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                    <text>�IIff
t I
+-f.
= -=-

Non-hofitOry

Sorooru rlrr uarer\'
vvures uruversrry
rJU Joutn rur-er street
Wilkes-Barre. PA 18766

U.S. Postage

PAID

PermitNo.355
\{ilkes-Barre, PA

Tel 570-408-4325
Fax570-408-7733
wilkes.edu/sordoniartgallery
Summer Gallery Hours:
I l:00 a.m. - 4:00 p.m., Sat.
Noon - 4:00 p.m., Sun.
Mon-Thurs by appointment
(f-nt)
Jon Carsmm, l{X4-1987, Mlkes University Alumni

hluutlnillr,l9ffi
acry1ic on cmm

Alum.ni. and. Cotntnunity: Selectionsfrorntlw Sordoni
June 16-August 5,2012

Art Gallery Pennanent Collection

�</text>
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                    <text>��A tribute to teocher, mentor, colleogue ond friend,

Richord A. Fuller

A*

GEllery | \{ilkes University
August 26 - December l4,2Ol4

$ordoni

A*ist's Opening Reception:
Fridoy, September 5,4-6 pm

�xllxr$x$$$$$}ifi

&amp;
Richord

ruLls*.

"-

A. Fuller, c.1974, block ond white photogroph

Pottern moy be compored to
',

o spring of woter thot con be
drown on eternolly. To provide
o source of imoginotion thot never
dries up

-

thot, for me, is true

beouty. A beoutiful pottern is
olwoys receptive to the spirit of
the viewer. One never tires of
looking ot it. Through pottern,
the world ond our heorts ore
mode beoutiful.

by Soetsu Yonogi

from The lJnknown Croftsmon: A Joponese lnsight into Beouty

�Arc 1,2014, stonewore cloy, combinotion wheel thrown ond hond built

I

enjoy moking quiet ond simple pots thot you con live with ond reoct to on o doily bosis. I wont

my pots to serve o purpose, but olso stond on their own os strong visuol objects. I om intrigued

with how cloy works; it is fluid by noture, then fixed, ond frogile in its finol form. I grew up in o
house thot volued working with your honds ond the volue of good croftsmonship. I hove worked
in cloy since 1976 becouse I love the medium ond thot love hos helped me stoy excited for oll
these yeors. I strive for the highest quolity thot my obilities ollow me to ochieve - which is olso

whot I look for in my students

:=,\Lt r
ASAMS

ii-l*t\""-"

�Noture Suspended Across the Greot Divide, 2013, oil on convos, I2 x

IARC\
coscRovE
1:

'12

inches

My work explores clossic themes of time, distonce, noture, ond culture. A pointing offers

infinite possibilities ond o joy in creoting eloborote color relotionships with complex
potterns ond forms. My pointings ore composed of countless loyers of tronsporent ocrylic,
oil ond cold wox mediums. lmogery is derived from personol digitol orchives ond obiects
collected on journeys both neor ond for. I work to resolve the intersections of tronsporency

with opocity, tronsience with permonence, obstroction with reolism, ond the ethereol with
physicol ospeats of noture. ln studio proctice, os in life, I seek o quolity of significonce,
meoning, beouty, ond groce.

�\ trq,
t"1

Primories, 201 4, ocrylic, I

I x l4

inches

My work shows o common threod of inspirotion from my immediote environment.

The noturol londscope, objects ond people who ore port of it ore the bosis of my work.
Whether o fold in o flog or o fine detoil of o piece o{ pottery flower orrongement, or
nteresting foce or figure, my surroundings hove olwoys been the subjects for my ort.
r.{', point of view moy be reflected through o comero lens or pointed on convos or poper.

The things ond people oround me hove sotisfied my expressive curiosity.

-

my lotest work, I hove ploced the focus on objects; using tints, shodes, shodows ond

- E^lights o{ color, which form the object ond creote bold potterns of rhythmic color

ond

,crue. I strive to help the viewer journey through these pieces ond discover the bosic

:-,::€s cnd colors thot initiolly coptured my ottention

in these common everydoy subiects.

::.1.

'.. |

..1':

]

ffiLtrF{T-{#N

�i
I

where ore you now? (detoil), 2Ol1-14, color photogroph, 4 x 4 inches

i om on ortist ond o photogropher. i choose to moke ort with o comero, ond i choose to

HUS+EBVE
"Life moves pretty

moke o living by photogrophing evefihing hoppening oround me. od is obout expression,

ond photogrophy is obout visuolly copturing time. o photogroph is o split second of life

fost. lf you don't stop

ond emotions thot enobles us to relive thot moment over ond over ogoin.

ond look oround once

i've token my love of photogrophy ond put it to use copturing weddings, portroits ond

in o while, you could
miss

it."

- Ferris Bueller

events, becouse i wont my clients to relive oll of their emotions ond excitement from thot
doy, thot hour, thot second when it truly mottered to them. it's the leost i could do...

ond this is my ort.
i like remembering where i've been ond whot i've seen olong the woy. so toking photos of

whotever i see thot inspires me or thot mokes me lough (with whotever comero i hove on
me ot the time) is just os importont os eoch big occosion.

i

�Donkey ond iMoc,2013, ocrylic on convos, 24 x I B inches

Moking ort ollows me to synthesize thoughts ond ideos obout my post, present, ond

future. I continue, not with o foolish notion of perfecting the croft, but with on increosing
sense of urgency to process my stockpile of experiences ond beliefs. These pointings

oddress the relotionship between the personol, contemplotive, process of pointing ond the

fost-poced, morket-driven, evolution of technology. Creoting them olso gove me on excuse

to ploy with old things.
The computers, doting from the l990s, were originolly purchosed with greot excitement,
since they represented stote-of-the-ort technology. They were lost used by my young son,

who ployed compoct discs on them during his preschool yeors.
The toys, doting from the 1960s, were rondomly ocquired during my childhood. The
donkey wos found flooting down the creek in my bockyord ofter o heovy roinstorm, ond the
obnoxiously lorge squeoky fish come from o Tupperwore porty.

It's funny how the old toys seem newer to me thon the computers.

i' rri ;a!:
LAliNlNc

�Study for Shodow, 2Ol 4, pencil on poper, 5 x 7 inches

MILLER.Lift[[fi8'

Shodow is obout couse ond effect relotionships. lt olso oddresses themes of
unrecognized purpose ond potterns of chonge thot exist beyond our control.
ln ort history the troditionol role of o memento mori orvonitos pointing hos
been to remind viewers of their mortolity. Shodow probobly ocknowledges this
os well. More immediotely, however, the work represents something very reol on

the compus of Wilkes University. I could exploin it, but if you look oround, you'll
discover it for yourself. Thot, too, is o process of tronsformotion.

�-,:

I

-3

'd:1
C'css Generotional

Uplift,2012, printed 2014, digitol photogroph on metol,

'16

x 20 inches

:.- ::'rnulotes creotivity ond multiple modes of leorning. An ortistic lens through interpretotion is
-: innovotion, colloborotion ond problem solving, drives the odvoncement of society ond is o
" -:
-: erement in culturol uplift. As o designer my foundotions come from fine ort. Conceptuolizing
"
--€ -se of moteriols, the movement of o work through time ond spoce, ond reuse ond renewol of

-,=:

ams inspire me. When my work con help others find o story ond feel emotion or wonderment
or osk o question, I hove succeeded.

.MOSRE

�Whot MoyCome,2014, ink ond digitol colloge, l

I x l4

inches

Design is the ort of crofting o messoge. Designers ore creotive problem solvers, ond the

REYNOLDS

problems I choose to solve ore oround us every doy. My work tokes the mundone detoils of
our lives, the oreos thot we seldom consider, ond mokes them into moments thot ollow the
viewer to stop, think ond reflect on o porticulor rituol of humonity. Every moment of your

life should be filled with beouty, whether relevont, trogic, intellectuol or pure. This is whot
designers strive to creote.
My work is primorily mixed medio. I enjoy creoting hond-drown type ond loyering it with

fobric, wotercolor, morkerond othertypes of illustrotion. lfeel it is most meoningful to
experience drowing type by hond. This ollows me to experience every nuonce of the
letterform, thus creoting o higher understonding of whot mokes thot letterform unique.

�IBERBTNEG

WhotMoyCome,2Ol4, inkond digitol colloge, 'l I x l4 inches

I

I

r,'-:

REYNOLDS

Design is the ort of crofting o messoge. Designers ore creotive problem solvers, ond the
problems I choose to solve ore oround us every doy. My work tokes the mundone detoils of
our lives, the oreos thot we seldom consider, ond mokes them into moments thot ollow the
viewer to stop, think ond reflect on o porticulor rituol of humonity. Every moment of your

life should be filled with beouty, whether relevont, trogic, intellectuol or pure. This is whot
designers strive to creote.
My work is primorily mixed medio. I enjoy creoting hond-drown type ond loyering it with
fobric, wotercolor, morker ond other types of illustrotion. I feel it is most meoningful to
experience drowing type by hond. This ollows me to experience every nuonce of the
letterform, thus creoting o higher understonding of whot mokes thot letterform unique.

�Breod, 20Q3, 6ronze, 7 lz x 20

3/a

inches

Sculpture hos been my moin pursuit during the post five decodes. Small Green Column
is

o 1986 bronze cost ot the Johnson Atelier in Mercerville,

NJ where I wos ortist - in -

residence. Breod wos suggested to me in the oct of cutting o loof of breod, ond becouse
I reod o greot deol &amp; hove to weor glosses to do so, I decided to memoriolize this octivity

in the bronze Reoding.
Since 2004 I hove concentroted lorgely on printmoking. Room 7

&amp;

Rust Belt Relic/Ghost

ore two etchings done in recent yeors, while '60 Redux/ Sorojevo I 9l 4 is on eorlier
linoleum relief print which refers to the l00th onniversory of the stort of World Wor l.

he&amp;ri

HERBfAbN

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�KEYSTONE COLLEGE
MOBILE GLASS STUDIO
COM MUN ITY DEMONSTRATION
FRIDAY SEPTEMBER '15, 2017,from 5 - 7PM
During the Third Friday Art Walk

ANDY WARHOL
15 MINUTES: FROM IMAGE TO ICON
OCTOBER 6 - DECEMBER20,2017
OPEN/NG RECEPTION &amp; R/BBON CUTTING CEREMONY OCTOBER 6
Ribbon Cutting: 4:30pm
Gallery Reception: 5 - 7pm
Pennsylvania artist, Andy Warhol, changed how we view art. lnspired by pop
culture, Warhol's imagery defined the new age of fine art and influenced
society, to in turn, be a creator of pop culture. This exhibition examines the
artist's inspiration, process, and wide influence to both fine and commercial
a

rt.

JO'N U5 F O R T H E WARH O L W ED N ES DAY LECTU RE SERIES:
October 11: Curator'sTour with Director Heather Sincavage (in gallery)
October 25: 'Andy Warhol is a V: Bachelorhood &amp; the Celibate Factory" by
Dr. Benjamin Kahan, Louisiana State University
November 15: 'Andy and the Rusyns" by Dr. Elaine Rusinko, University of
Maryland, Baltimore County
(co-sponsore d by the Eastern PA Chapter of the Carpatho-Rusyn Society)
All Lectures are at 4:30pm in KC Room 135. Please check website for updates'

PEPPER POI

*.ffi.1
SELECTIONS FROM THE SORDONI
COLLECTION OF AMERICAN ILLUSTRATION &amp;
COMIC ART

ANGELA FRALEIGH
BETWEEN TONGUE AND TEETH
JANUARY 16 - MARCN 2,2018

APRILS-MAY20,2O18

Angela Fraleigh reimagines the woman's role as it has
been depicted in art history, literature, and media. Her
paintings revisit centuries-old, male dominated sources
and provide women with agency. Fraleigh is the Chair
of Studio Art at Moravian College.

.,

.

':"

GUERRILLA GIRLS ON TOUR
POSTER MAKING WORKSHOP
APRIL 9,2018, from 2 - 4:30PM

Registration Required
OffereC rn con1,.,nciio
Cen der,ilu cre-. Cc

lt'rittt

r, f e re n

:-e

the Vt/cnte n &amp;

This landmark exhibition features more than 100 years
of the art of illustration. Often featured in advertising,
these works stand alone as works of art. Artists featured are: NC Wyeth, Maxfield Parrish, &amp; Chris Payne.

�SORDONI ART GALLERY AT WILKES UNIVERSITY

WI L KES

84WESTSOUTH STREET

UNIVERSITY WILKES - BARRE, PA18766

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