Browse Items (135 total)

Regarded as a teaching aid, the C.B. Reif Collection was formerly used during Biology lectures. Although the fundamental purpose of the collection was to teach natural history, the prints are also of interest to art historians and general historians.

In any invitational exhibition, there is, hopefully, a theme or underlying current to which the work of each artist contributes. Ideally the individual pieces will be better understood in light of the works with which they have been surrounded.

Current American Printmaking: SAGA is a survey of the state of American printmaking at the end of 1991

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Over the last fifty years, Lousia Matthiasdottir has developed an original and eloquent voice as painter. Perhaps because she works in the traditional genres of landscape, still life and figure painting, and possibly because of her own reticence, it…

Artist Lyn Godley explores the relationship between art and technology in her exhibition, Lit. Inspired by the interaction of light with differing materials, Godley combines LEDs and fiber optics with photography to study the therapeutic applications…

St. Louis artist, Lyndon Barrois Jr. accesses the influence media has on identity, specifically on the sporting of certain colors in clothes.

The 1985 Wilkes College Art Faculty Exhibition included artists the like of Mark Cohen, Richard A. Fuller, and William H. Sterling. This exhibition spanned across multiple mediums including painting and sculpture

An outstanding selection of antique oriental woodblock prints plus original etchings, woodcuts, lithographs by contemporary oriental printmakers

Martha Posner calls upon the themes of mythology and folklore to represent the duality of the darekst and most triumphant moments of women. She represents women with strength and determination while facing the wilds of the unknown

Pursuing the theme of musicians as visual artists, this exhibition surveys the watercolors of Mel Powell. Mel Powell's watercolors show the enjoyment of combining color and abstract forms on paper while also being influenced by his music.

Michael De Jong's images perform an operation of individuation, defining the viewer---the self---as isolated, withdrawn from the world, yet spying on it.

Though empty of people, his photos of intimate landscapes are filled with the evidence of humanity. With clarity and simplicity, Kenna's images suggest rather than describe, offering up just a few elements of the landscape, leaving it to the viewer…