11 15 183 https://omeka.wilkes.edu/omeka/files/original/20b2699069f696c87ce88e15e72327c5.pdf 3f71dcd07f4a54949c9a2ca7a38b9369 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2010 Advance Traditions Date A point or period of time associated with an event in the lifecycle of the resource 2010 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Exhibitions USA presents an overview of printmkaing of the last tweny years at the Flatbed Press. Type The nature or genre of the resource Exhibition program Subject The topic of the resource prints printmaking Flatbed Press Source A related resource from which the described resource is derived Exhibitions USA Rights Information about rights held in and over the resource Mid-America Arts Alliance https://omeka.wilkes.edu/omeka/files/original/b64853f073cc2fd4650acaf6d6622d01.pdf 21b50ae47cf753974b1c8afe4e74e84d PDF Text Text �II- IJ )oroonr .rl'l t,allen *\:I;'rlrJl',,,"", Wilkes-Barre. PA 187b6 =Tel570-408-4325 Fax570-408-7733 wilkes.edu/ sordoniartgallery Gallery Hours: Noon - 4:30 p.m., daily Seyntour Lipton: A Study Works from the Sordoni Art Gallery's Permanent Collection June 14 - August B, 2010 Non-Profit Org. U.S. Postage PAID Permit No. 355 \Nilkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2010 June 14 Seymour Lipton: A Study Creator An entity primarily responsible for making the resource Seymour Lipton Date A point or period of time associated with an event in the lifecycle of the resource 2010 June 14 - August 8 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Seymour Lipton was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist but focused on sculpture from 1932. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. He made several technical innovations, including brazing nickel-silver rods onto sheets of Monel to create rust resistant forms. Type The nature or genre of the resource Invitation Subject The topic of the resource abstract abstract art sculpture sculptor Seymour Lipton https://omeka.wilkes.edu/omeka/files/original/9f10e50947dba2ec099889ce1fd70b4d.pdf b06948127711c6df2820fc20077ee501 PDF Text Text .:.-: g }; @.;"$--.; :ff,:: 9:; ELISE \TAGNER A Decoda in Pointing ��Elise Wagner - March 28 - A Decade in Painting May 22,2011 Exhibition Curated by Brittany Kramer DeBalko Catalogue Essay by Ronald R. Bernier; Ph.D. 2010-20t1 Dn Roy E. Morgan Exhibition SordoniArt Callery Wilkes University Wilkes-Barre, Pennsylvania Cover: Counter Collision II, 2009 encaustic & oil on birch 48" x 48" Courtesy of ChaseYoung Gallery, Boston, MA E -- @2011 SonooNI ART GALLERY SordoniArt Aailery, Wilkes Universiry 150 South River Street Wilkes-Barre, PA 18766 Telephone 57 0-408-4325 Fax 570-408-7733 wilkes. edu/sordoniartgallery 2,500 copies were printed byZodiac Printing, lnc �the result is arresting, with surFaces so vast (even on small scale), we ente; lose ourselves, and succumb to a pull powerful enough to command our attention. She applies her color concoction and scrapes it offl rubs it down, then applies it again, and still again working and reworking each panel numeror,rs tlmes, so that layers build one atop the other: Look closely and you'll retains traces see that each image ofits prior configurations vague and elusive memories ofearfier states, but none the less perceptible, still present to our awareness. And all this painting, abrading, burnishing, effacing is repeated and multiplied both across the surface and into depth, resulting in a simultaneous neaTness and larness Lo.p ll 2008 encaustrc. monotyry & oil on panel 24" Cau t.sy ofthr Attist Hodbr Discover - \ 48' conveyed in the very texture of the paint itself Within these highly charged to make known or visible; scientifically, to observe and reveal; fields olcolor, successive and interpenetrative states olawareness merge rnto in the archaic sense, to disclose, to bring to light something lorgotten or hidden. one another, each retaining something That intimation olwhat is to come is what Elise Wagner's painting is all about, ernerging infinitesimal and the vast - both on the part ofthe artist awareness of the ancJ the beholder - ofwhat has just passed and each giving a blurring of the boundaries of past, present and anticipated future. And these palimpsests of paint encourage us to linger, to note the marks ol presence and absence as they emerge and fade. Amidst the increasing velocity of our contemporary vrsual culture, Wagner's paintings compel the viewer to stop and pay anention. That to say, Embedded within the layers are is they speak to the unlolding of time. As each canvas srrstains the appearance ollengthy and calculated efforts of suggests the dense complexity marks or repaintinq wl'lich itself ofour perception tlrere srgnifiers not yet srgnrfieds allu.ion. ro lhe promises is a curious paradox at work, a dialectic olmotion and stillness, of seen ancl rrrrsccn, glyphs and claims of scientific olthe certain are star.char t gr ids truth. There ard ganglionic and the unknown; and it is this tensron that evokes tl-re slow ancl extended webs, astronomical spirals and celestral dimension to our, the beholder's, experience, well beyond the ternporally nebulae, the scraffito of the artist's and spatrally confined "instant" ofseeing. journal drawings incised and embedded ltt t; t l Cnutt.e l The process of Wagner's work is slow, as the viewer's experience of rt at Ni t ul.. 2AAB rl lla Atti\t lrcauyrc 6 or of bnclr l0 x l0 into the layered waxy suface; all ofthis eliciting lrom the beholder a must be. She begins with a thin birch plywood panel onto whrch she layers continuous shifting in the perception offlorms, a buildup and overlap ofstages her chromatic mixture of pigmented wax, fused to the surfbce with heat gun, which demands that our attention continually adjust in order to accommodate blowtorch or iron. We can sense her patient, persistent layering olpaint; and the various perceptual possibilities within the subject. lt is all about perceptron, �r The sensuously layered, and perception here is a matter oladjusting, shifting attention, losing and then callrng back into focus. The painted surface, however: remains remarkably successively painted and reworked srnooth; lrom first geological layer to last, translucence is sustained, light surfaces of Waqner's painling sustain continues to pass through the waxy membrane. ln other words, it rs the visual effect ofduration, both the process temporal and spatial. Early stages o1'painting itselfthat conjures this gradual disclosure ofelements and leatures at first left unnoticed, and so in one sense absent from our view of configuration are iust absent in to our awareness the sense that their temporary non-occurrence lay outside but always included in the background of the present of our momentary view. And this state being momentarily unnoticed and then recalled appearance. of viewer is part of the viewer's rich Mqnetic Porollel.2AA9 encau*ic f- oil on brch At the is made as present as the final surface same time, the io take a disengaging 1B'x 48' experience of the ineffable and the unknown. In short, Wagner catches the otut$yofchaseYaunscatteryButon.MA temporal flow of perception itself the surface ofrepresentation, which pushes beyond the conventional limits andvertiginouslookdowninto/onto olthe picture frame and subverts it for a new paradigm, And while there is an all over expanse oltvisual attention, disallowing any reassuring sense of a single, unified and certainly mucl-t about the images that urges us to momentary view. The beholder leels himself released lrom gravity, as it were; reflect on the certainties ofscience we both hover over the surltaces and peer into their depths, our disengaged ol considet for instance, the specificity titles: Hadron Loop, Particle Longitude, viewing steered by a medium at once ffuid and solid. In terms of distance and scale, we wonder, are we microscopically close or galactically far away? Magnetic Parallel, Meteor Shower this sense ofgradual apprehensrorr Mt,t Shwer 2007 encaustic ('dtt$y afthe Aiist r rgron by the sr L- oil on panel 16 x is it engages the realm ol "suggestion" or with time and space. What these paintings do, and do brilliantly, "mystery" wherein its listener sense olthe world, not as a sinele and coherent thought, Geling, or perception is further appropriate, , irlliuraphic quality ofWagner's rr is register our 16 with ordinary prose, its content with language the embodied gathering oFthese discontinuous and multiple perceptions through an extended encounter is called irr is less immedialely and about it, but rather its very relation to us as precarious, as multiple and unfixed, and so conrinually subject to re r i:ion. r'irrcretely available to perception and only more slowly and evocatively suggested I I re analosv is precisely what good poetry does too; very opacity oflanguage to engage with the oblect ofdescription rch a way that, unlike The entire pictorial surlace ofWagner's painting I think, in pondering the work; drawn, incised and gestured marks of some r I of ancient writing or scientific slmbology, floating up to the surflace, then rtt ulirrg, embryonically reaching the point of meaning belore fading away. Ronald R. Berniec PhD �Acknowledgements Since first encountering the work of Elise Wagner nearly two years ago, I have had the good fortune ofworking with people who have given generously of their time, expertise and enthusiasm. Foremost among them, of course, is the artist herself who has liberally shared both her talent and insight and has made working on this project both a pleasure and a privilege. A great debt of thanks also goes to Jane S. Young, Director of Chase Young Callery in Boston, Massachusetts for her tireless support, patience and good humor: Ib our guest essayist we also extend heartfelt thanks. Dr Bemier's contribution lends a particularly thoughtlul dimension to the project. We are especially grateful to the individuals who have graciously loaned crucial works to the exhibition. They have shourn enorrnous generosity of spirit by sharing their valuable and valued works of art. The richness of this exhibition would not have been achieved without their support. This exhibition is dedicated to the late Dr Roy E. Morgan, former arts and drama critic SordoniArt Callery. Brittany Firamer DeBalko Interim Director Staff Brittany Kramer DeBalko, Interim Director Bruce Lanning, Preparator mili,ymlilr This prcject is supponed, in pm, $r (01,flil t the Pemsylvmia Council on the Arts, 6 0lt Illt a state agency funded by the Commonwlth of Pennsylvmia, md the National Endoment for the Arts, a federal agency. fo r TheTimes Leoder, and Iongtime friend and supporter of the �lniilalizing Barcode ll, 2008 toner Caurtesy ofthe Artisl t transib encaustic A ink on panel l6' x l6 �'\.,r ".i., , ,, 1 {. il'd,\i,/r' ,r: ,F"'T I i. -&fl df io' ,-# F* o. l ; '} �llwut l'torizon ll,2009 encaustic, monotype & oil on birch 24" x 36' (iuttcsy of Private Collection. Boston, MA l&.-- ���.#"k-, ' .-:;... o'tr'*. 'r'* ,-,: I' i t'is Hudton Ltt,p 111,2008.:rrcauslc, rrr,rrrillpe CoU i.ry o/ th. Ar l^l l- oil in parr:L 2'l' x 48' �di II [r' Fr, r#, |','A ,,Jfi #l T J {* ,"1 * i{e ffi#' & " dt$ M # f# w*r {l ffifl trdfiS F" 1* &;F* { Wg ,q $ ff- *l: ja, #. " F. l "t T I h t\. :t l-"? p I h (n-" t r"d p..ll "W r\ rkJ :+'*i :, llt ti I i t I I $ *; E.,' If .. .F '-i *-d .-,":ii i$+ l: .-, ii ,. r1s*I 'i* d 4ffi i,. \t'| f,f;, $ ' -"1 ri gt1 " Sf': . Pilr ffi ,il E*&il �, | I..._.. ...^1. '.,.,;,.'. *"'.*. ' jj:, ' ..;....... Confuence,2009 encaustic & oil on panel 16" x Courtesy afthe Artist 16" �qH x€ #' & # F €1 5. I * x -$ { d t4 t, Effi @. re> Cloud Pressure,2007 encaustic Courtesy ofthe Artist & shellac ink on birch 10" x 10' �f1 H tllr,ll ll ,rrl l'li'tliil iri I .l B{ .. "iLr, �Tprro Rpvprse Platc 2008 encaustic Caurtesy ofthe Artist & shellac lnk on birch l0" x 10" �Exhibition Checklist Dimensions are given in inches, height precedes width Counter Collision 11,2009 encaustic Magnetic Parallel,2009 encaustic Event Horizon Sun & oil on birch 48" x 48" Courtesy of ChaseYoung GalLery, Boston, MA & oil on birch 48" x48" Courtesy of ChaseYoung Gallery, Boston, MA \t,2009 encaustic, monotype [- oil on brch24" x36" Courtesy of Private Collection, Boston, MA Riddle,2009 encaustic & oil on panel 12" x24" Courtesy of ChaseYoung Callery, Boston, MA Confiuence,2OO9 encaustic & oil on panel 16" Riddle Sphere,2008 toner transfer, encaustic x & 16" Courtesy of the ink on panel 12" x 12" Courtesy of ChaseYoung Gallery, Boston, lnitializing Barcode 1,2008 toner transfe[ encaustic lnitializing Barcode tt Artist [- , 2008 toner transfe[ encaustic [- ink on panel 16" x 16" Courtesy of the ink on panel 16" x 16" Courtesy of the Artist Artist Hadron Loop 1,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist Hadron Loop 11,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist Hadron Loop ttt,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist TZrra Reverse Plate,2008 encaustic Particle Longitude,2008 encaustic Cloudburst Plate,2008 encaustic & & & shellac ink on birch l0" oil on birch 10" xl0" x 10" Courtesy of the Artist Courtesy of the Artist shellac ink on birch 10" x 10" Courtesy of the Artist Cloud Pressure, 2007 encaustic & shellac ink on birch 10" x 10" Courtesy of the Artist Meteor Shower, 2007 encaustic [- oil on panel 16" Terra x 16" Courtesy of the Artist lnfinity,2007 encaustic, monotype & water-based ink on paper l0" x 10" Courtesy ofthe Artist Collision Pass,2006 encaustic & oil on birch 40" x40" Courtesy of ChaseYoung Callery, Boston, MA Seared Memory 90901,2)}|encaustic & oil on birch 37.5" x37.5" Courtesy of the Artist Remote Reference 1, 1999 encaustic & oil on wood 37 .5" x 40.5" Courtesy of the Artist MA ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 March 28 Elise Wagner - A Decade in Painting Creator An entity primarily responsible for making the resource Elise Wagner Ronald R. Bernier Ph.D. Brittany Kramer DeBalko Date A point or period of time associated with an event in the lifecycle of the resource 2011 Macrh 28 - May 22 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Elise Wagner's paintings are all about discovery, emerging awareness of the infintisimal and the vast both on the aprt of the artist and the viewer. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Elise Wagner painter painting paintings Rights Information about rights held in and over the resource SAG https://omeka.wilkes.edu/omeka/files/original/6d0c9541ece93489d12cff746f1e8ecb.pdf a54870baaebe70c1cc8bfc7919688c46 PDF Text Text �IIfF I I ,)orooru /arr t,arrervvvr*es Umversrry =nxY*:*.rri:H;: Tel570-408-4325 Fax570-408-7733 wilkes.edu / sordoniartgallery Summer Gallery Hours: Noon - 4:30 p.m., Fri & Sun. I 1:00 a.m. - 4:30 p.m., Sat. Near a.nd Far: Landscapes Frorxt. the Sordoni Art Gallery Perrtanent Collection June l0-August 7,2011 Philip J. Richards (1909-1991) Tide Creek, n.d. acrylic on canvas 197 Non-Profit Org. U.S. Postage PAID Permit No. 355 \4ilkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 June 10 Near and Far: Landscapes from the Sordoni Art Gallery Permanent Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011 June 10 - August 7 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Invitation Subject The topic of the resource landscape landscape painting painting https://omeka.wilkes.edu/omeka/files/original/7510b0aa3d6727f2ae18910476142fc5.pdf 7c6e6827e10d40dbe1ecf66c20a0aa4b PDF Text Text ___l �ry I :"rr -i f.ry i-l: tr- G*,€ F*El ; l3 t I j tl -\ :':, * [fl d':ff 'li ;&,,;*ffi#-g{BiijBil r @1 f t lf"f,a: .' if l- .;-' I 14 Ae::..1,4ii',* -iE#-{.rEr d*-F.r' $ :i ri r,i, rg-I I-IIlnr id d lf. i t4dlqi Etda d. f;=, f,! -fif t,-' fnf,',i, ;ni ntrr+4s4Yr . .fi,',t-di'frt![r-,ff ri'j ru ,Ji,r "'ryJ ':\eJ &fl,';Er,;-a? -.Er'-i l '"'l ?*i Cans Seurat (detail), 2007 iJ G_'.'{ l'-ri-J �of statistics. Each image portrays a specific quantity of something: two million plastic bottles (five minutes of bottle use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. Finding meaning in these mass phenomena can be difficult because the phenomena themselves are invisible, spread across the earth in millions of separate places. There is no Mount Everest of waste we can make a pilgrimage to and behold the sobering aggregate of our discarded stuff, seeing and feeling it viscerally with our senses. Running the Numbers looks at contemporary American culture through the austere lens Instead, we are stuck with trying to comprehend the gravity of our mass phenomena through the anaesthetizing and emotionally barren language of statistics. Sociologists tell us that the human mind cannot meaningfully grasp numbers higher than a few thousand; yet every day we read of mass phenomena characterized by numbers in the millions, billions, even trillions. Compounding this challenge is our sense of insignificance as individuals in a world of 6.7 billion people. And if we fully open ourselves to the horrors of our times, we also risk becoming overwhelmed, panicked, or emotionally paralyzed. I beiieve it is worth connecting with these issues and allowing them to matter to us personally, despite the complex mixtures of fear, grief, and rage that this process can entail. Perhaps these uncomfortable feelings can become part of what connects ange! us, serving as fuel for courageous individual and collective action as citizens of a new kind of global community. This hope continues to motivate my work. This project visually examines these vast andbizarre measures of our society; in large intricately detailed prints assemble d from thousands of smaller photographs. Employing themes such as the near versus the far, and the one versus the many, I hope to raise some questions about the roles and responsibilities we each play as individuals in a collective that is increasingly enormous, incomprehensible, and over"whelming. -chris jordan, Seattle, 2008 �l{F I I Doroonl r\n \rarren- Wlkes Universiry =i;t:$'l#ii:;;;; Tel 570-408-4325 Fax570-408-7733 edu,/sordoniartgallery Gallery Hours: Noon 4:30 p.m., daily wilkes. Cans Seurat, 2007 Depicts 106,000 aluminum cans, the number used in the US every thirty seconds. Non-Profit Org. U.S. Postage PAID Permit No. 355 \4tlkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 August 29 Running the Numbers: Portraits of Mass Consumption, Photographs by Chris Jordan Creator An entity primarily responsible for making the resource Chris Jordan Date A point or period of time associated with an event in the lifecycle of the resource 2011 August 29 - December 11 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource In Running the Numbers, artist Chris Jordan creates intricate photographic prints assembled from thousands of smaller photographs, visually depicting statistics that dramatize aspects of contemporary American culture. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Chris Jordan mass consumption photographer photography Source A related resource from which the described resource is derived Perlman Teaching Museum https://omeka.wilkes.edu/omeka/files/original/467b81ef307fba5734406c09f6715b42.pdf 9fc90e0e4f6b5f20f7a516f99d7fbdc5 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2012 March 26 Detroit Forsaken Creator An entity primarily responsible for making the resource Ryan Spencer Read Ryan Spencer Reed Date A point or period of time associated with an event in the lifecycle of the resource 2012 March 26 - May 20 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition program Subject The topic of the resource photography, photograph, Paul Spencer Read https://omeka.wilkes.edu/omeka/files/original/ed703db9ab1e05f1150f813e8101f399.pdf 1fac0fab2312fded8caab50a22addd29 PDF Text Text �IIff t I +-f. = -=- Non-hofitOry Sorooru rlrr uarer\' vvures uruversrry rJU Joutn rur-er street Wilkes-Barre. PA 18766 U.S. Postage PAID PermitNo.355 \{ilkes-Barre, PA Tel 570-408-4325 Fax570-408-7733 wilkes.edu/sordoniartgallery Summer Gallery Hours: I l:00 a.m. - 4:00 p.m., Sat. Noon - 4:00 p.m., Sun. Mon-Thurs by appointment (f-nt) Jon Carsmm, l{X4-1987, Mlkes University Alumni hluutlnillr,l9ffi acry1ic on cmm Alum.ni. and. Cotntnunity: Selectionsfrorntlw Sordoni June 16-August 5,2012 Art Gallery Pennanent Collection � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2012 June 16 Alumni & Community: Selection from the Sordoni Art Gallery Permanent Collection Creator An entity primarily responsible for making the resource Sordoni Art Gallery Permanent Collection Date A point or period of time associated with an event in the lifecycle of the resource 2012 June 16 - August 5 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition program Subject The topic of the resource Sordoni permanent collection permanent collection https://omeka.wilkes.edu/omeka/files/original/e4b0bd1a900e2a98288f3505a3191c90.pdf 367ddd0e32f5dcfe0d5100b908841782 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2013 August 27 The Art of Balliet Creator An entity primarily responsible for making the resource Justin Balliet Date A point or period of time associated with an event in the lifecycle of the resource 2013 August 27 - October 20 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition program Subject The topic of the resource Justin Balliet https://omeka.wilkes.edu/omeka/files/original/31d1b0f3bbbba32a83a99e9b2fb83ed1.pdf 6e6b5099d3febf37616afbda747c99ec PDF Text Text ��A tribute to teocher, mentor, colleogue ond friend, Richord A. Fuller A* GEllery | \{ilkes University August 26 - December l4,2Ol4 $ordoni A*ist's Opening Reception: Fridoy, September 5,4-6 pm �xllxr$x$$$$$}ifi & Richord ruLls*. "- A. Fuller, c.1974, block ond white photogroph Pottern moy be compored to ', o spring of woter thot con be drown on eternolly. To provide o source of imoginotion thot never dries up - thot, for me, is true beouty. A beoutiful pottern is olwoys receptive to the spirit of the viewer. One never tires of looking ot it. Through pottern, the world ond our heorts ore mode beoutiful. by Soetsu Yonogi from The lJnknown Croftsmon: A Joponese lnsight into Beouty �Arc 1,2014, stonewore cloy, combinotion wheel thrown ond hond built I enjoy moking quiet ond simple pots thot you con live with ond reoct to on o doily bosis. I wont my pots to serve o purpose, but olso stond on their own os strong visuol objects. I om intrigued with how cloy works; it is fluid by noture, then fixed, ond frogile in its finol form. I grew up in o house thot volued working with your honds ond the volue of good croftsmonship. I hove worked in cloy since 1976 becouse I love the medium ond thot love hos helped me stoy excited for oll these yeors. I strive for the highest quolity thot my obilities ollow me to ochieve - which is olso whot I look for in my students :=,\Lt r ASAMS ii-l*t\""-" �Noture Suspended Across the Greot Divide, 2013, oil on convos, I2 x IARC\ coscRovE 1: '12 inches My work explores clossic themes of time, distonce, noture, ond culture. A pointing offers infinite possibilities ond o joy in creoting eloborote color relotionships with complex potterns ond forms. My pointings ore composed of countless loyers of tronsporent ocrylic, oil ond cold wox mediums. lmogery is derived from personol digitol orchives ond obiects collected on journeys both neor ond for. I work to resolve the intersections of tronsporency with opocity, tronsience with permonence, obstroction with reolism, ond the ethereol with physicol ospeats of noture. ln studio proctice, os in life, I seek o quolity of significonce, meoning, beouty, ond groce. �\ trq, t"1 Primories, 201 4, ocrylic, I I x l4 inches My work shows o common threod of inspirotion from my immediote environment. The noturol londscope, objects ond people who ore port of it ore the bosis of my work. Whether o fold in o flog or o fine detoil of o piece o{ pottery flower orrongement, or nteresting foce or figure, my surroundings hove olwoys been the subjects for my ort. r.{', point of view moy be reflected through o comero lens or pointed on convos or poper. The things ond people oround me hove sotisfied my expressive curiosity. - my lotest work, I hove ploced the focus on objects; using tints, shodes, shodows ond - E^lights o{ color, which form the object ond creote bold potterns of rhythmic color ond ,crue. I strive to help the viewer journey through these pieces ond discover the bosic :-,::€s cnd colors thot initiolly coptured my ottention in these common everydoy subiects. ::.1. '.. | ..1': ] ffiLtrF{T-{#N �i I where ore you now? (detoil), 2Ol1-14, color photogroph, 4 x 4 inches i om on ortist ond o photogropher. i choose to moke ort with o comero, ond i choose to HUS+EBVE "Life moves pretty moke o living by photogrophing evefihing hoppening oround me. od is obout expression, ond photogrophy is obout visuolly copturing time. o photogroph is o split second of life fost. lf you don't stop ond emotions thot enobles us to relive thot moment over ond over ogoin. ond look oround once i've token my love of photogrophy ond put it to use copturing weddings, portroits ond in o while, you could miss it." - Ferris Bueller events, becouse i wont my clients to relive oll of their emotions ond excitement from thot doy, thot hour, thot second when it truly mottered to them. it's the leost i could do... ond this is my ort. i like remembering where i've been ond whot i've seen olong the woy. so toking photos of whotever i see thot inspires me or thot mokes me lough (with whotever comero i hove on me ot the time) is just os importont os eoch big occosion. i �Donkey ond iMoc,2013, ocrylic on convos, 24 x I B inches Moking ort ollows me to synthesize thoughts ond ideos obout my post, present, ond future. I continue, not with o foolish notion of perfecting the croft, but with on increosing sense of urgency to process my stockpile of experiences ond beliefs. These pointings oddress the relotionship between the personol, contemplotive, process of pointing ond the fost-poced, morket-driven, evolution of technology. Creoting them olso gove me on excuse to ploy with old things. The computers, doting from the l990s, were originolly purchosed with greot excitement, since they represented stote-of-the-ort technology. They were lost used by my young son, who ployed compoct discs on them during his preschool yeors. The toys, doting from the 1960s, were rondomly ocquired during my childhood. The donkey wos found flooting down the creek in my bockyord ofter o heovy roinstorm, ond the obnoxiously lorge squeoky fish come from o Tupperwore porty. It's funny how the old toys seem newer to me thon the computers. i' rri ;a!: LAliNlNc �Study for Shodow, 2Ol 4, pencil on poper, 5 x 7 inches MILLER.Lift[[fi8' Shodow is obout couse ond effect relotionships. lt olso oddresses themes of unrecognized purpose ond potterns of chonge thot exist beyond our control. ln ort history the troditionol role of o memento mori orvonitos pointing hos been to remind viewers of their mortolity. Shodow probobly ocknowledges this os well. More immediotely, however, the work represents something very reol on the compus of Wilkes University. I could exploin it, but if you look oround, you'll discover it for yourself. Thot, too, is o process of tronsformotion. �-,: I -3 'd:1 C'css Generotional Uplift,2012, printed 2014, digitol photogroph on metol, '16 x 20 inches :.- ::'rnulotes creotivity ond multiple modes of leorning. An ortistic lens through interpretotion is -: innovotion, colloborotion ond problem solving, drives the odvoncement of society ond is o " -: -: erement in culturol uplift. As o designer my foundotions come from fine ort. Conceptuolizing " --€ -se of moteriols, the movement of o work through time ond spoce, ond reuse ond renewol of -,=: ams inspire me. When my work con help others find o story ond feel emotion or wonderment or osk o question, I hove succeeded. .MOSRE �Whot MoyCome,2014, ink ond digitol colloge, l I x l4 inches Design is the ort of crofting o messoge. Designers ore creotive problem solvers, ond the REYNOLDS problems I choose to solve ore oround us every doy. My work tokes the mundone detoils of our lives, the oreos thot we seldom consider, ond mokes them into moments thot ollow the viewer to stop, think ond reflect on o porticulor rituol of humonity. Every moment of your life should be filled with beouty, whether relevont, trogic, intellectuol or pure. This is whot designers strive to creote. My work is primorily mixed medio. I enjoy creoting hond-drown type ond loyering it with fobric, wotercolor, morkerond othertypes of illustrotion. lfeel it is most meoningful to experience drowing type by hond. This ollows me to experience every nuonce of the letterform, thus creoting o higher understonding of whot mokes thot letterform unique. �IBERBTNEG WhotMoyCome,2Ol4, inkond digitol colloge, 'l I x l4 inches I I r,'-: REYNOLDS Design is the ort of crofting o messoge. Designers ore creotive problem solvers, ond the problems I choose to solve ore oround us every doy. My work tokes the mundone detoils of our lives, the oreos thot we seldom consider, ond mokes them into moments thot ollow the viewer to stop, think ond reflect on o porticulor rituol of humonity. Every moment of your life should be filled with beouty, whether relevont, trogic, intellectuol or pure. This is whot designers strive to creote. My work is primorily mixed medio. I enjoy creoting hond-drown type ond loyering it with fobric, wotercolor, morker ond other types of illustrotion. I feel it is most meoningful to experience drowing type by hond. This ollows me to experience every nuonce of the letterform, thus creoting o higher understonding of whot mokes thot letterform unique. �Breod, 20Q3, 6ronze, 7 lz x 20 3/a inches Sculpture hos been my moin pursuit during the post five decodes. Small Green Column is o 1986 bronze cost ot the Johnson Atelier in Mercerville, NJ where I wos ortist - in - residence. Breod wos suggested to me in the oct of cutting o loof of breod, ond becouse I reod o greot deol & hove to weor glosses to do so, I decided to memoriolize this octivity in the bronze Reoding. Since 2004 I hove concentroted lorgely on printmoking. Room 7 & Rust Belt Relic/Ghost ore two etchings done in recent yeors, while '60 Redux/ Sorojevo I 9l 4 is on eorlier linoleum relief print which refers to the l00th onniversory of the stort of World Wor l. he&ri HERBfAbN �a First to Foll, 20 I I , postel on poper, 23 srErfilftfif,Lou 1/z x 18 % inches This series of postels wos o result of the residency ot the Oro Lermon Form I porticipoted in during the summer o( 2011. The prope*y ond surrounding oreo wos so beoutiful, I felt it hod to be better in the foll of the yeor. I wos not wrong. Working from sketches, photos ond memory these smoll works ore the result. I decided to use o smoll size becouse I wos not sure how mony postels would emerge from the experience. ) The outumn londscope in o smoll formot is like o view from o smoll ottic window, I it's privote ond somehow o bit of o secret. I enloy working in o series ond feel eoch pointing flows to the next one ond bock ogoin. I ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2014 August 26 Faculty Exhibition 2014 Creator An entity primarily responsible for making the resource Richard A. Fuller Jean G .Adams Sharon Cosgrove Beverly Glennon Steve Husted Bruce Lanning Darlene Miller Lanning Sara Moore Lisa Reynolds Herbert Simon Mary Lou Steinberg Date A point or period of time associated with an event in the lifecycle of the resource 2014 August 26 - December 14 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource This exhibition is a tribute to professor emeritus Richard A. Fuller while also showcasing faculty work from across the university. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Richard A. Fuller Wilkes University https://omeka.wilkes.edu/omeka/files/original/199c66db92b000870f0797ea67ad44f3.pdf 57c882c0592269978fbd0da9befa5da8 PDF Text Text ��������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2014 January 14 George Gabin: Reflections Creator An entity primarily responsible for making the resource George Gabin Date A point or period of time associated with an event in the lifecycle of the resource 2014 January 14 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition Program https://omeka.wilkes.edu/omeka/files/original/a2f13d56e9c1aa834f7b690220dc6ceb.pdf 68598d9c89aa201455e25bafbd91fdc1 PDF Text Text ������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2016 August 30 Persistence: The Continuing Influence of Classical Myth Creator An entity primarily responsible for making the resource Milet Andrejevic Wendy Artin Caren Canier Thomas Cornell Harvey Dinnersttein Kathryn Freeman Paul Georges Brian Keeler James Merpli Don Peril Kyle Staver Audrey Ushenko Stanley I. Grand Date A point or period of time associated with an event in the lifecycle of the resource 2016 August 30 - October 12 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Artists have found inspiration in Classical Mythology for hundreds of years. In Persistence: The Continuing Influence of Classical Myth, artists have tackled the universal tales- some using traditional imagery and others with a modern twist- but all find inspiration in the Classical narratives. Curator Stanley Grand includes contemporary works that are easily timeless. Type The nature or genre of the resource N/A Subject The topic of the resource classical mythology mythology myths painting paintings painter https://omeka.wilkes.edu/omeka/files/original/14d4bd000c836a8d9af4bfb005e2e6e5.pdf a00266f8afe08c2e3134d74f385b208d PDF Text Text %? i'+. *trs 4*:' ffi �KEYSTONE COLLEGE MOBILE GLASS STUDIO COM MUN ITY DEMONSTRATION FRIDAY SEPTEMBER '15, 2017,from 5 - 7PM During the Third Friday Art Walk ANDY WARHOL 15 MINUTES: FROM IMAGE TO ICON OCTOBER 6 - DECEMBER20,2017 OPEN/NG RECEPTION & R/BBON CUTTING CEREMONY OCTOBER 6 Ribbon Cutting: 4:30pm Gallery Reception: 5 - 7pm Pennsylvania artist, Andy Warhol, changed how we view art. lnspired by pop culture, Warhol's imagery defined the new age of fine art and influenced society, to in turn, be a creator of pop culture. This exhibition examines the artist's inspiration, process, and wide influence to both fine and commercial a rt. JO'N U5 F O R T H E WARH O L W ED N ES DAY LECTU RE SERIES: October 11: Curator'sTour with Director Heather Sincavage (in gallery) October 25: 'Andy Warhol is a V: Bachelorhood & the Celibate Factory" by Dr. Benjamin Kahan, Louisiana State University November 15: 'Andy and the Rusyns" by Dr. Elaine Rusinko, University of Maryland, Baltimore County (co-sponsore d by the Eastern PA Chapter of the Carpatho-Rusyn Society) All Lectures are at 4:30pm in KC Room 135. Please check website for updates' PEPPER POI *.ffi.1 SELECTIONS FROM THE SORDONI COLLECTION OF AMERICAN ILLUSTRATION & COMIC ART ANGELA FRALEIGH BETWEEN TONGUE AND TEETH JANUARY 16 - MARCN 2,2018 APRILS-MAY20,2O18 Angela Fraleigh reimagines the woman's role as it has been depicted in art history, literature, and media. Her paintings revisit centuries-old, male dominated sources and provide women with agency. Fraleigh is the Chair of Studio Art at Moravian College. ., . ':" GUERRILLA GIRLS ON TOUR POSTER MAKING WORKSHOP APRIL 9,2018, from 2 - 4:30PM Registration Required OffereC rn con1,.,nciio Cen der,ilu cre-. Cc lt'rittt r, f e re n :-e the Vt/cnte n & This landmark exhibition features more than 100 years of the art of illustration. Often featured in advertising, these works stand alone as works of art. Artists featured are: NC Wyeth, Maxfield Parrish, & Chris Payne. �SORDONI ART GALLERY AT WILKES UNIVERSITY WI L KES 84WESTSOUTH STREET UNIVERSITY WILKES - BARRE, PA18766 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2017-2018 Exhibition Calendar Creator An entity primarily responsible for making the resource Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 2017 January Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource The exhibition calendar for 2017-2018 Type The nature or genre of the resource Calendar Rights Information about rights held in and over the resource SAG https://omeka.wilkes.edu/omeka/files/original/49a6e5030c4be3051b9e4a855dd69654.pdf a00266f8afe08c2e3134d74f385b208d PDF Text Text %? i'+. *trs 4*:' ffi �KEYSTONE COLLEGE MOBILE GLASS STUDIO COM MUN ITY DEMONSTRATION FRIDAY SEPTEMBER '15, 2017,from 5 - 7PM During the Third Friday Art Walk ANDY WARHOL 15 MINUTES: FROM IMAGE TO ICON OCTOBER 6 - DECEMBER20,2017 OPEN/NG RECEPTION & R/BBON CUTTING CEREMONY OCTOBER 6 Ribbon Cutting: 4:30pm Gallery Reception: 5 - 7pm Pennsylvania artist, Andy Warhol, changed how we view art. lnspired by pop culture, Warhol's imagery defined the new age of fine art and influenced society, to in turn, be a creator of pop culture. This exhibition examines the artist's inspiration, process, and wide influence to both fine and commercial a rt. JO'N U5 F O R T H E WARH O L W ED N ES DAY LECTU RE SERIES: October 11: Curator'sTour with Director Heather Sincavage (in gallery) October 25: 'Andy Warhol is a V: Bachelorhood & the Celibate Factory" by Dr. Benjamin Kahan, Louisiana State University November 15: 'Andy and the Rusyns" by Dr. Elaine Rusinko, University of Maryland, Baltimore County (co-sponsore d by the Eastern PA Chapter of the Carpatho-Rusyn Society) All Lectures are at 4:30pm in KC Room 135. Please check website for updates' PEPPER POI *.ffi.1 SELECTIONS FROM THE SORDONI COLLECTION OF AMERICAN ILLUSTRATION & COMIC ART ANGELA FRALEIGH BETWEEN TONGUE AND TEETH JANUARY 16 - MARCN 2,2018 APRILS-MAY20,2O18 Angela Fraleigh reimagines the woman's role as it has been depicted in art history, literature, and media. Her paintings revisit centuries-old, male dominated sources and provide women with agency. Fraleigh is the Chair of Studio Art at Moravian College. ., . ':" GUERRILLA GIRLS ON TOUR POSTER MAKING WORKSHOP APRIL 9,2018, from 2 - 4:30PM Registration Required OffereC rn con1,.,nciio Cen der,ilu cre-. Cc lt'rittt r, f e re n :-e the Vt/cnte n & This landmark exhibition features more than 100 years of the art of illustration. Often featured in advertising, these works stand alone as works of art. Artists featured are: NC Wyeth, Maxfield Parrish, & Chris Payne. �SORDONI ART GALLERY AT WILKES UNIVERSITY WI L KES 84WESTSOUTH STREET UNIVERSITY WILKES - BARRE, PA18766 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2017 -2018 Exhibition Calendar https://omeka.wilkes.edu/omeka/files/original/65ba4afdec1a639a5f4dd53d645efc85.pdf 267605966eb4b20300f8deeb65f41e93 PDF Text Text ������������������ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2017 January 20 After Sargent Creator An entity primarily responsible for making the resource Lydia Panas Gail Buckland Heather Sincavage Date A point or period of time associated with an event in the lifecycle of the resource 2017 Janaury 20 - March 3 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Lydia Panas redfines the portrait, creating a far less saccharine facade and delves deeper into the psyche. Inspired by the painting The Daughters of Edward Darley Boit by Sargent, Panas' work had been featured in numerous museums and galleries around the world in addition to features in Time magazine and the New York Times. Type The nature or genre of the resource N/A Subject The topic of the resource Lydia Panas photographer photography photos portraiture Rights Information about rights held in and over the resource SAG https://omeka.wilkes.edu/omeka/files/original/ef2ea52a4439f6de555df5a00a76a62b.pdf 5525ac3d9c94cd27c5dd6c3fd6e1f203 PDF Text Text ������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2017 March 23 Of Color Creator An entity primarily responsible for making the resource Lyndon Barrois Jr. Francine J. Harris Date A point or period of time associated with an event in the lifecycle of the resource 2017 March 23 - May 21 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource St. Louis artist, Lyndon Barrois Jr. accesses the influence media has on identity, specifically on the sporting of certain colors in clothes. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Lyndon Barrois Jr sculpture assemblage cardboard