bones of distant mountains. I Snow smothers the heavy breath of my thoughts deep beneath white. call Davlisht falls and lifts across hillsides lik6 t]ie imprint of a tank tread Iight and dark and light... feel Rain crashes into the river, slashes open the hill's cheek, and is dabbed up again rain to river to rain... time's Wind rushes in and out, shakes budding branches awake slaps with frenzied swings east then west then east... oiolent We stretch against each other oushine arms and legs around hs the g"round's shoulders shift crushing rocks against one another in deep, heated caverns. moaemettt. we fall apart. I unfold from your arms while thunder rolls over the autumn bones of distant mountains. ED MCGINNIS 13 �UxsusPECTrNG TARAH TRIVELPIECE The fire licking at my soul makes me wonder. I see him. He smiles. The words unspoken, but the idea understood. He pulls me close and rehrranges our legs till I am where he wants me. He asks, "Who are you?" I laugh and feel a trvinge of regret, but the regret dissappears into a figment of a once felt emotion. My mind racing, what about his roommate? (I dated him awhile ago and things really never ended.) What will the other two unsuspecting people in this mess think? I feel his breath on my face and the warm moistness of his tongue. I taste the mirage of stale beer, iced tea, salt, and partial morning muck once his tongue finds mine. Nothing seems important now except the presence of his body near mine. None of this r,r,'ill matter tomorrow. 14 I feel his passion rise up from him. His heart quickens. Norv a dull flicker like an image blurred on a wall flashes against rny rnind. The unsuspecting part of this game leaves as it came and I hold onto only my slight fear of losing. Againlammovedsoheiscomfortable. Norvlamnotcomfortable...butldon'tchoosetorebel. All my strength has left my body. AII that remains is the flickering image of what comes next. He is kissing me again. My rnind tells me this is all so very wrong but can find no reason in the corners of my brain to stop. My heart is past quitting this too reai garne. AII there is...is him...the srnell of rvorn off after shave, the saltiness of his kisses, the beat of his heart next to my body. While my mind and body search the corridors of experience a reason to end the game appears. In a musty, choked rvhisper I manage to mouth, "What aboutJake?" In an instant the game ends. I pass the test of loyalty. Somehor.v, throughout it all, rve remain friends. �Praylxc TnE Gaus inspired by MGhi The way of the world sucks,leeching red platelets to the surface in a feedin gfrenzy of conforming feigned harmony. Expunged we shuffle, sallow and anemic. The way of the world liquefies you taking every unique preciousness and single beauty btending them to create your reality. And as we gel in the mo1d, cloned unidentifiably, the varied ingredients always yield identical. The way of the world drains every memory and replaces the whole with clear clouded liquid. painted faces dressed in their finest are sealed struggling within a nightmare. And we have richly lost walking, playing the game. TIM WILLIAMS 15 �Wunr SHr Hrans Iru Hrn HEap Go on, cover your face They all know why you're here Your ghostly countenance speaks for itself Tryilry to hide it doesn't mnke it go atlay... Scream once more before you walk in the house Make believe you're huppy The actress is receiving her cue Smile when he greets you He may be a stranger but he won't hurt you Be complete and concise with your answers Follow his instructions- it toill be okny Degraded, dehumanized You feel so empty Vomit the vile out of your soul Wash away the foul feeling of his poking- prodding Strip from the waist down chnir nlong roith your Set yowr dignity on |he Jeat$ YotL may as u,ell throru it a7L)ay--1/ott ztott't need it 16 Now how do you feel? The same-dirty, oiolated, raped You're still the same iittle girl That left the house earlier Stop shaking you childish wench This is the price you pay Go on,look at yourself Take one hard look at your reflection What do you see?----n shndow of zttho yoLt once lgnore the presstrre betroeen yotrr legs Be indifferent to the surrowfiirtgs The pnin you t'eel as he's pokittg your insides Push it ittto the reseraoir ot'your nind 70ere You're cold-you're trembling You're such a child-if you only knew Do you want your mother to hold your hand? No-you just zttattt to die If you quit shuddering you can dress It IMere is your dignity? looks like it's disnppenred Every shred of dignity Every ounce of respect You once had for yourself is gone! You foolish little bitch have to learn the hard way always You bury this deep in your memory With all of the other htrrt Go on, cover your face You know why you were there Tryittg to hide it doesn't nutke it go {tT ay... Tears are rvelling in your eyes Dry them-yott dott't tontft to drsztt atty attentiotr Good girl-you listen so well HOLLY IONES �"FoR CnYlNc Our LouD" piaying with dustY sunlight, sneezing away memories, it shouldn't have but it did break the window Pain visions of the Past etched into the shattered glass SUSAN KOVALESKI 17 �C\I DECISIONS AMY BLEASE �UNTITLED �I '* 20 2x22',1,201,3 ROBERTWITTMAN �.eL.l:;l *i lt'f; f.' I i .'. "rl ..:, 21 CHANGES AMY BLEASE �22 UNTITLED HENRY BISCO �r:: 6n,,!.', ry, -':ii "'\ &; ':" '"\" " '^{I i'n "-* ":W f"' ::.- ',r'.f * r"' ^. ^ "'&*r ,!1* ,;,.*^W. o1 ZJ nd EVE OF THE SECOND MILLENIUM DONNABYTHEWAY �The smoke filtering through the doorway takes my mind back to past entrapments. Remembering. My eyes are covered with the blinders of the past. I have spent too much time in the old caverns of my mind,looking for what to do next. But the future holds not even enough to conjure an image of togetherness. I know that image was here, I'm absolutely SURE it was... I don't know where it went. I never will,I guess? 24 Damn,it'sback. Ican't stand this. This blinding pain that keeps catching uP with rne. WHY...why can't it staY where it was...in the Past! Fuck, here...blackness ...in through the rnurky fog it floats...love, lust, needs, men, all the dancing images of eternal mastering ideas. Over...light seePs back in...as he roils over to kiss me before getting out of bed. TARAH TRIVELPIECE �I _ ___ LAZURUS AND THE BUTCHER BERNIE KOVACS Walking home through the poorly lit city streets. dodging traffic andmuggers.Lazurus felt thehairon thenape of his neckstaudou eud, almostas if someonehadrun a small electric current through his systein. Every part of his body tingling. He sucked in a deep breath and looked around. Nothing. No scents tickled his hypersensitive nostrils. no was betbre Lazurus, hands deep in the pockets of his blackieatts. "Johnathan!" Lazurus staggered back as ifhit by a physical blow, eyes wide with horror. Everything else suddenly faded as he bumped against a garbage dumpster. His bottom lip quivered with fear as he looked into the forbidding almost yellow eyes of his adversary. He was a sly looking man with eyes of pale amber. human sweat ran across his taste buds. No thing breathed in ravett's plumage, was slicked back to reveal a long scar that ran from just above his leti eyebrow to His hair, the color of the small alley in which he uow stood. Out there, he thought, was something unheard, somethiug uuseelt. aud unsceuted; somethittg violent and base. He could feel primal urges boiling like bile in his throat. As his head began to throb with the blood of a dead man, he a the left corner of his forehead. The long puckered wound was pale pink, a contrast to his almost marble like skitt. It had the same creamy white pigment as Lazurus' own flesh, but a vomit. Lazarus leatted against the sticky brick wall and coughed once to break the silence seemed somehow more rigid. surrounding him. aud points. The man's eyes were set deep irt his gaunt face felt as though he might His face was like that of a wolf, a picture of angles and his cheeks were sunkeu. He had ouly olle large thick Something was wroug here. He scamed the alley tbr a second time. his eyes cutting through its dark bowel as easily as a cat's. His eyebrow that was now forked in a V, giving his akeady malevolent looking face a more wicked cast. A large white stomach was churning ald he felt dizzy. What could make mouth encased pearly white teeth. him feel like this'l He t'elt the thirst. red hot in this throat. a beast ready to take control of the mortal coil. "Jesus." he muttered. his face flushing with artother man's blood. Something out there was tryiltg to etuage him. send him overthe edge. Theurge to goberserkwas so strong. He wore plain blackieals and a bedraggled pair of Reeboks. His well muscled chest was visible berteath the tight grey t-shirt he wore. A chain with an analchy symbol dangled frorn his ueck. And when he smiled he looked like the devil himself made flesh, pure spite and malice. Yet he him. He was dark as lip to restrain himself. As he released his lower lip with a growl, blood arched through the air. His canines stood crimson in his had a certain beauty aud charm about mouth. far longer than those of a nomal man. They glearned the moon. and his tongue resounding. When he spoke his eyes seemed to bore evetl luilher inlo Lazurus' being. licked the blood they had released as they elongated. He was ready to explode. Every uerve in his body was tingling as if Lazurus stood up against the dumpster for a few seconds, stunued. His jaw worked tiantically but without he had to bite his a wicked tlre. ivory in the half light of night, and just as beautitul-a geuuitte incarnatiotl of sin. "Hello, Lazurus," he said, his voice deep and The blood was coming close to the surface as he e1lect. He closed his eyes tightly and thert opened them again, started to sweat. He sarv stars explode betbre his eyes as he hoping to dispel the illusion betbre hirn, but Johttathan was strovetofightoff the hunger. He wasravenous with thirst. his still there. ou Then Lazurus acted. throat buruiug white hot. "Stop it." he choked. Lazurus fell to his knees in the "YOU SON OF A BITCH!" Lazurus howled. his slime covered alley and cupped his hand over his face. Sweat every fiber shahing with rage. The man who had toru dowu was brealiiug out in l'reads all over his body, a sticky crimsoll. his soul uow stood befbre him. smilirtg like a coyote. Lazurus He let out a dull moan and pulled himself to his planted his feet firmly and f'elt a sharp pain explode in his 1'eet. eyes fingers as claws sprouted from unforgiving flesh. "You closed. He heard a cau clatter off the wall beside him and opened his eyes. The hunger suddenly fled with the speed of bastard." he groaned. eyes gleaming red in the half light. As he spoke his accent grew more prorloullced. "I'll Hermes. A mau of husky build and medium height stood have thy head," Lazurus snarled. He watched blood spurt from his ellemy's rrouth attd hands as he 25 �lollou,ccl. He scaicd the shccr drop like att ittscct. clarvs attd popped his claws and readied his teeth. "Corne and get it. coward." Johttathan auswered in deep accented English. toes l'inding ninute crcvices to lirrcc hirll uprvarils. Hc reachcd the top of the large building itt sccorlds. Iu a secoud Lazurus covered the twenty foot gap between them with a one tboted leap. He hit his rival like a bullet. hissing like a jungle cat. His cy'es spottcd the llccing form of Johnltthan as soolr us he climbed ovcr the ledgc. Lelrping to his t'eet' hc sar.'c chase. Lazurus' Iithe lbnu molcd *'itlt the grlcc of a biril. jurriping ob.iects that laf in his path. Hc lbllou'cd the The man in black rolled with the attack and regained Darrined llialt over a thirti' foot spacc beltl cctr buildings and Lazurus did. his footing with speed that belonged only to the Damned. kept aftcr him. blood stl'ctlniltg lt'orll all pcltes. As he raced. Lazul'us lemplcs \\'el'e harr mering. He "Thou art still the fool I left thee. boy." Johttathan growled. coming in with his own attack. Lazurus ducked the swipe and heud claws kiss off the stotle. Lazurus hit the alr-nost reachctl Johna(hatt. Lazurus rl'as bltrcly thrce shorter mau hard itt the stomach with his shoulder and knocked him into the opposite wall with a crack of bone attd plurrrnctecl ten stories to the cold. hard sideu'alk belorv. Lazurus cursed hiniself as his lacc lregan to rekrtit. brick. He scrapped his ori,n bod)' fl'or"n thc ttorr' scltrlet sideu'alk and Blood ran out of Johnathan's mouth as his spine disirltegrated. As the spine quickly healed. Johnathan drove scarched thc rotil'lops tbr ltrtl' sigrl of his l'lceing adverslrt. He let out a roar as the rcalization that hc hail lost Johnathan a powerful blow iuto the body of the blond haired warrior. set Lazurus f'elltoall lours androlled out of the way of ablow that 26 1-eet behind the bastard u,hen he rniscltlculatcci a jurrlp atid in.'He stoocl in thc lagged rertlains olhis clothes' horvling like a Iunatic. Corninc pairtl'uily'to his scllse. hc tled li'otr thc would have brokeu his back like a trvig. Lazurus came back at the dark clad warrior like a buzzsarv of tooth and clarv. They hit each other like two cats. sccne to his honte. hissing aud sttarlittg. Blood artd cloth f'lew as their teeth and hrs clarvs licked at each other's f'lesh. his trancc-like statc. Lazurus took a l'erv scconds lo -set his bcarings bclbre he glabbed thc phollc lhlrtt thc ertd table anil Lazurus retnoved his eltemy's side with a swipe that would have cut a lllortal in half. yet received a like blorv irt Lazurus sat thcre il) his fhvor itc arlnchlir" pxlnclering painful tcn stor)'ilrttp ri'hctt the pltorlc rartg. Stutlccl fiorrl placcd it to his cru. "Hello kind. The dark wamior f'ell back bleeding from a plethora of wounds. Lazurus $ras stl'eaked in blood. his head burning. vision red. All he could see was the matt who had tont his lif'e to shreds. He had to destroy him. Lazurus carne back with a high kick. Johnathan easily panied the blo*,and threw his owtt low sweeping kick at the blood covered warrior. Lazurus jurnped the lightning fast kick and drove L:,tl l" . "Yes." "It's K1'1c." "What's wrclng'?" Lazurus' l.rlou'knitled. Hc checkcd the clockon thc *'all. It w'lts ottlv half arl hourllefore sutirise. He u'as surprised K1'lc *'as ttttt lth'eadl' ltsleep. "We 'r'e got a big proble tll." Kvlc saici. "l ktlou'."' his knee into his oppoltent's head rvith a reassurirtg crack ol bone. The lnau staggeled back and came in again. blood "You do'1" Kr'le soundecl stutlecl. "Yes." streaming tiom his shattered fbrehead. Lazurus blocked the "Who tolci 1'ou'1" Kl'lc's voicc gre*' lllore ller\'ous. left punch and ducked a right that shattered the wall behind hirn. They were getting trowhere. They could tear illto each other all night without end. neither doing the other auy real damage. They were evenly matched. Lazurus sarv the same thought ill his creator's eyes knew that the man meallt to escape. Lazurus ripped the and remains of the man's shirt from hirn with a swipe of inch long talous to lbrce the Damtted man back. But Johnathall was gone. Lazurus' keeu eyes tbllowed the man's path up the wall. Realizing that he would escape into the night. Lazurus Luzurus didn't likc it. "Noonc. I sa*'Jr.lhnathlttr tnr,se lf." Lazurus skiprpcd over thc tlay. in the allcl'. "Johnathan's here'l I didn't knort'1" "what u,ere y'0u tllking almut thell':)" Lazurus askcd. lheadv atl.aid the AIls\\'er u'ould be sollletllill-c \\'orse . "Sorncone is out therc killinu the Darnned." It u as. �Gnacr The absolute balance of zero like an egg rolling end over end on a high wire or the slinky-like cascade of a dream not falling but rising on the wings of a thousand mile-high butterflies at any moment there is a flower sucking up the sky c7 moon whose stillness resounds in stillness Iike the skeleton of an unknown pianist left marveling at the keys a and all the words any man ever said however small worlds themselves blindiy speeding through the cosmos undisturbed BILL RASMOVTCZ lJl �LoosExuo Mute morning air hums deep in content contemplation. Beyond the window's reflection, th6 sketch of a new Sunday is slowly painted in. My coffe.e mug, wrapped warm ln my grlp/ oursed to mv lips, ieleases tendrili of steam to unfurl drifting moments to the ceiling... curled in our disheveled sheets, you sleep. ED MCGINNIS 28 It's days like this I remember you. Not the deeply imbedded parts of you inside my lining but your laugh, the thickness of your hair, how you ruffled your jacket against the cold and slid behind the steering wheel. Cold day cloudy day perfect for keeping your body here in my head Never enough I crack you to crawl inside and breathe air and blood you never realized you had. MARISARAE �THn Pnrzn Irusmr THr CBnBar Box KAREN RUDUSKI The sun burned bright on a mid-summer day in July. It was Bobby's turn for lunch. He left his cool home on the top of the Hill and descended in search of a meal. Nature sheltered him from the intense heat of the sun, cooling the grass and flowers. He climbed to the tallest point looking desperately for food. Sadly he found everything around him to be vacant, except... Across the Black-land was a feast to last the entire year. So he was on his way. Bobby ran and skipped, walking quickly when he was tired. Meeting the edge of the Black-land, Bobby halted. In the back of his mind Bobby heard the warnings of dangers of death. He started in retreat obediently, but turned quickly in youthful rebellion to finish his duty. Placing one foot into the Black-land, Bobby wondered if he would make it. He tried to ignore his fear. He was young, energetic, and indestructible. He knew he would be the bravest boy when he returned home with this feast. He would bring a small cobblestone for proof of his journey, to show when he related the story in his older days. He would have done it once, and once was just enough. The burning ground made him scurry across the land, using ditches and boulders to hide. In the distance he could see the edge to the other, safer side, the side that would serve for his incr,edible food supply, and in turn define his reputation as the bravest and most generous boy from the Hill. He spotted his meal nestled between grass blades, concealed by nature, but identifiable from his direction. He approached the area alert for possible harm and directed his movements toward the feast. He reached it. He struggled rvith the great weight of the food. Wobbling once or twice and then balancing himself, he set out for home. The bundle on his back was heavy and he knew he would havJto walk directly through the Black-land instead of hiding as he did in his first passage. Bobby remembered no problems before so he felt no fear. He began walking steadily across, looking intensely for a cobblestone all the way, finding none small enough for him with the enormous bundle he already carried. Looking down he saw shadows that were massive and engulfing, falling in from overhead. As he went to look for their origin, he became distracted by the perfect cobblestone. He slowed and stopped to pick it up. After rebalancing himself a second time, he went to continue. Noticing the intensified heat, Bobby felt extremely warm. He threw his concerns aside, attributing his discomfort to a iong restless journey. It didn't matter now, Bobby could see the edge of home and soon would be there with his impressive food supply. His travel story would make him a hero and his name would be remembered forever. He was almost home. He felt hot and tired, more so than before. Keep going. The intensity kept getting greater, his body fighting to release the heat. But it was not releasing it fast enough. Almost there. Bobby felt dizzy. Just a little farther. The sun's rays seemed to be directed entirely on him, strengthening in impact with each passing moment. Bobby burst into flames, his ashes blending into the Black-land. Erik's mother yelled from the house, "What did I tell you about settirtg sttts ort t'ire roith that nmgrit'ying glnss?" 29 �"BEsr Davtru Popconx I EvBn ArE" Scary, the moment fades quickly we forget the intensity I thought, perhaps, glimpses of security lay in your arms. drifting away forgetting to wish to forget my stomach refuses to accept & *y jaw aches remembering. SUSAN KOVALESKI 30 that sweatshirt of yours that wound around my bedpost that morning swirls and churns with my linen trousers submerging twisting washing machine lust I have you rvoven in my net of shells my thin painting shirt is caught in your mangle of sleeves and my red silk panties bleed and stain you. I can't help but laugh and yet mourn for your pink tangled armor. MARISARAE �THE NIGHTMARE DEIRDRE SWINDEN I woke to swollen fingers and sweaty fridge for something to munch on. A11 that eyelashes. My heart was pounding faster than spoke to me was the leftover macaroni and I could focus. I finally managed to find my cheese voice and scream. into the microwave. I wandered over to the fifth floorwindow and glanced at the sleeping "It's alright, only a dream,,, I breathed, "only a from dinner. I took it out and stuffed it dream." And that's all it was, though city below. New York never looked as my nose seemed to think it could still smell the frightening at three-thirty in the morning disgusting tendrils drifting up the stairs and did at rush hour. Just the sleeping tights of a city that someone said didn't sleep. I was into my apartment. My lungs still felt the as it constricting grasp of the smoky fingers they beginning to think they were right. I sure as had inhaled. My hair still existed, but I put a heII couldn't. The street was empty except for hand to my head to check anyway. I always the cars parked along the curb. Not a soul in did. And I always would. sight. A few hours and it would be safe to go for a walk. Safe, that was a term I didn,t 31 A yipe from across the room drew my reserve for New York. Funny, at the worst attention. In the battle with my sheets my possible hours, the city always looked the puppy had lost and he was only a third party. sanest. I was surprised he still slept in my bed. This was the fifth time I had 'nVell Jinx, maybe it's time we told tossed him off this someone about this? Maybe Mom, or Jackie, week, and it was only Thursday. Correction, although Jackie would just tell me I was losing judging by the clock it was Friday. my marbles and driving her up the wall with "Come here baby. I'm sorry Jinx. Did I scare you? I gotta cutthat outdon,tl? If Ikick allmy talk about dreams and never of men. I still love him, and that seems to mean to her you out, what am I gonna do when Michael that she has to gethim off mymind. Dragging finally gets his butt across the country, huh?,, me to bars all the time in search of the perfect Jinx crept over and whimpered softly. He hunk-o-manhood. /! ' snuggled up to my leg, but didn,t get Slurp and Jinx licked my cheek. comfortable. He knew my nightmare ritual of "I don'tthink she should either. Maybe going to the kitchen to find something to eat. Once in the kitchen,I fished around the I shouldn't love him, after all, he is in California." �Beep and the macaroni was ready. waste of the money to get there' dream city. "I think if I don't stop having Mike used to warn me about cities. Until nightmares I'm going to be one very fat, very now I had never believed him. lonely woman." "Honey, it is Friday night...What if Mike Jinx barked. calIs..." "Thanks, thanks a lot. Come on, back She cut me off. to the pool." "Ladies night and the drinks are half- I'll see you at eight- and you best be I checked the clock before I climbed in price! to the soaked sheets. 3:45. Always the same. lookin' good sweetheart." She turned and Up at 3:00, back in bed at 3:45. I sighed heavily strutted down the hall. and closed my eyes to lay wide awake for the "Alright, alright. I'11be an alcoholic by three hours until my alarm sounded a new the time I find a man but what the hell, it's morning. coo1." "Oooo yeah. We is partyin' TO"Say what? Honey-girl, you have NIGHT!" Jackie hollered and laughed and finally lost your marbles." Jackie turned her then ducked into her office. I stifled a smile 32 brown eyes in my direction. "I knew you'd say that." and whirled on my heel to return to my own rathole in New York's advertising business. "Girlfriend, you have got to stop Not much, but an office and some money dreaming 'bout fires and start makin' some seemed pretty big with some incredibly gorgeous hunk-o- to a small town girl like myself. manhood. We gotta git us to a bar tonight. And a small town girl I was. I had Forget that moron in California, he ain't ever never seen the airport before the day Michael gonna git his ass out here to see ya." put me on the plane bound for New York. I Much as she tried, Jackie simply remembered that day perfectly. His hands on couldn't convert to New York black from my head as he promised he'd come visit. "I'll be there, honest, honey. We'lI be Georgia black. Maybe that's why we were friends. We were both a bit lost in a city as big fine, don't even worry. Jinx'll be there with as New York. Two small town sweethearts you. Remember when we got him?" I had who had come looking to make it big in the smiled at that memory. The day we had city they called New York. Though I was from gotten the two room house in the woods. the mid-west,Jackie and I had somehow found each other like magnets in the 'fly-infested Michael hadreturned home with the labrador puP. �"So we don't jinx the house against the 'pitter-patter of little walls. So I had to make rny bed if I r,vas ha'u,ing ," he'd smiled. We'd company. I didn't mind. But it was nothing called him Jinx ever since. A tear had rolled like the house. It didn't have the cozy feel of dorvn rny cheek at that one and Michael the trvo rooln shack Michael and I had spent brushed it aside rvith his thurnb. all our money on, all our time on. And it feet' "Baby,I don't want you to go just as much as you don't, but rve need the money. gone. A11 of r.vas it. Burntto the groundin the salne fire that consumed my dreams. Maybe even After the fire..." I had shuddered in the past, me if I hadn't heard Jinx whimpering. But it just as I shuddered at the mernory. was the past. All the past. "Michael, rvhy can't i get a job here. I want to stay, please..." I "Iir.xt" I yelled and he jumped from my had begged. He pillorv to greet me. shushed rne rvith a finger. The fire had started in the kitchen and "No. We talked aboutit allbefore. This quickly spread to the living room area. I had is best. When I'm back on my feet we'1l be been outside, getting rnrood for the fire. together again. I prornise." Someholv the soup boiled away, maybe I had "Hour long?" spent to much time playing fetch r.vith Jinx. "Ilorze you," he'd whispered and kissed We had returned to the house and I rvas about me. "And no rnore bad dreams, okay?" to open the door r.t hen Jinx stepped back and I had nodded. barked. I had watched him. He sniffed the air "I love you too," and I r.vas back in the and barkecl again. My hand hovered above present saying the sarne r.vords to the ernpty the doorknob. I shook my head and turned air. I shook the rnernory from my rrierv and set back to the door. "Crazy n1utt," back to r.vork. I remember saying. I dropped the wood. I might have... At firre I rvalked frorn my building to The blast from the door knocked rne off rny my rvarehouse apartment. It rvas roomy and cheap and it r.vas actually in a decent feet and threnr rne clear of the house as it folded like a piece of origami. neighborhood. The living/dining/kitchen/ I shuddered and scratched rvork area all ran together with rvood floor the hiding under a ferv throrv rugs. I bounded up linx behind ears. "I'm going out tonight baby. I'll be the spiral staircase that led to the bedroom/ back to have my nightly fight with the covers bathroom. The bathroom and throw you off the bed. If Michael calls you r-La a*^-r*^-r 1Lar r,vas the only part of .i.^ l.ifi^-^.^r JJ �dog barked happily and I scratched his ears. "linxr." Before long it became a wrestling match and A yipe. soon after time to go. "Where are you?" I stumbled out of bed. I hit the light I stumbled into my room at about two. Drunk as "Shit," I muttered and stupidly flicked could be. "Jit'txs?" barked. I slurred switch and was plagued with further darkness. and somewhere he the switch a few more times. I stumbled toward the stairs. "Come'ereboyr." He bounded downstairs but didn't And missed the first step. j,rmp on me as he normally did. 'nVas wron Jinxs? Sumpin' wron bay- I remembered the nightmare on the way down. In all its awesome power, the BEE?" dream had never been so real. The He barked. fall. The "Oh, well, you prolly try to tell me fire. The screaming, the whimpering. All real. Mike called n I dun care." everything as clearly as the dream I had just finished viewing. Just before my head hit the floor I saw my nightmare. The out face down on my bed. Jinx sat next to the door of the floor engulfed in a screen of smoke so thick it apartment, sniffing the air cautiously and Iooked like fog. And the flames that would I j4 I saw found my way up the stairs and passed soon judge the door good enough to devour. whimpering softly. And my puppy. Whimpering. Whimpering. I woke sweating pure alcohol. If I wasn't careful I would catch on fire. My Whimpering as the fake sunlight showed him my lifeless body, passed out on drunken mind was slower to focus tonight the floor. Whimpering as the hair on my head and quicker to be afraid. And the smell of began to burn away and the skin on my face smoke seemed to linger longer then had. Then it hit me. I was hot. Not just nightmare hot. I mean lzof. "Jirtx?" I called into the dark. Whimpering. it ever start to boil. And that was all. I usually woke up at that point. Only I met and married the hard wood'floor before I could this time, I didn't have a choice. realize it wasn't a dream. And it never would be again. �A Brrrrn Wolrax If you licked her tears If you licked her face her dry smooth arms her wet pungent crotch You could taste it It oozes from her pores It purrs from her skin It drips without a sound from her hair from her nose when she has a cold from her mouth when she is sleeping It puddles around her feet on her pillow on her windowsills like condensation It grows wildly exponentially with every passing day It leaks from her laughter from her silent solitary orgasms from her cactus her cooking her cracked uneven kitchen floor her vacuum her shadow her prayers. KAREI{ ZIAGOS J) �THE CoivrsssroN Or A DnUcHTER Or CaIx SUSAN KOVALESKI After your soliloquy, I say to you: "I will always be lonely." Spring equals romance equals bullshit, bullshit, bultshit. "The holy trinity blesses no union with me. I follow the i6 rhythmical patterns of love's false promises, unable to change, just as the rain shattering on the metal hood of the car cannot control it's course." "You owe me no apologies. You could not control your part in my destiny for it was your destiny, too. I will not cry for what I knew we never had. No one loves a loser, and I lost the game long ago....." Music plays in the silence between us, "All I rvanna do is have some fun..." whines Sheryl Crow. You ponder my apparent self-loathing and apathy. There is no other way to express what is reality for me. You are not the first to say those words. There is an honor of brotherhood in refusing to iove me. "I won't tell you that you're the only one..." I tell no friend my heart's secret,I never learned the fragile language of trust. Without trust there is no love. Secrets aren't kept by hearts that love. Misery and silence have been ordained my confidants. Beauty, intelligence, and wit engulf me in your presence; obesity, disfigurement, insanity whisper behind my back. Curiosity kisses in moments of fleeting passion. Reality kisses me goodbye... The veins rvithin you pound with the steady rhythms of love's instrument. My arms ache. "One last time before it's over. One last time and then the end," you beg, not waiting for a response, not noticing the realization on my face. Your lips caress mine into an unwilling response to their demands. You engulf yourself in your final taste of me,I watch us intertwine from a distance. A voyeur to our last act, your last insult for me. You finish first leaving me behind in your wake, as alr,vays, I hunger for more but your veins have ceased throbbing. I force my hand'to touch yolt, yolrr throat, trace your jaw, brush the sweat from your temple. I pull you back to me, tilting your throat to my lips. I taste the sweet saltiness of your throat, your blood seeping between my teeth. But these lips still drink wine and I have not the stomach to contain your life, yet it satisfies the hunger lingering within me. "Goodbye sr,veet innocence," I whisper to you, to me. The blade slices the jugular my teeth could not. I hold you as the life and warmth drain from within your shell, turning the powder blue seats crimson. I rvatch over you until the spirit tells me to move on. Going forth into life. Stepping out of the car and into the rain, leaving behind your cooling, stiffening, rotting body. I walk, rvalk, rvalk, until I find myself at the master's door. I enter aware I am not welcome at his table. Hiding in a closet knorving it r.vill be years before penance is over, years before life is over, and the torch is passed back, yet the fire has been ignited rvithin me, grorving with each step. Opening the window searching for the light. "Bless me father for I have sinned. It has been a lifetime since my'last confession." �F IANUARY FIVE 9 FIVE Enveloped in the sea of mist as each drop melts onto every object and seeing is not believing when two white eyes emerge slowly as you approach revealing a phantom engine muffled and drowning in the sea striving to get out as it plods forward suffocating in the flood and you stop safe than - better sorry she said but they come backways, frontways, sideways, cattycorner still, tired, hot and short of breath before accepting their place in the sea TIM WILLIAMS J/ �Bunnr Gnouxp 38 Clouds huddie on horizons preparing for fury with ominous electrifying silence. Shattered by the collision of wills tumbling Amid thunderous confusion music emerges skin glistening sweet shrill pain ground down to drudge depths of the soul sweating bleeding all past tears pool into open graves. leaving behind abandonment old baseball bats bloody syringes lovers still cling the false screaming for nudity within & without burning eyes to the begging go beyond surface tension dive into liquid pain baptized in reality salvation comes on the heels of the storm. SUSAN KOVALESKI �I Rarru Suowrn Drip Drop Drop Drip Drop Drip Drip Drop Drop DripDripDrip Drop CIean Crisp Cool Rain { a u p I o a I n d m h v e 39 S Run Skip u mp S P H L L P A A S I'm soaked Who cares PATTYPUERLING H �Npnrpn Rapidly rising ibove me on the staircase oulline me up the staircase i try to"find the face in your yellow cascade, but each step screams under me like the straining high dive plank I hurtle off Weightless we float over three Iast steps, Iaughter drops out our lips. 49 Behind your white skinned door still perfume fills inhalations sharp breaths of after rain scents. My eyes feel,your fingers soueaK on the loud'rush of bathtub water, to test its texture meticulous nails disappear under racing white. Suddenly! vou are part of the room in intimhte familiar fixture, your scene should not include me, I could push away, push o*uy righf now, before being caught like a water drop tossed gasping on to some hard, flat sun warm rock. But black fingers roll around me snuff every sound around the city and an eniptiness splashes insidei your house, fills every corner with lack of presence, extinguidhes everything except this room. This room is wet with steam and my clothes cling close and th"e white walls-are close and everything is so close there is no room in this room until your eyes prerce my eyes, hook my skult, oull me back where wide oceans lull. Alazy rain, your eyes drift down. Your first blouse button slips out of its eyelet, a bright silver coin sinking deep into a sifk blue pool plunk. plunk. plunk. plunk. I reflect your undressing watch you watch ine watch vou strippinq a loie weath^ered sand, pale andtan, smoothed ^ neck byshoulders the rvind. breasts bellv thighs one leg enters the bath water, steam flows up your body you kneel water glistens your light curls I enter your element submerge in heat as an antient wave draws way uP to spill its shadow on me one suspended instant before you crash into my chest to suck down our SCNSCS. ED MCGINNIS �WIlrBs UNrvrnsrrY Mmruscnrrr � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1995 https://omeka.wilkes.edu/omeka/files/original/3cf59087d06929f34ed19a5073109337.pdf a2adf13f9989b941c88f670100c39276 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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':no,( asoq- _ 3r.Il'ssa._ _ ,lauLoc srlo^zepuel u ur pa13ue1 [re.r srqt ssEr._-.-_ le ]eur.sojetso pue sdoqs peugel qtr,{\ poqsllqetse ,{ltuanbola os ,reui:o.; eq l .,(epag1u6 puu plu^o I no g ]-]etxo-proJie 6 -io stao:]s Sur 1.. :. _. eqt le tes 1 's;ee,{ earql-,{tqBre aseqt "u.\\ot srqt uI 'ejl1s LUe I'esuos I€Jotrl eqi ur lseel te.ti.:: -uns .{lluuseeld sqt eqtearg ,,ilqeliojuroo plnor sorpoq iu:: -aqt 'potrrurD 'orurt srql le lluotsut pa,tord leloro.1 jaqlE: 'erueqr ,n1cn1 e ,(q-+l .V 's,{ep leuosees 'prrr8uel Tertrur 11:-:_. esoql ur xade leuoiloura ue ol toqullu ,{treaq e lq8llorq s seles tyrnb loor\\ pue s.noqs 3rd pouroor8 pue I)ols alllcr ;'u: -, oip 'qO 'Jr1? ,(lrunururot aql se''rt LIJtI^\ -+o ouo ... ..I€JnllnJu8e Suuds ,iuruocdn eqt aurocle,r ot eteld 1oo1 s8uuoqtui 1:-: 'sauutsed portar ,{ueur .}Je.J 'prp .odft pauorqse-I-f , : ,{olue ul qcnur ,fte,t a-ra.u ,(aq1 "IIo-+ se i.rlunoc eqt ',(1asre,ruo3 ',{lru.iela uelo por:ad eturl lueosou€Ae aq} tol lJarr : uroples s11rq 3ur11o.l II€Lus eq1 3urto>iuu1q sepelq ssur8-1o i::.-., elqeJarrnuur eqt pue'1Jp1+ UJ'spurut aJo'\\ spurN .letleur ]E_-. 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'tll?d .\tl'-:-- ' loulor al{l uo s{colq Ir ' : pue pl€^olnoB Uetxo-pro.+ie61 ' -1o p'; :: tueruef,{Ils eqt uodlruolsl \ ,{ru qtueueq 11a-1 't1sse1lst1 sl1oli' ''elil pup :a33r:1 aqt po11nd ueluo,'lr eql 'aunl uoouJal'+! ueeri 'str Sut3uts prlqanlq II?uIS oql Surltods pue 'aidutu i': ,iqv . ' 'll?q3s€' SUOlJ?li-.: suos?eJ - p31n1I1s: Jo pul'; r l=. -: uorpllql -' :1] ueq,\\ ';: e1)uai sl iepsrnql : ,11n1s,ttlr:: 'pex3s : - s.': puE SIU.: luSLU: I iuclluaf pels " tsnIpuy s0\-:: 'sa11u: :uno,t e tn; \l€,t\3pls : ,sduIIS € t-': I aJIIr{ IlnF i'"r-' .qr in on 3uqoo1 puy 'un8pueq e ;o3 sde'rts :eplnoqs par{l€t'i 'i' ' qtr,tr 3r:qputg toqleel ,troc pa'{p 'tpq8uq Jeq u1 'oJIIJo sqturi itll r eqt'ratpoq eillrslulul sitil qlr\\ puY ueer8 Suipuuis eqlJo saSepuadde pt8r: o'trsuodseJun '11' peq lI puc 'Pi :: tI oratlJ sosuos req ot Surqrnlslp auoraq eqs 'Ua\O-Fr': - pe.re8uepue ue.+o sn{Jlu lqirls agt preaq puq \q iut:"; uo ,{e,u leq ponulluo3 's1dtlur uae'r8 Surpuels leql 'uerlo'\\ t,r' 8uno,{ aqt qlr\\ srle-+I€ -raq ur lue8rlSeu "tt .... pu? 'eul€rac : - ' ftpe3 e qcns pueule 01 ql€ol squrIl slq epsur asnJxS" ue 'pezrSoiodu 't1luaribo1a os ,t'oq Suno't eql ','3u1 'sdund peuoqqlr-Tuld s,ueuro'u oq] eroJaq sdat' : ' 'ur)o- eJueqr '(q doq 3ri1 '1Et{1 qlla pue ileqescq srq peddorp . 'ue1s palll11sun uE qll\\ '\t-* aql uI lsBel le 'alll se,\\ sltll 111g 'Suruur8eq qseg ',\\eu e paJISop eg '[oq oq] pou,tro llul ll':: ' srq)'suos lloql put? suos Jloql pou^\o sJeurleJ-io spleg'iss':--' 'o8e suot]e:euo8 'u'uop passed ueeq peq ]l p'-' str orl] ul lrJp ]tIU roqleol posn u,\\orq t q11.'\\ 's33pe : eH 'ssauteeri go e:n1e1s srqt atrsoddo 3ul11e't "(poq '(oo' eql oS e ur ',{oq Surroi e 1o 11eslt palueserd esueplculol a . - '3uno : -- )q} lE - ;u -. ut 'lBau : ',(oq 8uno,{ ? se,tt u'\\ol 11€tlls l- - '' uraqt.lo euo,tre,tE 's,{oq Suno''( IIe sleA\ {eq1 sa'ru1s '(oq loq qleeueq '{dde q si '' : " pue spuelq aureu-dol -1o eqs s,.(e1:1,:: ur pueq sro'(e1 Surqtolc 'Jlosreq' tq8noqt ulluo,\\ slql puv 'elqlJulAuolul oql eJuL uoJ plnoJ 'ItUIlnEeq sE^\ '3tro;1s su,,rr '1eoq3 p111'I ; o^Iocop pue uutuo \\ -: ' ': Euiuui - =- 0J111€1S qc1.ls -+o eqs 'seqrllq roq uerlo\\ ': . uosl-:'sorqle8 leq uotu eql 'JOISIO l3q s?r!\ plJO'\\ 091 'eq ol tqSnoqpue 'uoseol leql ro-+ puv ..'alqBl{JeeJul1 aq\' 'elppllil : se 'se,\\ eqs 'u,\\ol li?ttls slql ut req pa^o1 '(letoog 'se(e:eq ul 'l{r i srrollllq eql q1L{\ asllolq eSreq uedo reg qlL\\ 'ouol€ aq o1 e3e,tta1c 'e8eree1c pno'rd "req uI -llasll pals3-{Iucul J}lrlll' - - 'sseu-'i! ' il€op € r per[: slq 1l:' - 0[Ius -Io UEIHJEHJS �rZ 'pasdelJoc 'ge1 1 u,Lro1 ilsrus or.JlJo eydoed eql o1 'a[u aro.+oq pe]ssr .{trugur enlq aql ,se,{e ,{u qlr,u lsu^ puv 'sroruoJ qtoq Surqcnol .u,tro1 leuo8erp e [B{.us erJ]Jo staorls Surlcesralur eq] Buissorc_1JoJ tl puy .raqlrou ro .,ttoleg ro .e,roqe piro.tt paur8e{ur or{l ot 1s,{1e1ec e8e,(o,^. sil se,\\ srea.( eerql_,{1q3ie ro eldeu uae_r8 Sutpuels leqt ur ruop Bura,riro3un eql puy * [n o g ge1 x g - pro3,{e hi J o ro ruo q, uo . aT',lrdu1:H'il,i#: ^ or{t }rq pue potoqcoJrJ soltnlo^ oq1 .$lunrp Wr.{\ r?q ,(1ours e ur orqel p uo s11eq 100d se puv 'uo.tuec e se opr,,, uodo rqtno* r,sqi :ur,r.r.rp aldoed eql pue potcolorcl rrqt .rod,unq gqi Jo lelotu qSnorqt pe,tteu8 qs€lc aql se dn pe1oo1 ro po[reerrs euo ou puv pr€ a rr{}ruo{rq'r1cg3e4o.r.rf .oJrl 1 ,,:;'J:r::rJtT?;}:1j,ff ;}':::i: Jrssel] 6L, evo se rEsp roJ uo plJq pue pola^o31[is looq srrl Jo looJ or{t rltr,tt Jo {cuq oqt uo padunl .sllere^o ueal pereltel 1nq Surqtou Burree,r ,ueu.Lp,trop p1o er{} qirq^ a8eqre8 1rnr1 'rrelq BJo {rBq oqt ur u.^ on{l puu.,{tsr,r} e qlt,\\ parl s€,\\ tgrll {c€lg Eeg qserl {celg e ur 1nd se,,n tl unOroip li}un ag} ur palsar {oelq tr eroq] puv .prrqanlq oiqeoJ eql peqsnd pus ,qsnrq s lo .uoorq e pedserS,{poq s.ueu pero-}let eqtJo spueq pue s:a8ug,(qqrys tq1 'dll reddn srq uo .le.tordclusrp ,..g,^r. ,rq oi .ro{srq,,ttJo Urnt'.r trq e pue UDIS pouusl {rrqf qtl^\ .re^o qtuoc rreq ,,(er8 auluogi n ero,tt ueru eq] "ecuereedde ur 3gruB pue euru_{urql ,noqy .qir4 , lil rf' t:,::' iii ll {uFagg4 pue uelxo-proSrnryJL reruor srqr uo Buole eur€o u€ru r1o ue '>lceiqgo uedlsnp e olur qsnJq ego dea,trs eqi qll1\\ lprrqenlq ,rr." pepnorr,,, 3q1 puv *n.-,ooi''.ffi'Hl.1j:,9:Hiff H'':Ji1"",1*: qted ,{elre;grrd ol rouroc€ql punoJ€ ie,tr srq pe{1snr .prrqenJq tnel :11Jo ruDJs e qlr,tt pue .eldeur -r ot rr.4dop safe peuurep srq uee:B Burpuels eql qleoueq {l€,&\eprs .lleqeseq ,(ppoqs re8ueru r1q qit^ 1s€3 UEJH]EH3S �9Z Brp,&!\ tlllB.{ pn{Yrng t_ prIV 'sl.- Sutlca,s:: plJo.tt. - p:: -o eldelu r:: pI€^olnog aql 1iu l. r[Qu] € uc : iur,ttrp aliic': pa,\\?u; 3rll r tuo{ :t JISS€'--r slqJo 1c. tnq i'j. Irelq EJo 3tq qs: jI olaq: e Padi oql dlr i llq ? prj AJO,\\ IJ ,{eiregu; llo u3 lullu 'Ir peFr:- W€d ie':; :qlJo tuni : {} o} tI,\\o �9Z '&dtue.,uou sr .lnos .ul stes tegJ oql ul .(1rre1c ueq16 "sureuol lBg,\r sr pro^ oqJ Jorleq otur pollnl aJuo se,,\\ leql 'uBeq s iuoJg ,{\ols sI ']P0J10J o1 '0^olJo uorlou 'eplg 01 uoseor v 't! ou pEr{ oJuo lerJJ ,,tpoq aq o1 'relieqsJo eceid e Surpr,ror4 'uo^er{ e souocoq sseu{J€O 'ees o1 ijll til peqsrt\ ecuo tr8qJ .se,{e eql o1 'qlnrl3o lqEq eqt lno Eupelpg 'poguroc eff sploJpurlg .(us o1 qcnu p€q eouo IBIIJ ,eJro^ 'sua1sr1 oq,l eql oJ euo.{ue o1 'seumlozr. s4eeds ecuelrS '.,!\ouru lnoqtrrl\ ecuo s€t\ leqJ .meJ erDJO 'q1ed uro,r [e.r\ eql Eurmollog .uzrtop ureerls sreel ,{fdu[ tr �LL 'pauodd?q lt uoq^\ roq qll,,\\ 3leql s' 'su€oJ3 ..lou eul !: eq 'eLU SoAol of{.. ,{peats s1r qtr,lt no,( Sutlueqcue aclo'r '(1i:s -: 'uoos uele,\\€ I.II'i : 'uns ?.+o :- - : s.l l: llqJo aqt olul se,tlosuleql Surpuerqi sei{sl'\\ pue suIeal' 'sre1s.;o le{uulg € Jepun 'tq8lu t€ 1i qtt,tt sre,{e:d paleted leq serleJ put r'. : JouJBqJ .istrr- {cepno BssIrBlJ to14J adnS �,r.ill 8Z .un3oq Alsnolncer[u seq leq uoos.t\oq'uoseosJo qcnot E,{po qlr.,n,,roq sreprsuoc eq5 .uo,u se,!\ ts3,{\ aql ^\o{.I pue oJII r3r{ sreprsuoJ aqs '3ururSerut p,urnueqtues.,ftqc t'v pessoJJ_ssrJJ,&e,ra qlr,tt "Surrds 3r{t r{}r,\\ uo pue uo sl€og turl} ra}uoo ueer8 e1}}r1 p sr sreH iiilr llll 'sodoq peqcle3-reJ pue slrr8 eplil3o e8en8uel eql sr sreH ileel reauol ou uuc eqs Iq, uoJles qurd-pelepd-",ru .r^rocep r"ot#::1tj;X lou soop ,(sreq eq1 'ocerd ruo ur pue o^rle lr q8norqt atu€c oqs i,(1e1eunpo3 .llgorur se,r\ oqs '[nJoJe, aJs aro{4 punoJ eq o} no,(;r,(1uo 1nq plo8 sr erorl} roJ 'Jor{ plot ,lnJarec aq I tsntu no1 'sellg.& pue s,(urB alrJelsJo ees e oluJ Jlogs " ruo{ nop uurlecrod e o{rl Je^o o1ddo1 req ,ttug SIAEICUOfC �6Z ..Irl raq 'iulr{ uo $lolll s{eld pulllr ',{es I ..'pog tuol.} SaruoJ '1;r3-asor ilt ; :-'-; ueu- : sItll ,{lqE. -, s€,\\ eqs ,: - '3uuds s{us puu ,\\ou splspeg srq {q lures slqtlo .retsod e seq reqlorc .+o '.{\OQ \ltl:: esoroqf 'ls pue oqs iluo plro,{\ B.Ioluo ol A1ale:sdsap s:"' Pue 'i\i -quee uoe,\\]3q lelli€q srii ssorJ o1 1q3ru q3€e LUIq seJul^uor : - ' 'F'; srq lo tllo lrlS-asor,Urq srqtSo a8uurt eql 1aB louu?J eq s.ilr! 'ullulo.\1 e 'euo puu 'pqol iae>1 ,roSu -- :- r '; auo uI p - i :spaas .+o tuoq ueeq s?q ]eqt ,(toueut J13€ru ?-ro suleoJp eq Sululolaql Li is^ES JoqloJq ,roux '3J0q pu 1 .i1u1_t JIAEfCnIOfC �0€ 'uoos ur€8e InJrlneoq eJour aq IIr,\\ l 's,(us eqs 'atu o^rBJoJ 'no,{ punor€ il€ ptrE repun parrnq rruq rno,( IIs qlr^\ ,{e,tr srql no,t a1t1 1.uop I 1eq 11e1 1 '(ep poo3 e uo toerls eq] ul pug s8ut.tr ,(g:epnq 1 oBuero ,{-r:oqc go s}e{urr} pu€ sruteq) oqt q}r.^,\ puu s1e1ed uossolg raq iuop€ o} iun}ar ilr,r\ I u3q,t\ puE oLtI tnoqe slurql lqs ,ttotnl I pup tueurgrellu3o speed gir,\\ torl alerocep so{€g,\\ous 'raq oJolsoJ 01 otuoo 1It,u Surrds uorl,tl,\\ou>I o1 Suriue,tr 'dee1s ,{u ut usoru I eu sllel reqlolu pue dlecs ,{qcrierq toq ui JJrupuep $ee13o silq optll ees uE3 I 'pergo 8r,tr ,{pnc rrr{ peqs s€q le {ool oi 0^ol ()1 posn I oer} ar{1 pue .{\ou ra}ur.\\ sr 1l JIsH SIAEf(ruOfC �It lpurY IIr{r.{BU varunocuf, ualY itr t: 1r ropun p.: ?' +"i E: ,(uau: rqs ,\{oUli pu? Ieq poqs �i r euo Jr ozruou,r ,r""d, slueorp IE ,Lur stured isnf se,tuec prla(o ,{ry ro qerf ot ooJ suroes ll os {crnb o{rJB Aro^ os sueorp pue slocig r?{ ol ureos ; ,r,1ore1 reql srueorp ,(tu o] o{llv JEJJJ JoAJU sr socEJ ll oqt oes touuuJ uoer3s olrq,r\ e3re1 e uo a1,fis s,0s ar^olu eirr{/!\ pue {331q B o{rl peJoquoual sorurl lsed ,([sor-u .{Jelq lrrr8 -.^,^ r{.lt stocls ses sJuluauos 1 spr1a,(a ,(Lu tB Burlooi SBAUBJ pJJe,{g 0q 3ru lal tsnl dn uea,r8 e,r.1 ao{ {;;rt1;I,T;r*, steror{ ," osolce-J fl ffit sseJ8urueeur eru. . . roJ peip seq ouo aql surs ,{ry ...,(ureue ssolruo,oq r, reep ,{ru :aqle: eqf r##.';'iffrdJ ssolreproq u,1 .po8 ro pog $ h t uoods ,(llures,ro,i qrr.u .,jrt;,r'.T.'uor8tle; ou 'qlreJ urs ruor.J sn oABs ol sn roJ porp oq,{\ souo s"t,{ usru urers oqr u,{Lo,p or aseeid ou oi oqt JI? rog 0q1 IIE roJ tt€ rff[T:]11'q1 ; ;;;;"_ffi Ioc .#:,,;* ;l Jfi sJsrow oo xofl �iare3 uaJnBT t1S aW u! syl �8t oq ..(sseursnq f,ul'pH,(Irfi >1ceg,, .eEeg 1€ eJIu{ eqt palurod oH 'pueq 0e{ srg qtr^\ r€lloo ulrls roq oluo Burploq <ruII q}I.{r pr8 epl11 eqt SurE8erp opunore peddrq,l ueru replo eqJ :eso1c 3ur,r.our'pe1u,or8 og ..6uetu p1o .Europ er.no.( lurql no,( op tlcnlaqt lurl1y\.,, 'deus urq eprsur Euqlsuros tloJ oH prmor8 oql uo eJs,r slued esoqrn ,Eurploq se.r eq pr8 eprl eql pue puerl s(u€ru eql ul oJIDI lroqs eql .&es oq tpuegodun erol .tnqs [ oyod srrrsuedxe srq lsure?e Eurqsnd qcunud e q1ru. 1ep1eq ,ueru Io roplo ue eH 'lq8p (poq srq .sseluorsserdxa ecey srq ,,(emde11e ^\us eg1 u^\op po{pls 3H 'eJoul ,(ue o1 ue1sr1 1.uprp oEeS ..'uedduq 11.]€rl&r' .r\oulI no,( ro 'leJq olull no,( 'urrou tqElr stued mo,( uo11nqun,, .peddols dpdruqe spunos Eurredrurq,r egtr pue esned e s?^\ erorlJ ...,(o1 elull srqJo elrssossod oo1 3ur11eE sr JerpBJ mo1,, 'de1s B o{q punos € .{q pelenlctmd se,tr srql ..ilqs oIIII no,( .Bururq,tr do1g,, ',r.r.ou Eur.(es s€,ry\ u€ur oq1 1uq^\ lno o{eru plnoc eH 'sEurppnq lueurgude eq1 uoa^ueq,fu11e deep .opr,r eq1 Jo ecu€Jtruo eqt ol dn paIceq pue 3uruuru peddols eEeA 'plqc € uro{ Sururoc oJe,r sp{mos eqt pezrl€oJ eq }eq1 ecro,r fuBue egl pJeeq eq Irlun l<use^\ 1I 'lsellueJq rog 3uu1oo1 1ec e 1sn[ su,ra. osrou Buryyreur eqt ffinoql p?q eq'Sruqceordde s€,&\ eq uaqzrr ,1srg ly 'u€J eq1 llr{ i(llBeJ llrls oql e:eqrrr .Surpyrnq ouolsu,4aoJq plo uB 01 lxeu'pessed oq,fuge glxrs eql sem i1 ,(1ereg -loorlos qEg pelenperE psq eq uos€oJ ,(po eqt se.u qcrg,r .1ce4 eleu turq pedysq p€q rcql peeds eqt Sursn .s^(e1ye q8norql pue stoe4s oql Lrop uru 01 penurluoc eH 'rql, eqlJo uorlcas ,o,\rsuodxe ero(u ls€el 1e ro 'rersselc e ur ,(lelerpeuuu se./r\ pue Surlred ro3 pesn ,(11sour laer1s oprs il€tus e ssorre pue ,&ge ue ut\opgo {ootr eH .uru oql quoa eq p1nol( 1r ]Bql peprcep pue seolelod pessecord;o s{unqc ,(dsrrc '1oq oql lnoqe lqEnoql eH 'arurt uo lr e>leru 01 uru 01 el€q p.eq lnq'euo su.ry\ ereql 'q8noue lseg o1 1eE ppoc eg s.pleuoqal4 Jorilou€Jo {uFI ol Eur(r1 'qperq srq Jeprm pesrnc eEug .ples peg u8rs eql l€rl^d puru leleu ,,telA€ peunq puq lmJnutrseJ eqlJr ss po>lool U 'sJoop eq] uo u8rs eql o1 Eurprocce ,olg ueqclpl Ilerus e ol onp pesolc U pug o1 ,(1uo s.pleuoqcry slq ueeq e^.pporls lerl,.l\ l€ po^rrre eEeg ueqzn IIqu.4Aop oB o1 peuels ,(ep eq1 'qluoru u ur erurl lsJg eql JoJ su,,!\oJqgseq Eurlle8 puu s.pl€uogrlN urusp sq o1 3uq1e8 s€,r lnoqs perec e8eg ge CNVTTOH ,- - 1 �!t 6E eqq suue Joq poddtl.\\ puE lreq '\\Olp soia r.rl mq 'Jlesrari punore eqt spre-,rtol ol pe^oLu 't1e'lgoulisul eq puP '(poq ',\\or.\ req l3olq puu resol, 011111 € pa)ioor eqs '.IIasroq t'ttt' 1ui,q-' s'llop t 0{ll 'pt**::1;t 1nt'1 pi*L .H .ii*oq 'tqs* 11e;1no'pllqr -11]9^ '''op aqi 1? pa{ool 3i€x .in1 ,.q ;.'t r, Sutruls se,* oqs 'su"\\oJqqsuq eja'\\ polu€'\\ pEq aq llY 'rulq poroqloq l€$ pll er{l qll.\\ ged pcep e-}Iul e petuiod perl arlll eqt 11e pauoddPq l?LI :trllt{ 1€ eqt se,\\ ll ,'tnfr peap 3q1 ueq'rt pallels I'upeq 1r tqt ot t"ott'd ;1,i". .;n11 ..i1oa '8ulutls cruud 1ae'1 'tltotx: to1 .ln'li1]:tq t"(isnor'rnJ 'poI€os '1:tE eIq,u alull posnqc i1'nn''nqo ti'q^ p'"tp iip11o, i.n.1rn porool oq'o '(uB ldol pri-eqt se 'saau1 Pe'(1ds pool8 sr - 'p1p Ii13 .1'r'i 'qt eulll aule-s 3H i' oP 7:':'punor8 au: 0q1 NOA : JC ilrdmqt s slq Jo ,tq pa:: pFor Jo oJu. Sururol II1Un 1.'; 3qr :u Plt' p:: qSrq 'p:]:" peo, \\op urrj ]?JO - r' r ""'I aq,'ss:'pt8 ati::' irof pu€g s.'i: olod e replo u€ oqt poolq'ponunls auo'r'lrli ":[]irH.ii8 Ara"r 'uoL: roog ,(e11e oql uo u?ul PueP p3lool puu s)3url slti elilll aql ueaaleq quo] puu lreq aql pur I1l3 ue le\' 'aslou ll€urs u opeul eq-s putptletl Suug-]uo ur peddols eH sIH o1 os o1 sr:'tr tqSnoql lsrg ;.iJI;, .q rnq'pta ol]1II eql t'*.f:]-t,ll: lolo Jaq 'eou-i raq ,rorm p,"rrnd' pot' utq'-t '1'auopull JO{.[ ro \t uo pleq 11e'1 put stued ;fuc l.uPlP lnq 'tllolloq roq 'ie"te i1'no1s 8ut'rotu irt8 aql aa' peddrl eq5 .(poq tqt ut s'it :oq trilq opllu ]uatrlalolN leoJrll sttl ]11' ot u€ur 3ur,tp aqt uto4 dn 1ool 'eJIl'+ slq oluo IIe;i u?ru 'l-1' lrod ol penulluoo poolq ss Sutqctt"ni rlnluoLrlorr n:etuo:.ffirs poqu8,'\\ eq'rroqs uI pt'inu pedd:- plr? oJIu>I eqi uo puutl raq ueul eqr srq lr',rrl ,q .r'.strdrns ur 3ur3pq sa;(e 'leolql slq o.lut lt Srtltuutul pu?' ulli-' 'plEAlo-+ peddr:t'' sp-ueq eleollop req aqt tuol] o.]1u1 eql Sutqoluus pauieas Surqt{:a ul peq3l?'\\ oSea -st "\\ols o) pllqc r r' eql sl? Iloqs otil le pe^oru eq] p-osualal s'plltll peJaaop raq tt peddr: pu? rl13tl r3^e1e:]'.*^:l e.to:d ol-+I sV."req ol 1u€'$ I stq -nip1 130J1S .idsl: aL{l '1u1t)' QUo r'' "n.Y".^r.n,,. u?rl i'pDI'rLIl] i or'r p.eq ' 1:, leqlotj utn: ol Suroi sI olot{sstl Iurt; ,t,r, .^nq ,-,o'i o6 'Sututotu '{ut '.u't' J elssa["' 'req l? oJlu]iaqt Surlurod 'Ileq pr:leq oql iq p11qo eqt peqqe:; pic.hrls o5 .raq po>1ue,t pulr ,_:. LID .' pslio "Xlll,'rt* ..r... JIU o1 'qll1tll s li aldo-ad {rls usos p'aH u plrq eq aLLIII siql lnq'eloJaq pllq e8e'5 "'awtt slql 10N" I{II ol palu€"\\ lo^eu seia slq 'P:' .r.u1''t plor l'pu€ raiue q]rtr artle auootLios Il: n ONVTTOH �- 0t 'oB 01 peq urqs oq] 'llus .olrqdoped e se,tr '-.;: aldoed lnoqtr.^A ruoor s 1eE o1 q8noue prre^\ oq ot Buro8 _'- J{rl lelog e o1 rer{ 3{et l.uplnoc aq .lleH .urqs_t raq re^o - :tspoolq nrls ele,,1(1. oJoril lnq'aug po{ooJ ppl eqJ .pueq sq , iurploq Iirls se,r oq.\\ .arssof lE u,\\op patuel8 e8eg la,tour uoog,{eqt peq 3uo1 ,tto11 .perr} os se,\\ Jq .poD : -. -.rr -: ,.'pl1{c 1rr3 'oB si}a-L, 'lruq pa{ool uaql 'qq 1ip{ ot to8 t.uplno,tt sn{ ur pueq ,(ur1 raq }leJ oq q!u" !"ee f,11aer seu,. ueur eug ertrs a\Fur o\l,trqtunse$ 'prqs oq rno,( pug 1.uo,^ a,\\ oq,(uur .11e16,. ..,(11ure3 'ur snJt {oot 0r{ se qcrnl qcetuols siq lleJ eBeX .Buno,( pue Uos A:e,t ecro,r req ,pres aqs !.alJun {u se,t e11,, 'ureEe urq ,no peleed se,{e raq uaq^\ olrus ol perJ] eg ,(nB srqt qI.,!\ ..;lq8rr s?^\ tI usrJt reraq aq o1 1oB seq Burqilue lllaH .osrr.uord :t,uo,tr 1 'nor( pnq l.uo^eq .ssrword 1 1 1 ,(1pue3 rno,{ pug 1.0^\ .eur t{jr.{\ Iruoc no,(31,, .req spre^\ot pueq sFI popuotxe aq .,{1,ro15 ',t13ur1p,tr utrq qlr,r errroc ls€el 1e rO .urrq lsnr] ol per.I arIS .uaddeq tuql l,\eq o] tng 'op ol tpr{,la. 1no pern8g peq aq reu€ rarl uo urqs irtun , ?tspoolq aql ecrlou l.uplno,u e1doad,,{1eso1c ,fte,t rueql pe{ool t€ :lo ou pu€,(1cn1 se,r eqJI roloc eql Burprq (puau .enlq {rcp se^\ otuo Surqrosqe .{peerle sp,,!t poolq ar.{J IJII{^\ 'Uqs-t JerJ ir^ : : orueu,{,1ard .(11eer € s6}eqr,, r, :lHT. JJf :lrl tr posn eqs .eceJ ror.{ ssoJJ€ rruq opuolq Burpuos .poppou plrqr ,-'L.(,oLulu rno,{ leqt sr .erssof,, .erou,{ue req orEJs ot Bur}ue^\lou alqrssod s€ Uos se ocrol sq 1de1 sBeS ...punors no,( Berp l.uec 1 '-?'araq nof e,tee1 uuuo8 tou ru.1 .,(18uq1r,tr a{u i{lr,\\ erroJ ot o^uq ffi"I1lT* .rrn"16,, .Burleerter o.,( pue 'areq ,(e1s t.u€r o,!\ .pIqc 1-113 roq pFoc aq ]nq'3^oru ].upry oqs .o3eJ req per.lrnot oq sy '{JBIq tsotule s€,r [oaJ '..tteurl aq s.tlnpe ,{uB ueql replo oJe,r ,se,{a ,p1o lr {J€p os u^\orq e rer{ }nq sree.( xrs :roqe po{ool ,{1uo pn1 aql .or€J s.pr8 eqlgo poolq eqi paar pue tno po{1ceer eq ,(1,tro1s .&er1 qlr.\i\ aruoJ no,( 11rr11 :^ou tqfi,, ..;eu areq .,(e1s 1,uec lsnl aL1 .no.{ gnq ot Buro8 ru.I .urrq a{rl }ou tou ru,1,,'Surluprurrlur ssol pue rollpurs utoesJlostun{ a{eru ol roqJo r -rrg ur Eurqcnorc .ure8e polrt oB€U ...tq8lr :ir..1 .1oo1,, 'siq uol ra^ou ANV'ITOH �II oqs u'\\op pelool:1-T:.t. .ql p.qq!r8 eH 'pseq roq Suippou s?'\\ A1? \\:l olsudqlool -+o xelre e11;11uto{+ trlq 'ra \\sue ou s€,tt e:eq1 'uouttlutllr r)ill noA oc'" iu,1oo1 lou 'perse a8eg ..;'arssal 'stloltJoles etsudqtoot eql lc [elo' o'\\l pepu?q eH uorl3as elt: pu€ ploq 01 slssef ol seqsnJqq]ool qtl16 eSeX ro-''tgatrq 'uottc:' leuo-s:ad aql spl?,\\o1 p'p"q '(eqt u.o, aqi-tsed pezaarq 'teqt xrs u, toi" 'lietrls .la{s?q i -.; iut1u.il-- .r ,' lT .l - -'? si:.4 l- lrl a -': i- -r-a s}utd p::' aql irq 'taq ua'' eluepguor eql'll3 puir uoll3os stued r,o'\\ropun ..,rllparu ur 1,ed reqlou: rfu.rt 'qced 'o"t .rilitl 'ga1 setnulul xls pepool{ 1t'1q 'i6'*'1 u dn Irrd :l 1iL0"" -urqsr€e,\\s ', '1co1c eql uo o^e ouo qu,,\\ 'tg tqilr''' Surqltfuara peqqe:3 api 3urlrai rou loJ.+lesrrrlq posrnr pue :i'q aur ool '(e'* se'u ler{l led tqr iitlt'.'1 1r -+r sr po{ooi :rud lrau -'j.qqrc eH 'puuq sig l€ p0q1111"puu sa,te slq qll^\ loq pelns€eru idlaq ou st'\\ aISSef pue utlq o] lxas pools tsni^aqs - i ----,, 'e8rul pu€ urlllpouI '11t'luis lsnI ur''' pue slced ur oulol I'up1p sezls eJoul ie,u era'tr aJot{l Itnlq peq 3q ;; :' peroioc luor3{Ip eal-- uI sulqs-] paqquri eq 'e-+?s ,q o1 1"11 'll?o,s s'olssof ]? p,>lool ' 'llo r.oo e poqqo''a pue elu€r-+ 'r$orreu 'areq'u.fuola sJelJelsqJ uooll::: ']J€]s ol er3q.\\ eepl ou p€q eg areql 'LuIq o] aruurtq8tu 1?uosl',(qqnqc pue ryrd p,n''11r''.1 elea 'uoll3es Surqlolc oiil spr. \'"'- l e arII se^\ uotlJos i,"i'p1'q' eq-i a3e1 'aq ol e^Bt{ 11'11" po.l.out pu! pulrq s.als-soI peqqer8 q8noue oq wql lll,tr 'solllulut uet'1.- qr,og ol *;Surddoqs -,nni 1 t a-- tu:- euo3la'\\ 01 ut Sutsolc oq Il,a,rr i'n6-1',\\ f"::1:1j,14" p""': aqi st isn! :::}.. palt\',. fi f .qrn., ,r,.ir; '{1-reqtoupueri 'sutelspoolq eql p3J3^of, li lnq 'sl1oll1JlplJ ^^soloq ogl uI stltrt '1: ' t1 'dn tse't ow padll1.-l-lu sooull req ol 'ace'1 s'aiex uo l]'\ 'put p.j1,,,-, [11crnbIIo.+eq'pue poppou aqs "t11eur3 '..i" a1tll1 eq1 u*orq 8rq -rag 'lueuloul e ro-+ palllls 1'rr3 :,*o1 ..rn,^ srq Surdael 'po{se 3q.,.i'llq '111i' Ouo\:': 'slql e{II 11o,\ .: 'es :o1'' rsn['uo slql luci atu roi noX llllN'31sse[ Surploq'elssaf Jo luol'+ ul li:"'' ]al t.ueJ,(11ee: art'{"'{o.''dn tr pacldri-ag 'pelcrued lu?: rLlaqr tplt' :1.1:!:.; pu, 1se^ srq -go raleer8 e ,,rres aH useq sJnoq e'\Ie'\\l J3Ao 'Io'] Suttlun: p"taq1 L'' - tut=,,.u, qi';i tn^ ,, tnqiS't"" lrol3 ? se'\\ '\\es eq iutqt "'o ,,. {111 ':tt*1,:'l r: paiSerp ,(11i.1eter3 oq pue uel,^d-lu,ll fruno: -' 33cJ l3H slssef ]? u:\\op iullt\ e se putlq ilice.lrad st llIls se'\\ 3ql qlle'\\ o1 ue8aq a8ea i(lleuotseoco 'pessud 'teqi serots CNV'ITOH �_ '_': a : - t< :_ -.a> ZV prrE s,e8€u lJltlsl8e,rs uo poESnl oqs JoIEI Selnur(u e^rd 'sEulpunoJJns Jeq 01 uoquall€ eJotu,(ed o1 ue8eq pue Jeq$o se..te loeJ req 1oo1 puB peppou erssel .,(1gos pres eq..ipllrlo ,,(e1o ,1no a,(o uadlel lrrE os 'r(ets o1 eceld s pug uec o.&\ eJoJeq IAiJy ue pug ol peeu a16,, 'uteEe EUL\our ureql loE eEey ,pesserp *rqt3o r{toq qll111 ol Eutuueld'1e^\ sE Euq e,o1ur ,(pooyq ulqs-r p"g"rr:i;lil"ffi; socerl {ueur e^Bel 01 Bu11ae,t 1ou,Eeg oql"w w .1ceguroql poJmls oH 'qleel sH tllp\ sEul sqlgo peddrr pue U1{stue,vrs {cBIq e{D tno peqsu eq Jlesurq roC '{uE} el}q \ tq8p e puu slued mq} eJotu Surqlou ur rru 1q8ru eql u SurDuels .J1e,tr se pJoc Baapi sern e8eg lse^ eql peddrz pue ureEu JegJo luoq ut lleu>l oH .sn{ uo 'Jeg JoJ :- peana$ sele 8rq raq .peppou eqs .peltse orl.eploc no1, *^ "r:11TJJ'rH;'.'rilXf:f;fi11 l ue,r e'nq srq re' ol Bur{r1 punoJe >lc€q petun1 eH .sesrou Bur16ru etuos uoql puu reddu eyo punos eql pJueq ag ueql pu€ uorlslrseg eluos w1!\ eJor.lJ : ,1urod srq o11oE eq srq e,rord oJ (roor "r;'J3rt#j:TT,ir:1lXi opeuruldxa e8ueqc no,( pue 4ceq,(u runtr e8eg;(u>1o .no,,( II,L, [e poolq Wr^\ prmorc ?ur1Je.,tr aq tr.uec s,tr .>1oo1,, : Je^o (Uuetq tuq -:- 1e pe{oo1 oqm .arssel ot tr pepuurl pue ilo enlq oled e 1no ,&\eJp oH .surqs{ unrperrrJo >1ced eq} mo p"qrg pue prmor8 eqt uo s8eg eql peddorp oH .,rer^Jo tno ero^\ (eq1 os u?N-le (\Jo Jeruoc eqtr punor? ruogl p3^oru ,(;1crnb eSea pue erols aqlJo lno pa>lls.{4',(aq1 reqleEol .sEeq cr6e1d eqlJo ouoJo ro(uoc :- : eqt oluo poqcl€l erssel pu€ s8uq aqt dn pe4crd oEeS 'Eurqtou ples lnq ._ ];J "7 ., leqcurg arssel '.{1gos pr€s eq...pllgJ pr8 ,enrsuadxa ere ,(luregec no1,, .e^g u 1nq Euq#re^oJo ploJllrq eqt ps4dure pue lolp,r srg tno pelpd peltsrqlv\ pue trmolu€ oql ,{/\€s oH : ,H 'Illeerq slq Jepun ,rol '1u1o1eq1dn perllel pue Jequnu s.eEeg 1e? o1 EuroE l.us€^A arls pozrl€oJ.(1pug esolc f-re,r pef,u1s 1nq.pueq sq peaselc reauol oi I43 eqJ 'urpl o1 ,eBeA oqar 'srssel uo o,(e ue 1de1 eq Wp,r grg 01 pel4 pueggnls dn Suer telsrEer qssc eql 1e lrrE eql sV.ue{il poppe pu€ sruq.(puec o,&u trno pelcrd ueql (lleq eq1 uo Eurqt ftea,e pedtunp e8e6 .aruds ol solnutru o.&u qll^\ relsr8er qwc eql o1 1r apeur,(eq1 'lueJopoop elpo^BJ su{Jo ezrs Ie^€I B pue elsedqlool uourerrutc : .: GNV'I]OH �L'f cl eq 'poD 'Sutlea'tts 'IlesLLItq ,(1q8rq e :uo3uior o1 '\\og \\onl l.uptp eutos s8u; .,'sueaut 11 leq'!\ 't11ee'r t'us1 p-i1rs eq lutl'trJo 1..1'pj,in. .ttou1 rlo'{ LLItufl" ''fri* su"\\ eloull :noA 'ttoq ;un.., poq-.t11nt', € lllqs'lIqS'lIqS 1110 '(e'lr st'tr oH'llqs aqs a{il pepullos eqg ";8uo:'tr 'lrc ol Suro8 se't\ .r.q rn;r.1 slqJo 'pesn}uor pue peglxal pres no^" rl op' I pic 'elpprll o] peltlu,{\ no{ 'paq irrrqa"ior 3ut1oo1 '3ur1aou1 su\\ erssof eql or;oi 01 o1 prll'\\rol iu111t'4 eq lslg O1 lrlq!:. pue ur':l Suruueic sece;: ' 3H I{]a:- pezlllror oq ueq-L.p.rll :q pue euopun Sutaq a.,e'tt stuud srq o. .r.o eq '3ulop sll'\\ oqs 1€q"\\ ozll?al I'uplp eqs'ul1lul13 paqs; lV uo suoilnq Sutqlou i:, 'J3q ro-l - poui€li s rleq spuolq lq8tl:oq lV slq punol? lr pll lsa,r e8nu : - 'uIIq ql].\\ ouq eq len]Ir pI{ eql ep€ul ll -}l auo }no pesslrl peq 'e;ns lqea^ i'alppns' ' 'qn" ..'lue,\\ no'( y -sP.,\\ 'loop aqi JIr-+ Je{ puu peppou os 'Ae:s 'ute8e 3ul' uo .er11res o1 'poq eq] paqge:3 eiex "leoq'41" e:a,t {aqr erls op?ui pue slued slq ;;; '''' ',(U sH 'resoll qrr11 'du1 slq uo lsourlu aqt loJ peqo€er eqs 's-is8ur1 ]uullseq pol,t\1?rc ' lpear{ r.q 8.,llq eqs 'pu? peralsru se'(: req la'\\sue su,n 1r ',{ddtq auios slql punos reqlo tueq put 'urqs-1 slqJlo ualt1 peq eris pes1l-+uoc eqt ritr,r Surleipg se,\\ pull ]sa^ 'pt1in oqs ..aalppllr o] ]u1la .oi ]'uo6" 1lutus aolo^ ,.q 'aso1c 'ue't l3q puq ol JeA0 tq8rls eqt leputl e'\li pollor oH'1I oluo Sruqturlc olssaf-+o tqire'lt 'uouell-saq lleus € se"\\ sraqr prq .q, ii.g tsnx ueql lnq pu? poq u'\\op peddog ueql lsesol3 poq ileuls eql uo plo]€H-'ra8eueru eqt oq1 3^uq pll1or eqs otssol 'palsnuqtS s?'\\ eq lnq 'poslnJ aiel : srq ol ro;- a8ueq: JeAo i.: ruo anlq e' pu€ pu:': ,r€N-l€-\\. Surttai eql Jo qlrrr ieep ol porll ool .. .. - -- ..- \\1' 'sryr:ds orll L!rol'+ '\e '3e1 -slq lsute8e llosleq Sutssa;d qlnq euo 'stq3t1 aql uo psLun' psqrulu arsse; ''iralqilelelpaLuLlll eql olul lo8 iaql e8ux uaq.'t rnq 't''"lio'a € LIli'\\ uroor 'poureldruoo ].uputl lllls eqs q8noqlir' :: 3q: :rsse; e rnq 'lleq eql u.\\op pa^ou pu: '1urod srqi te 3ur33e1 t(11uar su'u elssef 'lre't:ad ': Luool pue ie1 aql 1o3 ag e lqrssod st illclnb " '"qo'nu pue alssef 1€ 3ur1oo1 ldal oq'. ele.tr oq-+i sr: aEeX lt 8ut:ui8 uaql i': i :H'qlEaj Dalil?l . -:ti au puq {eq1 '1.re1c tq8ru eql qll,\\ urelqo'rd u -io"lrq aptil e 'sleaqs eqi paSueqc iaqtlr su pelool ls€ai le ll 11'L' 'olur 1:r3 apri e alet ol 3ut11t " 'lnoq 3q] .r,q petuar lprs '(iquqold u ll - og,\\ '.. 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'ples pue roq le slIuIS ol polrl aH 'rlrrLl puu .roop [IooJqleq a JIer{ Jo s ',(l$os ',(ouoq 'dae1s eq.; CNV'I'IOH �9V lpurY lrqr,(uu aw pa^oT ra^aN fiiluow �'e,ro1 LT ., ettl urqtt.,!\ ole setrudrJcs eqJ 'le11]rJ Iutlee{xeI 'Furtee-po3 srqt ur pe;uo.\oC pe,uoll€.!\s uaql puY Suroq olur u-roq eq oI spJo,{\ oql our o,\rD.. 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Jl1ol s.ra,(e-rd -mo,( 3ur,ft:u 3 'suItlrp pu€ 's3llslq,\\ 'sllaq qll,,\\ qted eqt ot olef 'slutus Suiuurs erll ruou puel sqt a,\us III.\\ sJsurrrs pslulss eql 'ue.ISIl 'sse1d1eq 1ea3 tsnI e.1 'slaqdord pareplnu rleql qtL{\ pounq pu\ sqnlc-,t1Iq :epu1 ueloJq e3ue3ouul JIeql JO 's3uer6 rueSy u1 peA{ossrp spuru llsq l 'ur1uduu.lo se^€I\ ul sJotllP,+ .Ino sl11os rloql lsol p31sel pu\ s:eqle4pue.r8 .rn6r 'ru-sr3su.+ stallnq pe t\oql 'uns aq] ut Sutlueuur; saldde 11t4puln po-stnlq 3tE sueaq rllfi 'sle.'rtot ruq Surddos oJl? steAll Jlif, 'eur.n deaqt ur pallord oJe sulsrq JnC 'u€Jr-loLUV Puu Smto{ e-IE a.1r 'e>iours-1od pue uutdo.16 spnolr-j;nd uo 3ut1.nt:c srellldrett ; '-Ioduls e u' 'passe.rdop'pol€drssip'polueluoJSI C qllu \\ - -uloql puoirE 'e3u€^oler 11e 'Je.+ -sasopra.\o ool lI alel 11o_i. - urapout-t sod .ltio,{ .1o ouou tue.\\ e{BA\Y NITHCNVTCN �0s reuJeil\ JeqlseH ut dtry,orutfotttrg ut ,lsorls a.miln) puY nuacouul 'rseg no,( q3norql ,tg uraqt tai puv poolq :no ( 3o soslol.{ o.1o-l palnoloc- iueur pue ,r,1ur-pag Jrrtrolo eqlJo suror eql jn:) 'surloil e4y sn,(e14 '3uruls {1ddns puy ,{pu8-,(tr1p,{1luesee16 'sorrr-euroo s8urs alppg € eur o{er\l lno l€qt '{ceq lu0q1 lnd iierS-uo.rr Suiurnl ,{1s anlq rno,{go 1n6 NI'IHCNV]CTtr �' 8urlu1 ls aq'rua'ro'(ldrurs st'u ilcrldurt s pJllsqt 3uo1 peqSnel ag aql li-Io sJlllBU l€L\Ir| otll 1€ dsep pue :looq]S a)i?u l.uop poD asucc' 'letcods ui'[ '\\ou1 l" -'funiou 1loxe8 .ir:ptm5 LII :as 01 pesll eq sralsod osoql-+o lii;now e1d Sur'uori ,poqs ar '.uon aia srq tqSntc leurol oq] ur 'upunel 1o p€q aH'lle^\ eql uo {1pno'rd eqr rllq'siurql1o ]ol e op o.l luuoLu 'a[Ille[Ios it ut aar8ap [to1st11 e:ar{.\\a[Ios tr Sutq oi ]u€eLrt peq eq 'Jolsllol se Sursu ueoq p€q 3q o[IuJ'] e srq tnd ot luueLLI pBLI ]laxug peq eq oll-l re1l141 usdo sqi ur-uoldrp sse13 aqt uo Surcldrs ueaq s?'\\ eJuap?3ep s'1101J?8 ias aH 'tJll-+o elsr.\\ snor'ro1S ? 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Luor'I ,rn., pun s'tillLtt'tp 8tq l'uatn paLraltlEl't/ (,ol .to .rotttl ctttl 'tat'llta a'tD n aq'o 1 7 ()) q,*'a s() ..ro.i a t r o 4 t ./o itt t1t a 4 t'tqinoqt !1 'la1e[ spuoJOS qnolu sJt{ }.+el ]t se eloifls srq3o esuedxa oql pollu ,(1srtu-;o lr.rods aql 1? psle^'tcrl aq:siun1 tr Lt tt li t rr st peltstrq .g 'r,o'qtsiq u^'np ptll'\\ jadld aloLLIS lo aurtrld eqt Sutltoi eqt uo cleap put 3uo1 paillqul stpq'i'req3 lla'ul8 {JnrI tuuarJ erl allq^\ 'iulqs u a'\orC lrqdord oIII ro 'snsa1 u14 �Sursseulr.ryr se,,r,r Z9 eg pe^ellaq e^Bq plno'e\ Derl€g'etorYr eq llnsJelo pllnq morunH pooD ellq,t\ eql JoJ lou }I eJelr\ put '(lsnoleueru 'sol€1$' ur polddrr 1t eroqtt ged rqarrt ttq prrueuslduroc pJ€eq sIH a1ppgr E rllu'r nsq 4Eue1-reppoqs slq 3Jo/t\ Je^IJp eqJ lslJq3Jo e8esn eql oluo Euqool set*r eq eJo't.s 113JJ€g s.{cru} eq} Je^o pelnoqs Je^up eql ..'reqlorqosSurleerg,, r.uBeJs 3CI uBJO lruoJ oql uI gu€e 01 JIesulq 'I€znW '{crul ewoc peg ue^€eH uo Jeuu€q peJolel-{celq ..'lu€eJc mI s^\eN pooD,, :opIS sll ,qr pnt, ,q ,n dolt e o1 palpd 11 'fuo13 peprocor-ols€3 ur 8ur^(e1d 'ecueserd s.llerreg rtrtU aqJ,, 'urg eptsEuoie dn pez'our 11 ..1"o1,q Jo olel(€ olumeq peq l1 .alou '(g "(cue8rn o1 resolc uI pe^olrr Iecrsruu cruortssle s1I'ullq ur Sursearcur sdqq *o{rir,Tooo_.rrn peEolcedard eqt ut ellq,{a uollcermseJ peureelS 1}'1e2ntr41 u€4sIJqC ',.{sp pelppntu-f,H1 aq1 q8norqr unq pr€^\ol firsuep Jo V 'I mes .(11uug eq }€ql ueql ffi^A 1I perElq 1I 8ur,r.our ss?tu etrIq1( 'esd,(lecode Eururocquo; e Jo UoISIA e{uos o{II rulq rlarE uo dn Surdea.lc ll uoJ $au€g 'Surceusur eJout 'lesolc 're8re1 punos eql 'pnolB pIBs ilerrBg ,.,islqJ sl pllqS l€q,^[,,, peuu€3 rloq3 'looqss ,(epuns ',(polaul u€FSlrg3 'euru oql lno a>lB[u ol elq€ 53'44 e roJ peuals{ eg 'ure11ed pmzeqdeq eqlpun suo4rteder ^\eJ .asool pe8ueue sdeeq cruorlcole Jo uollcelloc Jo puDI eruos punoJ€ crperods B 'osrou Jeqloue pJ€eg oq'acuelsrp eql UIJO 3u1cnpu1 'ernldru sulupr€e sq ep€ru Suos leer*rs s(pJlq 8 "Qtcole'r uooq-oluos 1e6edpazzrq,,'rrr srec lplo;-ue1 pegqdure sum rmrl punors aJII II"Jo punos egJ 'seldnuud '(1quee [€ ]sol u^\op p* ango ldecuoc srq se se.(e sIqJo sJeluo3 egl tre q lderc ezeq pelelnpun {l€.^AepIS eqJ ryBC 'se^€,r l"pll cluruolued ur 'l"ruoJptm3'I eql srq req1e3o1 pelpd leeJls oql u^dop ,(um stq epelu pu€ 1ue8re1ep o1 aq'ledrec sq uo polcelioc prnbqSo qood ploE eqt q3norql 3q1t6 'pe^oru eq s€ uoISIA srqJo sre{rloc peJJnlq eqtr eplsu Eurqsnd'pug i | I ppoc eq sregenb eql 11e dn pereqle8 pue le>lseq Xrpunel sH olul t"qo1, Eurureurer sq il€ possol eq i'(qdosoirqd qEnoug 'owa)a,t ol paltlua l+ou ttt,J qo{na'a\oqu"tof aw sa{tpnb ndodlo acatd o $n[ lruasatd a$to dacuoc ou qilot uottolstq v 'tq8noqt eq'uto J ruqdt ldacxa aq I uoc atotu Pqful rutq fvd �3 u' 1 oru ,arr,s €s EllluP\ 'pu€q s1q uI lood riBel3 e3I in o,ii|" r ..'poour i11,0 itily.T" ::l -' e \i1€1crLLrd1uu" lo slu?alls llo'] pue o" eq lose e :l-"f;iJHffi pur :[ [ffi',i.:,: I ll ulun's ffJ ples JLI ..'on no,r oreg" olSuelce; uezorl 'raded arrq'o t" p'ddol^ lron 1ci .,o o' :it :i ::T.,l,x l ."tT;iilJ.lXf_,,.*J re o u ,(p o B.' I I r o rr :' eql su peqJlE\\ r qrr,u dn eru?r .. ,r,tt'1 tu'ot]]l1i.l15"I"H: .qr r,\\puu s ru, el r $r r. I 'Ellq\\ € ''oj 'n' r.uo. 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I epEGI aq se lq8noq] eq'rJbl raaq autos ll11:^ a _ : : t€Ja ... 11O_\ \lL)L -- roJ .'JOI{l q::: il1tl i' snsa i t1 snsef .. - tu-: 1 3ur'"to11o-1 t ',. :: 'urt3e': aqt '1o oidtostp 'ouolll uue slu 'tluqdsc 'uoaSrd .. .elrq E ,*:l 'qlL\\pues eqt urorS laa'us [1ct]s 11tls urEeJJ oJI .1o Suuago s,'(ep snol'rard eperle^€l u peeq e:a,n {aq1 'spu?q stq pols?t oH sleululeqJo ,,q'.1ntr'puo,(rp qtnour sIq']l?ls e qli't du les l]e'LIBg 'u'ie u 'uo p..roip s'nau Suttt-toul sqi.se 'tro13 lueseeld pep1ol {1qsar3 ';o elid e st'\\ tultl u ilo e.ttt3 A'r eqr "ftpurru1 oql e{o'\\e eH aplSoB 'q311oJ siq uo Suttt-ioui :: a,r.r3 11.1 'lsugJ.Io Ll3ltlq..l lcn:1 'ftre6 qtr'tl i1ct1s l}o3l slq peue,\Lioo {1,lteu e 'Lueelo ef,l uolloul srq cln pereqte8 srpq'd:tq3 }lorreB pr{n.* put s8ur8uoieq eqt uo ,{1or1s ,tlar8 ir:ql qrl'\\puP's uiearr puE loe.+ slq le papu?l : pellOur -r,l ell pallaur eqt le pelod s?'\\ o'\op ollt{.\\ ei{I 'qsrue^ uaql pue a!'a''(a stq';o reuor ,\\eil o1llt cioo.trs p-uq ollq'rt € "\\€s oq eJorrts '1I ']lerJuB Surtqrrop e uIuLLIel plno'\\ eH eql lo 1no rtror; q8noq1 iro'lYil"I/J 'lnoqs eq l11q 1n ,..u,11,. aqt tsed ta8 t'uplnoc "si?'\'al' '3urqtau,: {ool lso- : i lsn V)fvd �9S .slpa eql urqlr^\ sesrou eql ruo.{Jr ,(eme 1re eql Jo sseDISIJq Surureruer eq1 ut >lseq 01 lueluoc sB^\ eq Jelel lrJo aruoo plno.,rL teql qrceJq IrUecJoJ .1oq oql pue .un1s ^toN srq lsure8e uqs-l sF{Jo sseudruep eql Burmpuego lq8noql ,(pg 'oruoc ol 1eeq,(p1_prur Buue11e,tr.s Jo ploFJoJ leql ssauDlcrlsJo Uos oW ,qpFunq qlr.,\{ s€.& {orrlt JI? eqJ 'lll8quns Sururou eql ur rruul( oeuoq srqgo ecuBrlue oql eqt uo tes {slC {lllS p1o_iee,(_1q31g p dools elercuoo eEuuro uB lB[ ol ^roH lpurY Jlqr.{8u aICII alqnoQ \rxfvd �LS \\oq.Io lt{3nor{t tsnI eH 33u€]o oql lu pe,\\ulr oq sE pulul possed illentoe Jo.,\eu uollJllJalur lo urellud .rretlf s, {lllg qino:qt a;.noi .,ie t .. oulr{1 1r:qt te Suueel '11e6., eqt qrll.,rr eul palool e,\?q plnoo no{ li -lrl !: l --ltr i - -. ,.'oN.. ..;,fu8unq no{ erY., ..'oN.. lre a'-- .,.,ualee troA e.te11.. 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Jl-l3JO 1l Apettl peq 1?q.\\ -to JeAo se.!\ 1l l?q.'\\ ,,\\ouli 'lLleLLIOui t,uplp eH 'o.ro.+eq iqSq slue;ed slq preall l3^ou peq oH 'eJu.+Jl1s PessolS';(duruq s1r uo i;tua.;o ]utod auos ro3 8uqoo1 'puu eSue.ro aql te 8np et1 se slql ro,\o pe;od ilpg 'slue:ud srq -ro.1 lqiru llllolI.rlp e uaeq peq tI :tse.I toq lal ot poplJap aq lng 'plp s{e,n1e arls eIIl s.rel:uul' otur tt trlc oi req 3ur33aq pue uroi,\ 3ut>iu.u tnoqe tq3norp ag 'aiue;o 3o silq peclIS ,Lllenprl,rpul ro3 paiuol ,{lueppns eg '{lqrtda:rredur peratlu',\\ou lueroJ.+Ip }iaJ s8urql '.rnoq {1.iea ue qJn-s l€ aplslno euole Surtlts ro 'Sulwou eql ur srql aIIl eloq.tr s8ue;o stq Sutlee ol posl1 I,usu.'rr eH 'spu€q slq ui ploq sq e.reqds o8uero oql lE u.\\op Surze8 'pesned ,'i'1pg Y)fVd �lJu s 1 ruo+ ue rusa 8S uI Eulrerolrolsp pue Surued, 'li punorp asle rililr'r':tq, * osnoq ln rulq sIIl '4\BS rH ,o ,u"rrtl]-ntjo- Ir:q -'uor1er831uls1p rq8norq rsrur rd,upro ,r":1."] j ffi ru ;; #il ;il:ff1 ",i,,,,_3 3 o s,nn,n,r,1'J[, i,xT rueredde ou,o: p"Fl o:*;:11;ilflffi,:ilr" On urq po>Jcrd.q, 1,.i:..iiy IHJ ,rq^ ,r"^l;;;; -11-i'spro.,r\ oqJ rnoqi,^ uolur sreuurp.ln ,rur,,l,]]-uorsserdxe 1uu1q e$:t;;;iu};;;iiffi[|:ilH'ot*rr oH ti}:j: esnoq slq ur secuds ..'sued O*, J{er o},(peer er,no,{ .puu lul.riq*r r"-:rrnl ursrue6;o eqr uede eqr xn^, pr1."j,.,r.nox .ru6,, poJoloJ-osoJ og ot atns se,t lr :]q3ru snor,tard p"l:' I r es ; otund,t,{it aH .lrerop ssoJpeou +:^i{ifi',il:[iH; :l ; xnlf orur lue^\ rro r.ql_l,rpereq {grg slol rI pue 'uouns n,,r:,:.,r1::l_: Jo Ae,*' raqroue s. lpqf .orJq -.J, .rri ..,r:.:ff;,lJ:#;i,1:f 1rnnu,rq, p,rjleJ sl sr4f,, ,,,,i"J:::Iil :ililf Yrq] orul r qdnn, " ef *ffi #;::, tuoq j Bu*uni ^o l,j,i,,#;"rT, jff ffi n ,il'> rl'-l r r'ro ., u"",o,':#;:HXT 5f ;; a; ; ; or surql o u ql 1,\\ p up l s r,::,r, as,\rou{ or{A\ .srqr op or ::':r\ori :if *oo1 }1,loq, no1,, rj '*:::::.i t! 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'pIES pBC ..'oF no{ orot{'l puv" \txfVd �E :, ;. n " i 'l i. roJ esnoq eWJo .. -a ..esPoJ ol luB'&\ 01 petueas euo ou JJes luou ur ;,,4;;1.,i;;##irt:##:ii!i:Hrd,ilH,#tTJji;j .ecro^rp ou ro: s8yuey rlnuollrli oo'"1"^ 'uorrrugepJo euoq peloroc "r"q1 ;;o;;;;rro Eur4lum pre,( ruou eql 3o dorp4ceq frrusue oru,n"aan*f p-J"r,lol e.ro3eq orurr,r^ n,,,o aql lsure8u lror.lrccrn ae,*-^ 'tureuecun ,ffi ;:'#r',Iffi ;'^:ffi1';;,'JH:LI; *o,i:.:rJ;d, r; ;rr'; ;;irr* ::::i*"'-*ilfi ro erll ur roqreqa ror suorsr^rp ou puq pn_g_ pJo,i"rn* ^[ecuo8e]ec .u, u[ ,tureus3 ro'uor ou s?,r ereqJ ,6us il *"u^i*r'p""* ew 'pur^r or0 uodn ref 1r Burssol oroJoq eurq riirg""o 6pueq sJq u, ,rou ,ri, li11l vd �uollug {qley psuns �- '-ra\tc DOJII !i tqS :- ilug !:]D 'H i:. -j aH ,i _,,r,irY au,*",tr, pJiTil:_i# selcrluec Buuu.,r .rftIof .ls .no^ sn --L' roJ ,"J,ltolu:rero ^ n,rseqr;;::,::ffiHj .*oo*.p,q ::!l.i(l11 : aiil ,, -:,.!B .scrls,(tu eg ol qsrrn - -- .qs _ : ea,r aluu ^-,-rrQ,(zerc sldrueue porlrtoq JnO t _: t-- :i::n :_' i -: - ,Jfi:il":iil[?T#ffi:; ery?]s,lJ?oH paJcBS e .Eulopun egl o1 {Juo eq1 , ..]r"orl^ 'rc'our;ilfiffiT:l1:# : .epurrr I o.& ssaru eql dn ueeJc {r ,] o1 - :,. f.tr tlr 1 ',i,il::,il,ililif lseel e44 ul{s lnc pu? tre I ,"nrg r.#,,'10",[lr} .seprJrns -_ rtn nda, rno ldura;1e eat ^-^1^o -:I[f:,"fl;H:lI [ez!l 1sotry1y pu, e^[y 6;up1e41 �' r9 ' 'riopre8 s.iu;e,ltg 'slstuorsserdrul eql Jo Polll s.eq sa^aIleq oqs eer leqreq ,r.1ug 'ea1 ,(1uo 'ooJlor IUIrP ].usooP eH ptq ool 't18no:qt sdtg eg tussard olqe] ooJJol raqlouv 'a8u1tura11 aql uI Posnoq stsruotssardutl eqt tnoge loog eqf 'ty8 {epqulq eqt a{I[ ],uplp 0q esll€f,eg re-+ pere o rs I purl ^ Surna8 Lue I rH:r:ffi' .lsre,\\ qulgl oqs ;:J;.ffi,XI raq puetatd put: urls loq ul l3l1s ol JIssraLI se3roJ eils u3q\\ sl ,ixelei P lJuuls \\oH aJ€A\U l.UAJo.'\\ 1?r{f sluud olut pelclJlsuoJ rlJ€[Io]s leH 'ot sesruord -ro 'tg s{u.tr1a letp 'lerceds 66'01 eql 'suual'qc1arls tltselo esoq] s€ alq€lJo.JLLIo3 s\ goI ecg]o )iaa,\\-E-lnoq- (lro-1 :011 '3ur.,u1 ,(uPirerolo ,(ue1r1 aq1 'uot1t1ad:r3o llo.Itrlol aLI] ul so.\el]aq eq\ '1eads ue,te ],usoop er{s 'ureeros I,ussop otlq E ls?el ]Y leod u .ttoq s{uIL{l eqs ittq'laod uuulo,\\ '{-riuu eq ot pesoddris :^t luetuosufl aql ul louol,\ '6urqlearq clo'is l\oq ].uuc ol pulurai s11 seruel3 Sutu.tout 8uo1 Pur ']u3r IJEq'S-[UJ Ul\Op -ue)iorq erolsq NI)SIO �w e^eq l,useop aqs .(ouoru aqJ ,,,, run;;;;rHi 'sopBrls ffi,l#,,"# {crlsdrl .&rerd pug III.^ eq; o",,li3";',Tlox slsluorsserdrul ' Blarr op 01 BuFIlou seq qlsru I:I-Z.lcerqns s,(elrp '1ueura1els .slequmu "rr'riS rr""q{r.,r;:j;:1} errrleEeu rno auriJ# ,edel .r€eq re{cll B Jo; rr,*,,.urrlf{#ljff:lf e sn r€Aeu .&Bue p P.ff r""q" eq plnoqs ['^Ii# :H "q, ssaurp,els eqt ,^otr.a rqi .,og,.'^I#i: puelsur sroJoc suorlreger {;euud Bursn peurEerur qr1^ xnia^ slsruorsserdurl ... '..tup o1 ^oq ^oo4 rrrlq lcsdxa eqs upc ,r\oH Xiuo ,.1, rn€t, luesard .ouug_se{lrM ,*"^,;",:l,H:i'H::[t .s1uu1d osnog pue seerl q;,tro"rE ,{pus1s eq1 .ueeJ8,u,lroJq Jo :seuot quee qwl\ eil 'strmel 6nf lo nurrnq .touEuru eJdde rrra,r3rr*r'a ;; 1s1se4 "q13J drls euo urr ,or . Jj'#,:l,J # rillil seEpnus o"uear"pu1r1,rnq] renoq ou tenol JerI oJ pue oldmdgo .1u1d 'rrrJoJ ,rqrqA! lnoqllo' sJoa\og ^r, 1"OO;r[ NII)SIC �!-9 ,tsuaeg ru11 {ug4 ag apaaN rualueseq erll uI 'tq8r1 Sutltr r 'ro-1 3ur13ut: e.+11 ro.1 .no11a{ Puu eniq Pue .irPurrel s.I3a.\\ 1se1 P:- dtr 8uu- Ol SJOQGIaIIO] 3Ur 'iqinoql elalduior € e>l?tti ' qcaads;o sued 11e speeu plro'!\ eql 1r1E 'alualuos e s3l?lu qla^ e pue ul-lotl \ 'pu$ ol Jor{ Jt'sunou eulll.lJserlI-+o spueslioq] eJ€ OJaq. 'ueul slql uPql aJoul sI slaq' ''' ' 3^ei{ soop eqs lste"\\ ttl NI)SIC �99 .uorsseJduoc,roJSUr?u 'elEEopuooq .pror{c_l4 .spueq delc puy I^\oq pue odercs pue lrr8 q8norqg sur^rp erllJo ur€4s peel {3oqs u uJ reqleEol uooru ol ruooJ ruoJC 'lq85rods enlq uI peglJlcole tuoor e ur erod,fteae qgnorql Eurdees qteerqJo elucs polorus lou.(poleur Eun11e1g 'sEuuls urrro s..,(poq sll sllnd .ropeqs Eurdseg druols rury,(qr pJeoqroog JoAO dolc-dr1c oreq euoq erIJ srlu,t\ �'11n1s 'orrloq € atlr pad€qs " L9 'lesse^ eql 'ils lnoAfo snJ0i 3q1 '-:[]il: ::]il:].'-1I',;J,lHfr 'sdnc 'inoi uI er'l1o^ dod titi'trt 'iurldures [ul]^1 puu '(3o1oqc'(sd suollule^at oi s)iJes l-llnoui xloi leql 'il'tnnn lro[ io st slupu:t cnel fiutldnra ttnl'ltt1"8 ti' "o'tutqo* 't elql3nrc seulqo.oo JIeq ltlol I1o ,iroutoul eq1 'asl11oJ eiueqo .Itlo lo uollJeJip aqt p111o'\\ l?gl s8ureq ^retaueld puY 1etisa133 'suoIl?loAaJ ui plolelol 3t{1 lY {lisuelul paulrt seia ruo 1o setltltqtssocl prt,,trol 'e8reqc rllo -Io lloqs eql lY erll uI sll pulloJr; 8ur'rout selpoq Surpunoqar sloolls arll pFo.\\ s1111 Jo 1o\ s 3 u re q o1u r s n p ourr o r su€, "r,. ji,i-:: il:[,::, 1];ili i:: aql ui u.\Aerc 'roqloull auo Surpug '1o fellel -l,r6uru3ocat iutuolut ql€olq turu'M puY eill ellq',\\ loqqllA ul?als sr\\opulA zz,u'l . s uir aIp r,o : ;,,,T,,: :lll Jil:ffi [ jr,ffi : :):lJ t ul qsnu r \\ pr'l\ :.)nq ip,,nrq 'toureiraq (ppcll ';(4.r9 1ru3 '(ul pue pro I au' eql u1 saulquol o" i"';io''"U:noi-]o,ureals "' :lll;i]l i:' ::,,|"" H;'.::'* 'uoau.+o sepll Pallo'\\dut1 raPu'' 3 u r't 1 o r e 3u ri u r u s. r p uu :i:'."1J"il.11 j:",T i lH:s\ o1 i(ui lo 'leels Lu€ I Jtllf,ela uo pagodsue:l 'elr.ryr 'sdr1 saut€l'] lli eru 8uip1o-1ua laals ']o Sutstico -t sariluJ-+ ur sa{a r(u 'luoll-Itlsllllou pmbrl'tur Surddn -1 qor; lr tud I ero'loq Sururoru aqi ot qBnorqt 1oo1 1 Suqt lsJU 'azeq Jo urer '3o.1 ro uns 1e'a'rar alu lJn:is Jalau stq ]i tt' to'1nn"cl 'uoq 'ltou 11]' " "'SupaPuqs ssu13 Jo ruuerp I sY o-IOdac �89 puoupournquY l0,tparu) DT - dn psureerp reddlls 1 ;i,:i!'rryffi 3::,':ffi, i ";lf 'selrrus o11f_"]:yo a*nr"gr, ,"rns lseor ouEedureqc e pue *rqrq:[ q,L[ iroqs ew ]V sdots ueaq eql JeUy pouJnq s.,{poq ,q, 6a*r ^_)Jnd erg lF urq"r14 seqse eqr ploq 01 luFll I oTodoo �'en8o1e1ec er:a3ur1 69 'al)iul.it\ elusllepul ler{] ssou Jlloi eleds ol (e.ne uaPPrq ,(1tr:au 1p s.qtuoui tsel tsure8e polunlq sreads suie-tedsr 'u,nuds to8;eu uorulcs 'saleld eurqc Sutqrleur uto;1 pade:cs sderos 1ae:csrp 'qruets pellltsrp qlr,'t tq8u sll?3s pIl {erS 1u;1nau u?Jqsell 'sa,ta eq pletqs 'uaeri lces qcuis ltrqs Pai: 'suollusJa.\uoc tueuur:duol .teuulp AI 'IJO,\\ Ol 'lOOtlJS Ol -;o serce8sl IIIru ltlos dot elqtl '11?J o1 Olui SplI q1m\ pallg suoltec ,{ldut: 'lIos pue els? \', uoe.\\leq slelreq 3uruutds ;adulp pelclrlsuor 'spolqs ar83uq crlseld tq8rl pu11o.\\ u.nolq lsodutor 'I1OS paiulll lao,trs SutSuts 'qFtq Suriurs 'SutBurs s1.tt.,ns ,{g }tri:.i 'Sutrunl qJeulo]''s "Suturuqc :eltrlc pure Sutlea.ts erulls '1cn1s'1cn1s '1ctr1s )irrts Illos urnSelqqnq u,\\otq IIIIS lead euuwg dueg orodoc �OL B eu JoeJ s3{eru sql pue ernte}s reJrirrrs qlr^r uellro^\ repio ,{Jlr.iSrJs raqtouuJo ,{poq qos oril oluo porotrop .{luodra eJ€J roqJo ,&oureru aW ts€ol je ro puru,{ur ur qser3 (poq gos reqgo ,{.roueu oq] ol -IJes,Lur,{3sr1es ueJ pue 1o3rds urs I os ro,{\oqs ,(u_r dn e1e,* uar{^\ r aq rapun ur dels I ueq.,rrr pesnoJe arogeq ,(ia}erpeurur Bu ru1,.,o*;":.;;;ril,J;":,0* *"* .aleural .(pue1e1q os Buraq3o ueorp uala ralou pJnoc aqs asneJeq uo^o solurlaJrJ peJpunq e ur Jo arur]aJrl u ur oq JoAo JIr,r oJl'tr-xo Atu ueql / J 1e pro^\ eqr Jo esues el8urs ,(re,,r,a ur ueuro.,lr eJo orolu ,{lgeqord sr aqs eryrqdopsd e1r1 Burqt.{ue ag ua^o plno3 ueqol .,(espur-I qtl.{\ Burql a1oq,n slqlJI sV .prege po{ool l osnscoq se.r\ , ,r ,3I ' ;" '\l I osneceq ^ ,te1ose,,nrlrrrlrr",r,t:::)r)rr::I':)':::":;:;::; uno3 auerdns oq] osneceq rueql o^Bq ol .talo {iletol s.ll are esaql a,trlisod ure se a{eJ I ere so;ntcrd er{lJr }nq le8elir sr o8e ierp le ua{et eq otJiesraqJo selrlcrd peleu Bur,trolle pue 11 e>Jr1 .{1uo ss.r\ aqs ure{.J]Jo lsoru pepBolu^\op J eBrrl oqt lB esnBcoq srrJl ^lou>i J puz Ieer ere uorJlJo ouou sr Furqt eql tng .relnduoc ueqo'1 ,{espurlgo se.rntcrd pa{Eu puesnogi e e^Eq }snur , ''o1 .< ''trl j f ,{,-r ,,1 , .{u uo l 4uadg �IL pull ssIpoq uos lleql seurz!8€Lll -Io 1l1o soJll]Jld Jleql 3uI11113 pul uout uaeq e'\€rl plno^\ ruaql lnoq€ 3tttztselneJ e3e s,reqle-1 '(tu 1l 8rq tr lrq ra rru tsnl '(aqueql puu aq,r.eur o^?q plnol 'taqt qSnoqtie r(eqt leqt lou sllolu€'l Surqt,tut ro q8noue 3ur1oo1 poo8 l.uere.'t I,uora,$ sJepeallseql oql ptl? s.oqs ]uq ,{lsnor.nqo Jot{113 1110 prof,ol dod t suq eqs pull sllotrtu-I eul pecuou seq ueqol 'ttsputl }eql lo\ eIIl puu e'ruq 'toql pltio t ples I s,(e,u1u se'\\ I leads o1 plirlt ool re.1 eql-Io auou l11B Iq11 '1oeq oul pocllou le^e sroptelleeq3 'lsEal ]E aul ol snol^qo -Io uos ro xq'rt s1lol\qo 'Io u pell?c [aqt Surpeel;eoq) ro'] lllc uos s.tr sssn8 1 pue ,,dodr11o1'. l sartued pelolor {aqt e -1r qriel i.+1 >1ctq s,.tr B seuit8 pue ualods ro 11 sar11u: Surpuel-raeqc Jleql '+o esdurlr ded le se[Il]auros pu€ poD'Io ro.I po{s? e'\uq plno'u 111q p:1. ,te1o s.uo se s unoJ: lr e'rti o: ieql aIIi 1ou -s'l uaj 1 SEA\ 3US rel'+e pelsrr. pue auteu ,(ut '\\eu)i uoAJ ulaq].]o auou lnq a)i1l -+o : U?lltr aql po\oLu repiar alri tsnl polool '(aq1 '(e'"t lq8r: urls lloql lepull Jlle.\\lapun pir.roc uo,4 are'n '{aql alaql sla8ue a1ll sse pue s8el 1p [e'u'{ue pau] aql peq ra\e e^?q pl11o.\\ puu Lueql o1 lI liel pue leeds o1 o8ulnol e{rI lou elaq'\\ IooqJS g8rg I slspeeiloeql ola\\ 3'I'ql ueqol ,tespull IrEqle'+ s? LI'\: r1. lt u€qol i11e:d aql paluu!\ siu'u1e sreq i 'o^eq I lseq ali. sr rr r11B IselueJ alqrsnulduu ilatelduror Je^€l lualo-+J1p eloq''\\ e Surppe snllltlllls ]€ql ul uetuo,\\ aql -+o ApBoJIE uE 01 1lqsl11lq-ic s1l olJeuoJS a^oilaq-elctLl uorltlueserdel e'\ellaq-o)ieui e Sutsn luc' Sutleqrulsetu suaqled }tq ollli' oueueJs o,\eIlaq-e)ieLlI u {1uo lou ol I)S,\\OUB gZ �uur{o-J {BSpurJ tnoq? i.rreJ 1eso1c u ,,t11ear er,no.{ ZL l?or8 os s.teq} Bulqt oqt s,teqJ lei{l snorJsuocqns rno,( ruor3 u8rs iercas Jo tros auros s.trJr Burrepuo,rt pue op no,( Burgt uutuppo8 fue,ra a1nr1 ls 8uqoo1 ol le8 no,( uogl pup tunq ro poo.,r doqc ro qcund e lo II€q e ,rorqt ot ,(11ear l.uop pue dln8 {aqt lurrp feqt 1 ^\oq ^\oDI dls t.uop ueur leer ie,n{ue Buiddrs s.(es 1cry oqt oq,&\ pu€ oeJJoJ Surddrs ru,l uor4,tr eptrl e tsnt,(1urd ,{ur gr1 ,(eu soturleuros oslo I ruo.{ue e1r1 lsnlssen8 1 scqstrolceJur{J eururural euros oneq ueoui J I )iro,tr i,uplp siql {q,n s.}BrilJI 1eq.u,{ef {u,IJr req,r s€,r\ plor pue ouolp peq ur dei 1 sp puru,(ut q8noql furuuru ,{1ear3 truipe s8uiql 1da1 1uq] aqlJo ouo pooro^rp I puu elr,\\ ,tur uaq,r asnsceq 11.131es,{u srr{tJo irrrtor^ u ur.y ..(1r1enxes 1r u,\\o rreql peuorlsenb auo,(:a,te aroSeq ,,trp pue 1nc os eJa,r s8urqt puu Jolur,\\ eql qinorql no,( te8 ot solots poo,,lt pue u,r\€rq tnq Burqlou se,,rl aJeql ueq.,n o8e sree,( are,tt ,(eql ueql uaiuJo ssey Bureq uetu glr,r\ ,rou>1 no,{ }l q1r,r\ op ot 8u1qilu€ o^Br{ uorsr^olel pue loruotur or{lJr repuo,r\ l 'uorlSqJnlSeUr 3o 1no {ir,trleoJ3 3qt ue1e1 ,tlureual s.lr lpq} }atuelur ogl lnoqe ,(es plnoc no,L Buql peq ouo s,ieq1 ssen8 pue euole uorluur8erur I rleql uo ,{Jer o1 peq a^eq plno,{\ .,{eql os .,(ep s,dod ur tno Lueql dlaq o1 sqderSoloqd porolcop ro teruotur ou su^\ eroql d1re11n pue ,(letelduroc os peueas 11e lna .po,r\Bu e8u u,\\o rraql uaruo.{\ oql pue lce3rad ,tpeltn pue ,,(1e1a1duoc os pauaas tsnl relq8nep rraq] aq ot q8noue Buno,{ auoeuos plJo^\ eqt ur ,{q,r Bur:epuo,,r pue TXS,{[OUBEZ �a/ autu8 aql ul loulJu'lltlf,ueq ilateidruoc € ul ll1quollJelos lelllieu'+o r re8uol oJll Lueql'+o auou tulq ou ssua8 stq 3ut'ltacer-1o '(quo'tt qSnoua pooi a'ie LuaqlJo auou lL1LI1 ro'+ er1 lsnl s']r ouo palue'\\ '{11e:r pll1oJ pu€ >lsuq laqulllu Autl uto't-1 ryrd srq e'\eq 1r suotuecluros.+o eloLll oq'\\ ]ezlutrlto'u Sunol E a]iI1 puu looJ Jequeqopeq slg soII[ ueul pu13 auol€ du sele'u oq'\\ pue lqSru erll lo elpPllrl aql uI plor p1o-:eai-,&3U ? a{ll ssal slee-+ aq l€t{l os uostel lltxa l€t{l lo-I A-Ltr\ otp 1ou seqf,l?^\ oq.\\ u?!Lt p1o-rrei-'(gg "t1uo tll'l ':a \lrE--l -a! ,l1l - I(1 Ii Pa L.l : l: iutoi.: auo leq I iu: Jtlt''' Jellaq 1'uop not( 'r"e'n leql osn€Jaq ou pu? leads ttreql 'Ieaq 01 3A€q nof'1r pu1] uLllu € sE aq ot pesoddns 3ql lle s.lI Luoql '\\oul t,uop I{ror., slu!'\\ auo 'rolJlLU esl1ot{llru E qll\\ leuosled oq ol sr.nor( teqt i(u,n aql ui ltgllneeq;1es:no'( ln1llrleaq 1oa'1 no'( tul l TT I o>1uui aql'1o es11e00q 111q leql '(t'tr ;(aqt os tro.'( lcerle'r puu ]3egal '(eql eql asl1e33q ]ou sauo slloulu+ se.rlesuraql ur iurqt'tue'Io ouo,r'Ie'.; no,{ roi , ,(1iea.r sreeA e: r(q't s'teq1 al€ Lre!LIo'\\ ]nJtllleaq {llercedse Ilrilntaq put 'llqs € 3Ie1 ol lsul"notts qfnorqt a8prr-n sputq eleq pur sleeq 1l1I pu? e^I'\lns o] lsnl lelseill ol ele-I-+3 p?Ll ol-l,,\\ uerlI !Ia^3 lou pue s]stelq pu? sllollul III1? I es11ot{ oql a^e31 eL]l tLI? pu€ 'r'e8 tou ttle I llrq] ezilEer 1 I ieql pull puc '(11:q T(r ' des p' Ia al€rl J olJsntrl tcage'r t(aql st.: peqtuSeur rotl ul pe}JoBel sseullu?ul l€Ll,\\ sseullueuio'\\ {l?}s lool u?l I pue utnrlceds '+o olltla dleq oi uos oluos uo sJeq\\ plro'\\ e ur ''r:p pue tur tsui st esla euo'f,te'te lsorrl t op o1 3u, llaql qila putl eql esoqllo iuepus)sap ll'Jlp 1€rl1 }-+os JaLI -+o -]-+o eillll u,no ,{r-u lea-+ pu? 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req quuuuH '' ,u, :^o1i.,t Sureq 'roj uueu€q e s3111€^ JelqcaqJs iltsra'tiur-l solll'\\ 111 luapllls ? sl auuunll ',(3o1odo.rqtr-ru Iol IooqIs : 3: aplluf elenpe'i8^pualle' elued eql Sururol ol 3uturnle: sdeq:acl pun aut'nnpn'd '"1'1n-sfuo3 pue tuoq 'ulPlul1ol^{ IluB iiull11B3q oql uI pesl€J ur pal-s3l!]Lll sl uY :otunl E sl puorrlpafl rnqUY se,\\ eH 'roluut satpul5 1'uo"'utturl 'euritua ut sr sdr111qtr BSSIJEIA1 'ssllols 'trruit idii55fifEfr ro'} oll'r'\\ ot '&runuoddo s1q o{il rro{ sedoq o;1 slq :siulql o.nt sI oH 'spuelr.] stq pu? sploa aqt ro-+ ll1.iIueql slq o,o{ slr{1 sall'L$ .q '"ttoqn1trl:alll\slullH uI laloq u ul (1uo s,lroul aq uoucnpord 1en3ul1tq sy ffi1o �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Fall 2005 https://omeka.wilkes.edu/omeka/files/original/dcbd99a339b807f105d75271127d791a.pdf 08e77be44f9cccde1ab2e3eef60498c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 2005 https://omeka.wilkes.edu/omeka/files/original/597e7112c0ee37116918c3cb93b3d0de.pdf 9f38b68df7335bb246648d4926f3057a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Fall 2007 https://omeka.wilkes.edu/omeka/files/original/d937c74e65c4a5b403d9c591440a02ca.pdf 7da397cb70005bc90f182b13ef5c6e1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 2008 https://omeka.wilkes.edu/omeka/files/original/94e06e778c13eb50f71daf7bdbbc4bba.pdf 06548a306f1105584eb06f04e413208e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Fall 2011 https://omeka.wilkes.edu/omeka/files/original/1db015727cd1f01333cee63cc75348dd.pdf 9f7181b521f83420cf4234ecdf0e4080 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 2011 https://omeka.wilkes.edu/omeka/files/original/59539f7a01eb1e0d22b72d2ebab620e5.pdf e139a5e3864f2d27b9897552d1489507 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, 2013