3 15 89 https://omeka.wilkes.edu/omeka/files/original/e94ab207b09d9e5761e94258ad5335ca.pdf f0ae3cfd22c838a804ae17b42c7a170f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, 1972-73 https://omeka.wilkes.edu/omeka/files/original/b48cfa1c07fd9bebebedc727d10e76ea.pdf bc70e356df93c421e71112125ed1d402 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1974 https://omeka.wilkes.edu/omeka/files/original/47d5bd74c3ca17bd56bc69b69cdaa2a1.pdf 45489fc13d71e254b42a05391a95ef20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1975 https://omeka.wilkes.edu/omeka/files/original/c0794e0ba46695cc9574c2deaf4ba621.pdf ed8244b72af8a782d755121d12193307 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1976 https://omeka.wilkes.edu/omeka/files/original/eb1a5b1385fbd5dbf442ab9fcd54396e.pdf d19857601b74daf05a40a25c45da633a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1977 https://omeka.wilkes.edu/omeka/files/original/985756c8dea09b6da87a247f7cdb05e7.pdf 49f9cb3bb8319215e6302758a4314d8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1978 https://omeka.wilkes.edu/omeka/files/original/1b9a34d551ae75bc681e14c5afe4e0e7.pdf 0bf1bb49c15ca08cdba83a9b3ec81644 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1979 https://omeka.wilkes.edu/omeka/files/original/59e165a0785b41ec98dfd4b68a28a3f4.pdf db593e7af3374ffbf9559835c1dfc4ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1980 https://omeka.wilkes.edu/omeka/files/original/5848de180a7e1e5a0b910eb27c5bbc45.pdf 679d09c0621b796ba71878fae2bcbea9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1981 https://omeka.wilkes.edu/omeka/files/original/79d4d20c8329c58552d22a129e9a5405.pdf 569cb4cbf0e17a2ec24b3fe8f804f065 PDF Text Text MANUSCRIPT �t MANUSCRIPT �-; i: - Copyright O 1982 by the Manuscript Society. All Rights Reserved. Printed in the United States of America. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, :mechanical, photocopying, recording or otherwise without the prior written permission of the publisher: Wilkes College, Wilkes-Barre, PA 18766 Vol. XXXV MCMLXXXII futi @ I �CONTENTS 5:37a.m. Eggs. .. ......RebeccaSchmiu Henry E. Long. . Abstracted Brooke Shields . . . . . Henry E. Long ReturningforMother.... ......AnneMay... ASongforEmily ......\MlliamMondlak ExcerptfromThrenodyofaVirgin Panlll...... . Donna KayScott Boys... SteveCorcoran..... Easter Sunday . Lynn Taylor. Untitled NancyDeisroth...... Sisters and the Rain . . . . Mark James Untitled KenGillis Martyr HenryE.Long.. TheNightShiftNurse. .HenryE.Long.. ForaFriend. ...AmyElias.. Boxers and Dancers . . . . Steve Corcoran . . . . Garvey'sPoint .LynnTaylor Veins.. AnneMay RealityandOtherBadTranslations.. ...\MlliamMondlak Mask.. ClydeA.Soltz.. WalpurgisNighf ...... .LarsenOrehotsky TheFortuneTeller.. ...JustineJohnson... FirstSnow. ....MarianT.Koviack Eckley,Pennsylvania.. .BernieMartz.. ToaMolly'sWife... ...BernieMartz.. Untitled BarbaraMetroka JumpingofftheBridge .SteveCorcoran .... The Early Days .BernieMartz.. Untitled MarianT.Koviack Alone.. AnneMay Bayville LynnTaylor. Currents ......BernieMartz.. Untitled Michael Stone. Rage .. r...... Lisa Cobb RainandDrumPoem.. .SteveCorcoran.... Untitled JoeLarnerd TheMacBeths .StanleyFreeda. Untitled HenryE.Long.. Autumn BernieMartz ManTransparent...... Carol H.Jerrytone CoffeeSpoons .AmyElias BornAgain ....LynnTaylor. LovePoem ....SteveCorcoran Mussels LynnTaylor r9oses.. BernieMartz The MailroomClerk.. ..\Mlliam Mondlak Untitled Kenneth Waters TheTiger. .....KenGi1is... S urrealist Shirley Temple and the Assassinated Catholic Untitled PoemforPeter Where the Dead Sleep. President. Henry E. Long. . EricWidmer .AnneMay .ShelleyFreeman 1 2 3 4 5 5 6 7 8 g ..........10 ....11 ....11 .......12 . . . . . . . 13 ........14 .........15 .......... 16 ....17 .......... 18 ........ 19 .........20 ..... 21 .....21 ..........22 ....... 23 .....24 .........25 .........26 .......27 .....28 ....n .... .. ... 30 .......31 ........92 ....33 ...|37 .......38 ......... 39 .........n .......41 ....42 ........43 .......44 .......... 45 6 .......47 . . . . 48 .......49 ......... b0 ....52 �5:37 a.m. I share the dawn with rain and unsleeping birds as the moon burns my lips as she flicks the last ash of night on my tongue and settles cold and full solemnly implanted in my belly my bedsprings call to sleep and echo pink crying when whistles of lightning flashed veined with silver iust as I can't close my eyes on this unshared beauty that tumbles alone with me in my grandmother's nightgown Rebecca Schmitt I �TO GET RID OF THE WIFE WHOSE CONTINUED EXISTENCE BORED HIM, HE INVEIGLED HER INTO A DESERT SPOT, SHOT HER FOUR TIMES, AND THEN, AS SHE LAY ON THE GROUND AND SAID TO HIM, "YOU DIDN'T DO IT ON PURPOSE, DlD YOU DEAR?'' REPLIED, "NO, I DIDN'T DO IT ON PURPOSE," AS HE RAISED A ROCK AND SMASHED HER SKULL. William James -from "The Will to Believe." OR EGGS I lust couldn't tell her That I didn't order my eggs Sunny-side up. She dashed back to the pick-up window Before I even had the chance To mention it. Well, if I did say something, She'd probably get upset And start to cry or something. She's probably new here. And the boss would see her crying Over my eggs And come over and say, "What's the problem here?!" And she'd end up getting fired Because l'm picky. Hell. I hate eggs this way. I really should have said something. But maybe she woulda gotten angry, And whip my plate off the table And 5 minutes later Throw it back with two little black thingies Flipped-over "Just the way you like them, SIR!" Damn. They're cold now too . . . "Excuse me, sir. ls everything okay?" "Oh! yes Miss, everything's iust fine. May I have another cup of coffee?" Henrv E. LonE / �BORED HIM, HE AND THEN, AS T ON PURPOSE, AS HE RAISED A 3 �RETURNING FOR MOTHER This spring morning looking into the mirror, my mouth curls into a firm fist. I deny resembling you. My hair doesn't grow past my waist, spilling down into snow. When you come out of your Vermont winters, your ends are twisted tight with ice. I am ten, gripping the cabinet. You turn, a black eye swollen, bruised by your husband. My hands grasp table edges, claws clutched rigid. ln the yard of this crumbled house from which I've grown our bush is a broken cage of branches, your red mouth gapes with a trap's teeth. Anne May 4 fl �A SONG FOR EMTLY - Dear Mr. Pound, I suppose you've heard it all before from pubescent little girls with sapphire eyes of afternoons in winter and rolling hills of pony-tail gold as when they're first aware of a stallion's mare and surrender to a shadowy blur, an icon that looms in their minds. But here's another thing Zetetikos, Those ftolemaic whispers can coax even whiskers from grimy plowmen's faces that never reveal but one conscious wheel and rather seek to conceal like stone and stained glass a violence about and within. What are you looking for? Whom did you seek as you trudged through the reek of bones, of ash strewn bones? Your very own troubadors found out your fears in an instant, in a magical age and sullen though they were they had never sung, would never sing a music of the spears. William ttlondlak Excerpt From Threnody of a Virgin part (The Miscarriage) Glory be to the King The Queen is Ravished Death be to the Sinners All is Red . . . all is red . . . the blood of babies. The Birds . . . the blackbirds Fly over me The lost souls search the graves For the songs of dead children. Donna Kay Scott 5 I ill �I BOYS* When winter comes I see Old men with make.shift canes, Straight limbs of trees and Day-old beards, Cradling six_packs like Heavy grandchildren in Thick brown bags that Make crackling sounds As they walk and soit. They wear thread-dangle ff;?; f 11# HJ black ;'nTlr".' sad th i n gs "? Did they really look like ,Blonde or freckled Little schoolboys with Shiny rubber balls and model airplanes. Puppies ticking their thenlsmoii'ffi;' Cool breeze drying eacn sweaiy-;r;"- _ As tney ptayed ball in grassy fields Of old hometowns _ Dreaming of soldiers. Cowboys, novelists and Fathers? As young men, did they fall into Sad. tove with bigeyed girls in uack seats of cars on Friday nights? They combed their hair tf,"., iit i"f,, But they must have torO tfroie siri;"' To go away. Do they wonder where they are right now Those soft, sad girls? And what sounds would their own Mothers make, To see sons moan and sway, Careen to supermarket dumpsters In search of damaged cans and Husty lettuce? What woutd they think lf they knew their sons Don't say their prayers at night anymore? Steve Gorcoran *Honorable Mention 6 �7 �UNTITLED The half-light of early morning filtered through the scrap of curtain at the one window, casting a pall over the single-room hut. Maura stirred into wakefulness but didn't open her eyes. She was accustomed to the constant gnawing in her stomach, knew the pain as an old enerly' and the cold, too, was becoming familiar since they'd sold the last of their blankets but one, to buy food. As she lay on the straw tick she struggled against the hunger-induced lethargy, pulling the thin blanket closer about her. Somethi-ng in her head was trying to become a thought. Something was different, somehow. wrrl't, wnat was it? Cold. Something cold. where was lan? Gone for fuel? yes, he'd build a turf fire and then slip under the blanket and warm her with his strong, hard body. lan. oh, God, she knew. Without opening her eyes she knew and the unfoimed thought crashed into full truth, unbearable reality. lan lay still beside her, cold and emaciated. Maura stretched out her fingers to touch him, but she knew he was dead. Her gesture ended in clutching the blanket iloser to her. "Soon, then, for me, too," she thought. she didn't open her eyes, didn't want to look at lan. She couldn't bear to see that pathetic head with its thick, dead auburn curls. She didn't want to see the barren room that had once been warm and bright. lt hurt her head tothink of it . . . every stick of furniture, every dish and pot, everyth-ing they possessed, sold for food. Costly food, that wasn't enough to save their little ones. First one, then the other, shrivelingto nothingalmost as she watched. oh, gracious Father, bless my little Ann, and Timmy. And my lan. Soon, soon she would follow. Nothing could be done. She would just lie here and wait for death to come to her. lt was suddenly a pleasant thought. she triea to say a ,,Hail Mary" but was asleep again before she finished. "Blessed is the fruit . . . ." She dreamed of great baskets of apples and pears in her mother's kitchen. Mama was there, her face red and moist from the heat of her cook stove. And lan was sitting smoking his favorite clay pipe, his legs stretched out to the warmth of the fire, h-is feet resting on a three-legged stool on the hearth. And there were her two brothers . . . Toby and Stephen . . . it was all so clear. They were all there, laughing at one of pa's yarns. A thick potato soup bubbled on the stove and there were biscuits as big as sauceis and a tub of sweet butter. Maura was slicingfruit intoa bowl, thick luicy crescents tumbling from her hands. As they fell into the bowl they became tiny white babies, growing, clirn'oing out of the bowl and into her lap. "oh, mama, I'm going to have lots of bibies,';she said ind she began to eat them, one by one and they were sweet and the iuice ,oiled down her chin and over her fingers and her father roared with laughter and blew away, while her mother shriveled up and disappeared in the smoke fiom the cookstove. Her brothers yelled at h.er and the room changed shape, filled with smoke, burned her throat. she awoke. This time she opened her eyes. The sun was streaming into the room now, dust motes sparkling and dancing in the light. The hearth was cold and ashes were spread across the floor b! 6e oownoraft from the chimney. She could still taste the smoke from her dream. Sheihought she heard a thrush singing and tried to think what month it was. She tried to remember when it was that they had lain down to die. There was no discussion, no decision, simply an end to food and moneyand nothingelse to sell. And then thefire burned out and neither ofthem had the strength to go out looking for fuel. When was it that the f ire went out? lt seemed important that she remembered. She couldn't. Did lan talk to her last night?"She was sure he had. There was a sickening odor in the.air, familiar and disgusting. Sne tried to think, what is it? what is it? Then she realized, it was the potatosline rotten, rotting, failed potatos. She remembered looking out over the fields . . . when? Surely it was only two or three days ago . . . they were usually deep, bright green at this time, promising rich harvest. But not this year. Nor last year either. shl was remembering no* .-nd i S-:,"r.:-tl t ' i-- -:-' -:--.a:- ...,- �wishing she could stop. But the images came and she saw again the potato fields blackened with decayed plants . . . it looked like a fire had swept over the land. And the :^e one window, :-i ; didn't open -erv the pain as l. : ::e last of their al g against the c-ething in ':* her What, what : :-rld a turf fire :: an. Oh, God, ' -Eers to touch closer to her. r'ant to look at g-: crashed into i:: : -: -'n curls. She : rurt her : head - e.,' possessed, .-:: 3ne. then the )' : ess my little -ere and wait :: say a "Hail stench. She'd never have believed anything could smell so foul, nor . . . smoke again. She knew she was awake, but it was like her dream. How could there be smoke? Yes, there was thick smoke now, and she thought she could hear f ire crackling nearby. She was shaken by a series of convulsions. The "burners" were there. Of course. Fear of plague was greater than fear of starvation. So many died, and the living too weak to move the dead into the street. When the hungry times were bad like this, the burners would come and burn everything. . . houses, bodies, all. "Oh, God, am I going to burn? Please, God, it wasn't my fault the children died. I did the best I could. And lan, Lord, he tried, he did. Holy Mary, save me, give me strength to get up, to get out of here." She was sure she could hear the fire in the thatch above her head. "Mother of God, help me, please, don't let me burn." She was crawling now, sobbing a tearless litany, "help me, help me." She wasoutside. Smokeand fire. . . men'svoices. . . yelling. . . . "Help me, help me." She kept crawling, over the dirt and stones, toward the men. Someone running toward her. "My god, Jack, there's one here that's alive yet. I thought you said they was all dead? Come on woman, we'll see to ye'. Here now, it's goin' to be all right." Maura looked at the man's face. She didn't know him. He was saying something to her but the words wouldn't come together in her head. And then he was lifting her, carrying her away from the fire, talking to her like she was a child. He set her down in a wagon, wrapped her in blankets, gave her some tea from a flask under the seat. Then she began to cry. No sobs now, no sound at all came from her, but the tears flowed and would not stop. Sne dreamed :"e,e. her face -g his favorite : 'esting on a I : Nancy Deisroth and Stephen thick potato iub of sweet -e,'hands. As of the bowl :-: she began to n and over :' ner mother yelled at awoke. This :arcing in the : :,'r nd raft f rom she heard a +rhen it was iimply an end to SISTERS AND THE RAIN I remember summers ago, years ago When my sisters in their shorts Would sit on the sidewalk When the afternoon showers came. They would get up later And see the dry outlines Of their legs on the ground And become amused. Mark James -e iherofthem : -i? It seemed - grt? She was She tried to ':::en, rotting, t was only promrsrng a Sering now and 9 �10 �l i/iARWR To see where the dots C[ light Were reflected from, The fish surfaces onto the shore, And smiling At the stars Realizes the Penalty for truth, And dies. Henry E. long THE NIGHT SHTFT NURSE The nurse ln tight-white clothes Clacking her Doctor Scholled heels Down a checkerboard hallway At 3 o clock in the morning. It took her 4 years To get her B.S. in Nursing, And another t9 to get where she is now, Which is at 3 o'clock in the morning, Clacking towards a blinking red light Above room 334 ln which an 89-year-old woman Has just shit her guts out ln her bed And would like the sheets changed. Henry E. Long �FOR A FRIEND The house is silent heavy with breathing and the echo of rain, noiseless sound, muted and ripe like a hollowed pumpkin or a dimpled, purple-black eggplant in Autumn. The raindrops run from the sky, eager to meet the open-armed embrace of the delicate grass; on my back, eyes to the clouds, the ground is sky and the inverted rain falls up to meet it, wet kisses for the dripping grass, which stands quivering, open-mouthed, black humus giving off the smell of unused graves to the heavy air. Cool grey rocks - a throne covered with a tapestry of green and edged with fallen sticks instead of ermine; above these, piled to the bottom of the sun, other rocks fit awkwardly together like the arthritic fingers of an old woman, and in one of the crevices sleeps a sogry pack of Marlboros. Civilization had crept into the fissures. Darting in amongst those rocks we laughed as they dared us to climb; a violet, plucked from the stream's bank, shouted from the whiteness of your breast pocket and tried to make the field nearby hear purple, as dandelion fuzz blew in a careless snowstorm across the whispering grass. I smelled the blue sky in the snowdrop in your hand; I laughed, my back a luscious shade of warm gratis from the setting sun. I don't know you at all in crowds. It is only when you walk among the silent rocks that you smile carelessly and talk without self-censure. - to walk there again with you that I can understand your quiet like the darkness of the fissures or the heavy richness I wish so of the deep green water. Amy Elias 12 T �BOXERS AND DANCERS Boxers and Dancers Tighten and relax Smooth muscles Back and Forth Like ropes On sails On ships. Like lovers Back and forth, They are perfect. Both so thick with concentration As if they played chess With the thickness of their bodies. Thighs like horses' thighs, Faces Blank Because they do not Paint Pictures With their faces. They are not actors. They are alone and Have learned to love their loneliness, Like a gold-star-sticker Floating above their heads. They do not care lf you watch them. My father dreamed That I would dance-in-the-box but I boxed the dream And watched instead. That's where poets come from because, I can tell you, When I see them pulling up their satls My heart beats and Flutters in my throat like The wings of a bird ln a tiny chimney. Steve Corcoran 13 �14 �VE!NS From the smeared bus window I watch a woman with cheeks the color of blood turn away. ln a large room of wooden tables and dim light, unwrapping the bandage of a hat from my head, winter becomes the desolate wait for ice-veins to thaw. Sitting down I press back hairs dangling like limp fingers. Walking up to my house at night I count remaining ice-veins. Sunlight could not dissolve this road's ice. Cold air from the roof floats down and hovers below my room's ceiling. I wait for the angel of pillars, or the angel of cleft hooves. Both speak my name. Anne May 15 �REALITY AND OTHER BAD TRANSLATIONS* Here cometh. again. that Oralre Ulysses ro oe popped, har 3.rui;J?#;iX,#l;:iJlI-:,1?fl*,J,e.".tn.pi".". o. *'.. - " -'"' ;,# &"!i:i{;:'l;XilJ,! f "i,s;'ni moini, "ni "plus, realite.,, y What am I to think, to reatileZ "And down from tl r,worde avyse trris ritire spo,; ;lilJ:: \ as the ctee; Hll::,tremble uome away! Away the hearth!,, and in fearful reverence, fall to my knees. lmpassive sky, crisp ,nO .fllj, *|lCls.heavily, emptity rings with briiliant smites. RnO mists. come murmuring, tJirfut as echoes from the shore. rney swell and rush, swing back, sway forth. Strall we attempt, amys.e oursetves lo Or,weigh the odds ,rrrJl, ,,r" ,uor" "nO ir," ,iirl] ,nip tf,.'rri' f#[tiffiHffiffi;, .y.": blur the truth or lincs Li:^h every tight sharp edse each builet ,no i"Je8" btot, i \ l?,iil3d:yy anrmate, bleak, and drawing ne]ar a lrozen face tike hoilow ring , ,.uiingiriiilr, Pj-qo,ooTu.n r.rr. I^"-T:d rongtng ,"n0. tike,mud_veined carp, off_shore and to,dream of blessed wood to hear .,pt, n-,g *Honorable t linnet. # I ",."j,..'ijTi;l &1 lii|#x'"T[ haro Wiltiam Mondlak Mention 16 �a , n+s t \\. \ 17 �WALPURGIS NIGTIT O spirits of the world, arise, Ye have until the sun doth risel The moon is shining full and bright, It is Walpurgis Night tonight. The fiddler strikes a tune of old Amid the tombstones bleak and cold; Mmnlight shining cool and chilling Makes the spirit quick and thrilling. Sentries guard the graveyard door As phantoms from the days of yore Begin to dance the night away Until the dawning of the day. The specters leap upon their graves, The goblins sing within the caves, A jackal howls amid the shade, A bat flies in a forest glade. The wind is blowing through the trees, The tempest rages o'er the seas, Walpurgis Night is here at last! Its terror setting men aghast. A vampire creeps about the bog, The marsh king travels in the fog, Ghostly sounds make children shiver Causing even knights to quiver! Skeletons in the graveyard dance While satyrs in the moonlight prance; A phantom floats about the gloom, A witch rides freely on her bioom. A-haunting we will go tonight To give the men of earth Jfright, For when the morning comes at last We are but mem'ries of the pastl - Yet while Walpurgis Night is here Our job is but to make men fear; So join ye spirits one and all And look beyond the graveyard wall! 1 A young boy lies in bed awake: His room is dark, the boy doth quake His face is white with fear anO tiight He knows it is Walpurgis Night! 1n _ 4 : �I' And so it is with many more' This night of old they all dePlore' But listen now and hear mY crY: The sun is rising in the skY! We musi return unto our graves, To death once more we shall be slaves! But on this eve again next Year Walpurgis Night is once more here! So wait we must until that time To hear the toll of midnight chime, And then we come about once more To haunt the earth from shore to shore' Larsen OrehotskY //,tr,: ., , ,1,, '>: .'7 7t1 ,/ ,, 19 u[,t; �w/ t & @,.*i a TOAI _ =,:- -a r ,.. i^i' - . -- ': tr t- r-^c_t rr = =-',. T.:- .-i,: n^#iwi:r.1.:n ;*ji! ,:.:::,llXl; .%.;,.,,, A! W :; . 20 -r" �Eq(LEY, PENNSYLVANIA Near the broken picket fence Where once swung the graveyard gate Above the stained-glass windows Where widows wept ln the agony of their wisdom That always came too late, The churchbell rings atop the belfry tower Breaking the silence of the icy November morning, Echoing along the empty earthen street Where dormant stands the company store Faltering, Torn relentlessly by the wind That moves among the tiny clumps of grass And whistles past houses To sear its rotting timbers And strip another board From the vigilance Of square, rusted nails. Bernie Martz TO A MOLLY'S WIFE Upon the moss that greens the path That winds beyond the courtyard wall The shadows cast Wither in the silence of their grasp. And there the nightbird calls While Katherinei wanders Through the early evening billows ln her tattered dress and shawl Below the upcast wooden steeple That looms below the light Where sometimes swallows whisper ln absence ol their flight Between the rows of orchids That from passing currents pressed Moisten in beds of fresh-turned earth That settle in the turbid mist . . . As winds smooth sides of granite stones. Bernie Martz 21 �22 �JUMPING OFF THE BRIDGE I lie in my bed, ln my beer drunkenness, And fall at first like a slow anchor, unconcerned, lnto octopus inky black depths Of feathery water or A corner in space where there are no stars and think of weepy things like unattended lovers and poetry. My eyes feel thick like Beaten boxers'eyes, as if There were paperweights on them To keep my novels from escaping. lrlow on the blank bed-sheet canvas I have become the painting: an abstract arm-angel in the snow, I curl my hands close to my face, Perlorm the fetal alphabet like a Horizontal dancer and reach the starfish ochre, The softly liquid Bottom. Steve Corcoran 23 �THE EARLY DAYS ln spring mornings Gusty winds and schoolroom blues Find laughing boys in corduroy ^Pyfyint ftocks grumbting of pijeons With wooden guns Across the ancient loading platform That stretches the length Of Livingston Station. There, with untainted hopes, Shiny copper pennies are placed On weathered rails While brown eyes strain to greet Trains that seldom come And peer through dirty windows ...At empty desks and yellow ledgers Where against the glass With noses pressed They dream of war and glory And ways to break inside. Bernie Martz 24 �i:litti,l :i$i..ll:il :iiri:ir!:i:,,:,:i.,,s:::iii I jii.ji:':iii!:l:i tt:ii$.,!:ii,,, t::- ,lll;ii i:.:,i,.:]:i!$L'itl' 25 *, *& drr x ,r.., ::::ii:::!:r:::i:.:i:r:., ::'$v..: iii*.iffi ;ia,r,t:,$i [** t *"'. --(J o .g Y F t! .g = �ALONE Something knocks upon my kitchen door. I stare at it imagining a blonde edge of moustache, soJt on-keV humming, a head turning to cough out cold breath. But it is late, lam tired. It is the wind pounding its hard fists demanding me to release it into each room where it can explore with frozen fingers. ; f I Every log burning tn the stove softly whistles a monotonous tune. loyal soldiers traveliing I L to war. lvly dark-haired friend wtro. travels the countryside as tt tt is water and he a dolphin. has gone to heal the ocean,s weightless singing. A drunken ex-lover does not hum outside my door. I boil water to wash dishes and round light cups. I measure the thickness of frost inside all windows with one fingertip. Anne May 26 I �:+J >: 27 �CT.'RRENTS v*r. btue eyes twinkre rrom?grn,. "l:tthe depths ,*J't#.rino, FiS9ilq its wav to a"ttt" somber moon ahead, .#[.#-','fi##,nsix.,,u"," trfrftfl in oi rresrr_siee.Ji errin ",1::lb. ;ffi ;,#H#'l$ l'6m:", :i'fi swirting fietds e.'c u tt i n g ;lla;:'""#k,}"".'Lqffi 'eo tn the splendor lli fi lii fl l: fi of its harvest. Bernie Martz I 28 ��RAGE These are times of ra, *, ;',';:l:: :tili:f flJ:_:l#*i J:l: ili.'l'l1'no e'ntrv'r"Iil 'ff*"nT Il " y:lr J ;;;l; ; ;"J:5",:;' iii;,,,il 1,'!?::?, : f, :: lff ::"J,':;i T:l;: :*lmi m,",. X iJ. dfl i.l,:#,TiXlJ""#1,.T1|.":11"*'lil;",0 ;-"?#t TJHi _:"..4;,; iilfi :lHii Ihen fall again. yet he would give xr'u,o his all Io break the cage, release ttre-.age, jn-[riss. Lisa Cobb 30 il �RAIN AND DRI'M POEM Drops of rain are Kamikaze dancers or Bullets Forming bullseye echoes ln puddles on the road. They speak in code, Rhythm languages against my windows, Little dots and dashes that are Sweet slow drizzle l.lot obnoxious thunder Buddy Rich-rain. This wednesday morning drips ln intricate delicacy, Like Louis Belson Brushing with the Duke. Steve Corcoran 31 �w'in' 32 .. �"The MacBeths,, sceae t: A barber shop, somewher" ,, ;r:i;"#. to each other. Three very effeminate barbers are tarking lst Barber: Double Bubble chews like rubble, Toothaches, f illings. dentu re trouble. }rd Barber: Hearkenl I hearsomeone. 3rd Barber: lt might be a customer. What say we look? (outside the shop, Mr. MacBeth and his friend Banquo watch the barbers through a window.l Banquo: Are you sure we can trust these guys? They look rike weird Sisters. MacBeth: All they're going to do is cut our hair. Banquo. After ail, we,re not trusting them with our futures! 2nd Barber: las MacBeth and Banquo enter the shop) Hearken unto thee, MacBeth MacBeth: lpaying no attentionl cut and shave. (He sits in one of the r chairs.) 3rd Barber: (to Banquol Pray thee. sit here. And wilt thou have thine hair cut as well, cute one? Banquo: (nervouslyl I haven,t decided yet. lst Barber: lpersuasivel l'll throw in a free fortune. MacBeth: (interruptingl you teil fortunes, too? I thought this was a barber shop. 2nd Barber: (insultedl A Tonsorial parlor! MacBeth: whatever. (a pausel ls there any reason for such a combination? I mean. a (exagerrating words for the 2nd Barber's benefitl Tonsorial Parlor ahd Crystal Ball Palace all in one? lst Barber: where have you been lately, silry? No one goes to a Barber Shop anymore. Banquo: (shrugsl Oh, boy. 3rd Barber: lto Banquol So, what about it, blue eyes? Banquo: backing offl Nothing for me, thank you. MacBeth: l'll have a fortune along with the cut and shave. 2nd Barber: (overioyedl Goodl lt'll just take a second to prepare. (He turns his back toward MacBeth. The I st and 3rd Barber start to shave and cut MacBeth's hairl . MacBeth: (after a few secondsl Does this take long? 2nd Barber: (abruptly turns around and points a finger at MacBethl Hearken unto me, MacBeth. lMacBeth jumps, which scares the two Barbers who are attending himl lst Barber: lin a frenzyl rhere's no telling how it,il turn out, if you don,t sit stilr. 2nd Barber: (still pointing at MacBethl By the time this day is out, thou shart roose an argument with thy wife. Thou shalt have guests for dinner, and thou shalt lose a piece of cutlery. lseemingly exhausted, he huries outl Banquo: (excitedl Wow, this is interesting. What about mine? 3rd Barber: lconsideringl yourfuture looks a bit hazy. Maybe if you come over to my place for a few drinks tonight, we could work something out. Banquo: lbacking off againl I don,tthink so. 3rd Barber: loffendedl you had your chance, blue eyes! lst Barber: lbrushing off MacBeth,s shoulders) All done, fella. frl �MacBeth: (risingl weil, that was quick! (reaching into his pocketrwhat do r owe you? 1st Barber: lthinkingl Shave and a cut? Two bits. MacBeth: (as he pays the barberl Thanks a bunch. (to Banquo)Let,s go. 2nd Barber: (enteringlwaitl (He walks grd over to the Ist and Barber and they form a line) Barbers; Hearken unto we, MacBeth! Remember the cutlery! Banquo: (hushed to MacBeth as they cross at the door) Those are the weirdest sisters l,ve ever met. I lExitl scene MacBeth's house, the dining room. Mrs. MacBeth is setting the tabre. ': Mrs. MacBeth' Were it not so, r wourd not be v,orried. yet, the crock is past its prime, and he isn't here' (she fumbres around the tabre, nervousry setting t) oh, the fout pain of it a,. I am sick with.worry. il;;; ;;;;"usoanor tt.s tate. The Where is my husband with .nv ri.nl"tv Fried Chicken? ",o"n.l::.lr-r"! (Scott, the MacBeth,s young son, enters) (srng Scott: song) Mommy look. I found a book! Mrs. MacBeth i lpretending to care) Very good, son. lThe boy starts to suck his thumb; Mrs. MacBeth sees this and is irgryl Ho* r.n, tir", ,-r.-ti ,"tt about that? ,o, nr teach you to suck your thumb! cet tt artinge;ori-oi'ro* mouth before r pruck it out and bash your head against tr,ri irrrr-*t,i your brains fry outr r didn,t raise you to suck your thumb! Scott: (norp hased a bft) Don,t be caddy. Where is daddy? Mrs' MacBeth: (pracing her hand on her foreheadr wourdst that knowredge onry be mine. Oh, such foul torture I must endure . . . tsroi ioi" not home yet. "-i nn, confusedl He,s Scott: I hate this play being done this way. You're not given a start if you,ve got a small part. All the time you talk in rhyme! (ex)?) (MacBeth,s voice is heard from another room) MacBeth: (from offstage) Honey, l,m home. Mrs' MacBeth: rrerievedr At rast. oh sweet, dear husband. At rast you are here. Have you the poultry? MacBeth: (enteringr oh, rforgot. r went with Banquo to get a haircut, and . . . Mrs. MacBethi (interrupting) And you forgot my chicken? MacBeth: lcontinuingl. . . We met these weird barbers . . . Mrs' MacBeth' ;;;JnT,llr have that chicken! Have vou rost vour senses? Go out and get mv MacBeth: . . . They told my future. They said. . . MacBeth and Mrs. MacBeth: We,re having guests for dinner. (They realize they,ve said the same thing, smile, hook their tittle fingers together. Then their looks turn confused.) Huh? Mrs. MacBeth; (anxiousr you knew about our guests. But how courd you have known? you have been kept apart from this lnowredge s- f". '- *;;[ "vv'|\s. ,i;,ov thee, te, me how itisyou camebythis knowledge? MacBeth: lexptainingl As I was trying to tell you before, I had three predictions for my future totd me. one has atreidy trr". Why are;; ;;;;;r"sts for dinner? "or" 34 I �greatness lies in Mrs. MacBeth: lvery interestedl Pray, hasten to tell me the others' What our future? . MacBeth: we,regoingtoloseapieceof cutlery,and,.. .lheistryingtorememberl forget the other. I remember the cutlery, though' ' 'l you must journey to las the clock strikes sx) What foul friend, time. Ouickly. the Colonel's. We must feed our guests' MacBeth: lreasoningl Can't you cook something for them? feast Mrs. MacBeth: blenching her fistsl No! I didn't have timel We must seek our elsewhere . . . my cupboard is bare. Get thee the chicken! Mrs. MacBeth I you! The MacBeth: la sudden realization\ Of course! l'm going to lose an argument with now. chicken the for be off l'll proves be true. to one prediction. Another third lexit.l Mrs. MacBeth: Such a friend is he who is my husband ' lexit'l Scene ltl: MacBeth's.house. The laundry room. Mrs. MacBeth is taking her dress out of the washing machine. She looks it over carefully, frowns, then takes a bottle from a shelf,opensitandpourssomeliquidonthedress,rubbingfuriously' old Mrs. MacBeth: Outl Outl Damned spotl I say out! Yet, who would have thought the bottle to have so much ketchuP in it? Scene lV: on a The living room. MacBeth is shooting darts at a dartboard which is hanging enters. Duncan and open swings door one, the as he throws Just door. Duncan: Hello, son, it's your Uncle Duncan, how . . . (he is struck by the dartl oh. dear, something's amiss in the state of Scotlandl lHe fatls to the floorl Et tu, MacBeth! Then fall Duncan. lThen Duncan diesl. for himlOh. my! What have I done? Mrs. MacBeth; lenteringl What have you done? ls he dead? You stupid fool! You fool! what hive you done? He's bleeding on the carpet I just had cleaned. ouick, MacBeth: lit was all too .:.:- fast take out the dart! he tries to remove the dartl I cannot. lt's stuck! MacBeth: las lt Mrs. MacBeth: Then go out to the kitchen and get the carving knife and we'll dig it out' expense. must be removed at any MacBeth: lagreeingl You're right. as always, dear' (exrt) Mrs. MacBeth: las he goes) The mad, impetuous fool! lThe doorbell ringsl Oh, this would be the unkindest cut ot alll lcatting to MacBethl HuttYl Help me! The door,.our guests arrive! just as easy to go MacBeth: lrationalizingl I have stepped so far in the kitchen that it is forward and get the knife as it is to answer the door. (There is banging on the door nowl Mrs. MacBeth: Well, then we must make haste! MacBeth: lenteringl What luck I have had this dayl I can't find the knife' We've lost our knilel lmore bangingl Mrs. MacBeth: lremembering) That's the knife my mother gave us. What did you do with it? ... The prediction! The.knife is lost! (more bangingl oh, stop! lcatting outsidel You'd swear you were banging the gates of hell! Who's there, in name of Beelzebub? MacBeth: lremembering) Banquo: lfrom offstage) lt is Banquo! �Mrs. MacBeth: lcalling outsidel Just a minute, Banquo. lto MacBethl Hurry, we have little time, let's put the body in the bathroom until later. we must tend to the guests and tend to this rater. (They drag Duncan's body offstagel Remember, husband, change the stupid look upon thy face. False face must hide what false heart knows is :rlue. khey exit; there is another bang at the doorl MacBeth: lruns out and answers the door, smilingl Banquo, old chuml why didn,t you tell me you were out there? Banquo: (confusedl I thought I did. MacBeth: Don't let it bother you. Go into the dining room. The others will be here in a minute. My wife will tend to you. (MacBeth takes his shoulder and leads him out. exitl scene v: The dining room. The room is full of people all wearing seat is empty. party hats. MacBeth,s Guest 1: (leans overto Mrs. MacBethl where is your husband, my dear? Did he forget his own birthday? Mrs. MacBethi uwitchingl rhe hour has not yet come. He will be here, fear thee not, good friend. (she sfa res down at the table, then announces) We might just as well begin the feast, Mr. MacBeth will be with us very soon. (she lootks again at table, then rearizingl What is this? rs this a dagger r see before me? Let me clutch thee. lt is my mother,s very own giftl All is well now. (MacBeth enters the room. There is a red spot on his chin. The guests rise and sing "Happy Birthday" to him. He sits down next to Mrs. MacBeth, embarrassed.l MacBeth: (to Mrs. MacBethl Honey, you remembered. Mrs. MacBeth: lwhispering) There is blood on thy face. MacBeth: lpuxing his thumb on his chinl I cut myself shaving. Mrs. MacBeth: ls the body secured? pray, tell me truly. MacBeth: Still in the bathroom, my sweet. lt was so considerate crf you to think of this surprise party for me. Mrs. MacBeth: lshowing him the knifel Look, I found the knife. MacBeth: (taking itl Well, then l,ll just go . . . ( Mrs. MacBeth: (interrupting) Sit down, you fool! (fo a/, Let,s eatl ItheY start to begin, but are interrupted by a rather large man who enters the room- He is wearing overails which say "MacDuff,s prumbing,, on the back.l MacDuff: lshoutingl Alright everyone. which is the murderer? MacBeth: WhatT Who are you? Why do you come here? MacDuff: My name is MacDuff. r am a prumber by trade. r was summoned by a boy named Scott, a funny rittre kid, tarks in rhymes. Anyway, he tord me that something was clogging up the bath tub. He sure was right. lt was a 178 lb. dead man. MacBeth: (vanquishedl l'd never believe itl How could this happen? There,s the rub! Mrs. MacBeth: You fool! lCurtainl Stanley J. Freeda 36 / �,! �AUTUMN ln late September The days of sunlight wane; And amidst the fields and hardening furrows, Along the barren cliffs that cast their shadows, Winds begin to move And quietly make their way; Embarking on their journey And undertake a new found task To seek the leaves of ripening brown That cling to weary, laden branches. _ Bowing to the northwind, cold, Stowly they begin to ftutter. And alone, One by one, they fall Dropping where they may: Some to earth, Others to clay. And quickly they are scattered, Turned and tossed by every passing gust, To rustle in the night, Alone to find a rest that waits, Soil for another year's harvest. And the eyes of autumn softly smile At those who wonder at the swallow's.flight, Who southward gaze And taste the air That whistles through the attic soft And passes with the fading tight, While gussets strain and joinls creak And tell their tale of woe, Crying in their dark despair Someday to only break. Bernie Martz 38 �}rr-- jri;'Itl '-'I I .,s: \c ;!"'.t,'rl I "'..-+ '.c. -.--i rr +'i t'..# F--.-' ,i (:.. \w:l{ it.tiir'i t'iiF:l ) Wffi *.t l,-'- ri. l,\1 v1? N r::BA .. x t\- li 39 �COFFEE SPOONS Juggle ambition in both hands and leave No hold for recollection Until all eyes unequivocally state success: Sad recompense for unrewarded dreams. We are so steeped in waiting. Stuff platitudes and tempered passions in vast voids, damp and darkened, Crowding urgent inspiration, which remains unborn for my reflections. A leaf formed, its potential sealed, is called, presents even its soft, fine underbelly to the world: No distress in preparation. And yet should I be called to show such trust in supposed predetermined courses How lwould be stayed by recollections of others in the past Foolish, beguiled into innocence; And, wanting only confirmation of a dream, would stumble over visions sleeping in the wind-tossed grass. Amy Elias - �41 �LOVE POEM With each other we are not such delicate artists Such careless sculptors each Never leaving the other ln Gallery condition. Little scars form a maze, A pattern so complex that As years go by It becomes harder to find its center, The heart in which we live. I remember the religion of romance. We worshipped love itself, Each union a passionate sainthood, Each touch an honest flame, a votive touch. But now we are reluctant canvas Sculptors, brittle and pale as dusty plaster, Lost somewhere in our frantic puzzle Crazy prizon-maze. Now we are mature. Steve Corcoran 42 I �43 �ROSES Fresh from the warmth - And the love in their cutting Carelessly dropped Left huddled in the snow Roses are quickly brittled By winter's chill That strips each stem of life And cracks each frozen petal ^ Splintering the pieces Among thorns That lie fallen Embedded in their place Bernie Martz 4 �THE MAILROOM CLERK "Dear John," Ah - even I know that! - but how about, "Auntie Claire, I'll be in town next week, can I borrow the flat?" Bah! There's no Poetry therel Oh "Look," they say, "He scribbles." "But it's true, he has no heart." show them heartless drivel, -I'll I'll make them fear me from the start. "Dear Customer," nothing there, A second notice, . . . lights out next. Here perhaps . . . "Mother Dear" (seehere, seehere) "Signed, Frightened and fearfully perplexed." Thus, I'll give them something, Yes? Close to home? I'll break their hearts. "Charles, Loved it ever so much . . . "Some time again." There's homespun art! Star-crossed lovers? They'll have their fill. "Catherine, You know well I seldom write." Well! mm-perhaps. Bah! His head doth swill. But there's hundreds more, we'll sniff them out. You want the stuff that dreams are made of? "Dear Elizabeth," What? Do you suppose? Here Yes. Here. Tender, loving, full of hope. What's this? "P.S. This comedy's about to close." - William Mondlak 45 �UNTITLED The clock stirs the hours behind the glass, after evening's faint blush took its time passing the birds feeding from my strange hands, undisturbed to think that they and I are not alone. j I Kenneth Waters . i { 46 J �J j 47 �\ / ( SURREALIST SHIRLEY TEMPLE AND THE ASSASSINATED CATHOLIC PRESIDENT At age 5 She would dance in her attic With President f\ennedy, While Bobby ptayed the Baby grand. Mr. Kennedy was never stifI. And not once Did he ever step on her toes Henry E. Long \ / ( \ ( e 48 I �49 �POEM FOR PETER* All the broken trees are falling. Snow descends, melting with polluted ice along streets that stretch their dark underbellies like snakes lf the sky could open and release pure rain to the ground's breathing pores, I could close my eyes and no longer imagine you. l{ the wind were stirring twigs and small leaves, I would not want the touch of rain and grass under my bare feet. I would want only the long amber heat of autumn. Anne May 'FHonorable Mention 50 �7"i;:,t 7;*:, :j).:it;:'l 51 �WHERE THE DEAD SLEEP for my mother and father The ashes of memory lie scattered among forsythia and lilac and turn to dust beneath the shadow of the elm' The wind moans through its nodding branches' petals The earth is a blanket of moist yellow bears' stuffed of tombs concealing No smooth stones mark these graves' The beach graduallY disaPPears, receding into the sea' At dusk, dunes rise, and behind them sandpipers find refuge from surf and fishermen. Shreds of kelp catch the toes of boys who kneel in moonlight waist deeP and unafraid. Lullabies wander in silence from the river's cradle wfiere water rolls and foams, a toothless old woman forgetting her way' The rough murmurs of stars govern a child's dreams, casting tight and shadows of elm which clutch tiny feet like sea crabs' Shelley Freeman 52 �EDlTOR .Shelley Freeman ASSOCIATE EDITOR Linda Pallion ART EDITOR Lynn Taylor STAFF Stephen Badman Joanne Dal Sasso Ann Devlin Amy Elias Ken Gillis Marian T. Koviack Henry E. Long Bernie Martz Karen Mason Terry McCoog Kathy McHale Barbara Metroka William Mondtak Larsen Orehotsky Clarke Smith Lisa Ann Sowcik Anna Mae Stanley Kenneth Waters Wendy Weir Jill P. Whitehead Eric Widmer Gautham Yadama ADVISORS Patricia Heaman Robert Heaman COVER Terry McCoog �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1982 https://omeka.wilkes.edu/omeka/files/original/72600fe2b041609a24136288e05f9e72.pdf 5156ece6c8fab5f8a1e32d9d6c2d6985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1983 https://omeka.wilkes.edu/omeka/files/original/cebbd77248b421bc0f47702bab565c99.pdf ce44846d74ad566d7e96bce12a3428f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1984 https://omeka.wilkes.edu/omeka/files/original/74930a118ae8e9a91b0f2bc846618993.pdf 6294c7237153714453ed3ece802c3218 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1985 https://omeka.wilkes.edu/omeka/files/original/b36ccc2dd3ae44fe10126fa10708c854.pdf 42b0f3d040c0e67db08efb51c230a7b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript. Spring 1986 Date A point or period of time associated with an event in the lifecycle of the resource Spring 1986 https://omeka.wilkes.edu/omeka/files/original/f9b56b4327d257d0a45acb6dd89759cf.pdf d9611c3506167159cb7e2a9138d335c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript: Literary Magazine, 1947-present Subject The topic of the resource The Manuscript Society of Wilkes University has been publishing its creative written and visual art magazine, Manuscript, continuously since 1947. Currently, the student-led editorial staff publishes one issue per year, and copies are complimentary. Publisher An entity responsible for making the resource available Wilkes Manuscript Society Format The file format, physical medium, or dimensions of the resource PDFs Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1947-2020 Description An account of the resource The Wilkes University Manuscript is a student-run literary magazine, published by the Manuscript Society since 1947. It is currently published once a year. Individuals may submit creative fiction, creative nonfiction/short personal essays, poetry, photography, drawings, paintings, digital art, and music compositions. Submissions are open to all Wilkes University students, faculty, staff, and alumni. Rights Information about rights held in and over the resource Anyone can read or obtain copies of any of the material for research purposes, but if the researcher wants to quote from the materials, they will need to obtain copyright permission from the <a href="https://www.wilkes.edu/academics/colleges/arts-humanities-social-sciences/humanities/manuscript/index.aspx">Wilkes University Manuscript Society.</a> Type The nature or genre of the resource The Wilkes University Manuscript: Literary Magazine is arranged chronologically. The series ranges from 1947 – present. The magazine is currently published in the Spring only, but has previously been published seasonally, each semester. The series also includes a folder with supplemental materials from the Manuscript Film Society in the 1970s. The folders include a date range which may hold more than one issue of the magazine. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wilkes Manuscript, Spring 1987