109 15 4134 https://omeka.wilkes.edu/omeka/files/original/948a08f1d0d9e207204a2c58f1d61509.pdf e7c86430593bbe2d102d56555e5c541b PDF Text Text �IEF Juruur, .' ur vdrrLr-r IJll'l*Y.xt'l?.- =. Wilkes-Barre. PA 18z66 =Tel 57o-4o}-4325 Fax 57o-4o8-7737 wilkes. edu/sordoniartgallery Gallery Hours: Noon - 4:3o e.u., daily Wilkes University Art Faculty Exhibition, zooT Aprilr-Mry2c.,2oo7 Opening Reception Sunday, April r, z:oo Participating Artists Iean Adams Sharon Bowar Richard Fuller Beverly Glennon Bruce Lanning David Leonard David Schulte John Sedor William Sterling Herb Simon - 4:oo P.M. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2007 April 1 Faculty Exhibition 2007 Creator An entity primarily responsible for making the resource Jean Adams Sharon Bowar Richard Fuller Beverly Glennon Bruce Lanning David Leonard David Schulte William Sterling Herb Simon Date A point or period of time associated with an event in the lifecycle of the resource 2007 April 1 - May 20 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource This exhibition proudly continues a long tradition at the Sordoni Art Gallery of showcasing the unique achievements of the Art Faculty at Wilkes University. Type The nature or genre of the resource Invitation Subject The topic of the resource faculty exhibition, Wilkes University, faculty https://omeka.wilkes.edu/omeka/files/original/2e6e47411cd87ceb635e9c715f3604b9.pdf dca76613688fb0227fd5447b5daa0781 PDF Text Text �g Sordoni Art Gallery Wilkes University 150 South River Street Wilkes-Barre, PA 18766 TeI570-408-4325 Fax570-408-7733 wilkes. e du/sordoniartgallery Gallery Hours: Noon - 4:30 p.m., daily Black DesertsAVelsh Tips Phorograplts by Ray Klimek August 27 - October 7, 2007 Opening reception with the artist: Saturday, September 8, 5-7 p.m. Hug hesto w n, Pe ruuy lo ania, 2003 20 x24in. digital C print courlesy the arlisl � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2007 August 27 Black Deserts/ Welsh Tips Creator An entity primarily responsible for making the resource Ray Klimek Date A point or period of time associated with an event in the lifecycle of the resource 2007 August 27 - October 7 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Photographs by Ray Klimek, more than 20 photographs contrasting the culm banks and mine-damaged lands of northeastern Pennsylvania and South Wales. Type The nature or genre of the resource Invitation Subject The topic of the resource Ray Klimek coal coal mining photography photographer Rust Belt South Wales https://omeka.wilkes.edu/omeka/files/original/a007e1fe6e9c3980d09000fe870eacf0.pdf 75c06463f006bbd6bf14d945321ed286 PDF Text Text Q. Wrref ls a"gePlk anel*? A. Gradtic novels *Live o{.w de{rni,ta chqi acl er t s +i c s. W,&,s_y a u a(* y 1-,t ty 1 l. \4rc1 aye lovj couicbooks. (n jet ba.k'to+he t{;+ l{l also corq6.ot 1o Vatte rhe gequential > ..,o*'d )rha+'g-;+. l4o,leucx, Cow;cs olgo o(teyr swh lhinl; {a*u,r. i1ages,4fl,;.,1-t11 o'on"le') whi"h aie 1 ' Q. Wlra+ is a "comic booko? A. Yorr vuo,1 lhink yqt l<nowtrl"e auswer lo 1*;s ?u*pwrd<^ vy \iues call<A. , 1'pueA $wclers. ilertoai+ Etrck with we q (er^t ,+tixutesz A corvric bo.k is a yroqqzin" ov bounl b"ok i' t 't lnal ov*aiu s "' co*ri csl Glso knorr os cr* x l'), Comics ig c melrttm 6v etweSgirrq in{oyyya*ion ar.d/o. artis{tc ideas fuat ts f,ei(;neAlRt .* h<m*. Olrt l'lt get ro e'r how -tD a cowic'43',,,++1< u?fft \ou yal o+ languay, in o niwie, r€ad elewc,**s otr a le++' Lofi1Qr , wt{rl7l \^Jhe6 \rotr {r ni5l'i lou edusiW ;afie rrale {or 4gftpgs ?oc eeAirw . 4oratn 19 f.ow tve fiqh+. loe-+o - -lLx6n ygol;,g ^ ctou., o*4 the,r'r Yov VtaA at6s $ *te aply the |aue le{.l.-{t - .,]fou ".elt€{yrt^ Just ac in our wnlten the fu* aell) W �The Languoge of Comics: Originol Drowings from Jessico Abel's Lo Perdida snd Mott Modden's 99 Ways to Tell o Story: Exercises in Style October 2? to December 9, 2OO7 Opening reception: Soturdoy, November 3, 5:00 - 7:OO p.m. Mott Modden will present o slide lecture on his work immediotely preceding the reception ot 4:30 p.m. in Stork Leorning Center, Room 166. This exhibition wos organized by the Richard F. Brush Art Gollery ot 5t. Lowrence University. Front: Jessico Abel, What is a graphic novel?,2OOZ Gicld,e print Jessicq Abel is the outhor of Soundtrackand AAirror, Window, two collections of stories ond drowings from her comic book, Artbabe. Her grophic novel La Perdida won the 2002 Harvey Aword for Best New Series ond wos nominoted for on " Essenf iels de la BD" oword of the 2OO7 AngoulOme Comics Festivol in Fronce. She is currently colloboroting on onother grophic novel, Life 5ucks, ond is finishing up o textbook obout moking comics with Mott Modden. She teoches at the School of Visuol Arts in New York City. minicomics in the early 1990s. He hos created two grophic novels, Black Candy in 1998 and Odds Of f in 2001. Mott teoches ot the School of Visuql Arts ond reviews comics for Bookforum. His lotest comics oppeor in A Fine lAess, a series published by Alternotive Comics. 99 Ways to Tell a Story: Exercises in Style wos published in 2005 by Penguin Books. Mott Modden storted self-publishing �La Perdida tells the story of o young womon's misodventures ond her desire to live on outhenticlif e. Carla, on Americon estranged from her Mexicon father, heods to Mexico City to "find herself ." She croshes with o former fling, Horry, who hos been drinking his woy through the copitol in the greot trodition of his heroes, Williom S. Burroughs ond Jock Kerouoc. Horry is good-humored obout Corlo's reoppeoronce on his doorstep - until he reolizes thot Corlo, who spends her doys sooking in the city, exploring Frido Kohlo's house ond leorning Sponish, hos no intention of leoving. When Horry ond Corlo's relotionship of mutuol toleronce reoches its inevitoble end, she relects his world of Anglo expots f or her own set of friends: pretty-boy Oscor, who sells pot ond dreoms of being o DJ, ond chorismotic Memo, aleftwing, pseudo-intellectuol lodies' mon. Determined to experience the real Mexico, Corlo turns o blind eye to her new f riends' inconsistencies. But then she cotches the eye of o drug don, el Gordo, ond from thot moment on, her lif e gets a lot more complicoted, ond she is forced to confront the irreparable conseguences of her willful innocence. fmoge: Jessico Abel,Cover drawing for La Perdida,2006 Offset printed jocket sleeve ��99 Ways to Tell a Storywos inspired by Roymond Queneou's Exercises in Style (1947), in which he spun ninety-nine voriotions out of o bosic, two port text reloting two chonce encounters with o mildly irritoting chorocter during the course of o doy. He told the story in every conceivoble tense, then in free verse, os o sonnet, os otelegram, in pig Lotin, os o series of exclomations, in on indiff erent voice...you nome it, he did it. fn my book eoch comic presents the some story-recounts exoctly the some events-but tokes o different opprooch to telling the tole. You will find vorying points of view, diff erent styles of drawing, homoges ond porodies, os well as interpretotions thot moy chollenge your idao of whot exoctly o norrotive is. For example, con mops tell o story? How obout o full page of odvertisements? f'm not suggesting thot there's o def init e answer , only thot it's exciting to consider how mony different woys o story con be told, how ort ond text interoct, ond how lhese comics relate to other visuol ond norrotive medio. -Mott Tmage: Mott Modden, Color mop Gicl6,e print Modden from 99 Ways to Tell a Story �,r;'('*" R"prrbr, Vhat ts lt t'4.r.. Time ---- "C O- 3# rabre tr- ) United statesf of Jessica i / ! l- Refrigerator �?f Soroonr aer Oouery +[#*ir":::;%m Tel 570-408-4325 Fox 570-408-7733 W ilkes.edu /so rdon iortgol ery hallery Hours: Noon to 4:30 p.m., doily I The Languoge of Comics October 22 to December 9, 2@7 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2007 October 22 The Language of Comics Creator An entity primarily responsible for making the resource Jessica Abel Matt Madden Date A point or period of time associated with an event in the lifecycle of the resource 2007 October 22 - December 9 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition program Subject The topic of the resource comic comics graphic novel illustration https://omeka.wilkes.edu/omeka/files/original/ceb78532ce0f38b06214b1e58d7e232f.pdf 954fe3f85c19cd0b9000cda3946a3592 PDF Text Text ���������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2008 January 14 Some for Me, Some for You Creator An entity primarily responsible for making the resource Ken Aptekar Stanley I. Grand Date A point or period of time associated with an event in the lifecycle of the resource 2008 January 14 - March 2 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource In a process that integrates the past into the present through the re-use of art history's forms, patterns, and figures, Aptekar challenges the passivity of influence and the burden of Old Master veneration. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Ken Aptekar art history old master's https://omeka.wilkes.edu/omeka/files/original/27a1b4c5e5b89ca8c3f7aff4717ffb5f.pdf 3f0b74d65b2d938fb44df2ea7764d8e5 PDF Text Text �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2008 March 30 "Sweetheart Like You": Roller Derby Portraits Creator An entity primarily responsible for making the resource Michael Poster Date A point or period of time associated with an event in the lifecycle of the resource 2008 March 30 - May 4 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource "Sweatheart Like You": Roller Derby Portraits is an exhibition about the lives of the Coal City Rollers local to NEPA. Type The nature or genre of the resource Invitation Subject The topic of the resource Michael Poster photography photographer photographs documentary rollerderby https://omeka.wilkes.edu/omeka/files/original/538436824983d28e1f96d5b61692007a.pdf ff21be9ebb8046cfa6fd74d790ae7821 PDF Text Text ����� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2008 August 15 Remembering Helen: The Sordoni Art Gallery at Thirty-Five Creator An entity primarily responsible for making the resource Ronald R. Bernier Ph.D. Date A point or period of time associated with an event in the lifecycle of the resource 2008 August 15 - October 5 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource This exhibition, Remembering Helen, honors the memory and generosity of this special friend, Helen Farr Sloan, of the Sordoni Art Gallery. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Helen Farr Sloan Helen Farr Sloan collection https://omeka.wilkes.edu/omeka/files/original/6b87f217965305a3c6c1add3323255af.pdf 36bd525bdd2aca0ab59ef69805c0ebfb PDF Text Text ���������������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2008 October 17 A New Paradigm: Recent Work by Ron Ehrlich Creator An entity primarily responsible for making the resource Ron Ehrlich Ronald R Bernier Date A point or period of time associated with an event in the lifecycle of the resource 2008 October 17 - December 12 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource American painter Ron Ehrlich is known for achieving rich surfaces and subtleties of tone melding the techniques of vessel-making with the spontaniety and vitality of action painting Type The nature or genre of the resource Exhibition program Subject The topic of the resource Ron Ehrlich painter painting abstract abstract art Rights Information about rights held in and over the resource SAG https://omeka.wilkes.edu/omeka/files/original/7d8075f00342a196531e4c359e9f4d4c.pdf 89caad63f64f51af67e2f0a79896f489 PDF Text Text ������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2008 October 17 A New Paradigm: Recent Work by Ron Ehrlich Creator An entity primarily responsible for making the resource Nicholas Taylor Date A point or period of time associated with an event in the lifecycle of the resource 2009 April Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource The photographs in this exhibition reveal an intimate look at the friendship between artists Nicholas Taylor and Jean-Michel Basquiat. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Jean-Michel Basquiat photography contemporary painter biographical Source A related resource from which the described resource is derived Castellani Art Museum Rights Information about rights held in and over the resource Nicholas Taylor https://omeka.wilkes.edu/omeka/files/original/20b2699069f696c87ce88e15e72327c5.pdf 3f71dcd07f4a54949c9a2ca7a38b9369 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2010 Advance Traditions Date A point or period of time associated with an event in the lifecycle of the resource 2010 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Exhibitions USA presents an overview of printmkaing of the last tweny years at the Flatbed Press. Type The nature or genre of the resource Exhibition program Subject The topic of the resource prints printmaking Flatbed Press Source A related resource from which the described resource is derived Exhibitions USA Rights Information about rights held in and over the resource Mid-America Arts Alliance https://omeka.wilkes.edu/omeka/files/original/1d64c5b9b616a4d27174b194adadd1ce.pdf 81748cfc16c7262bc9c6799c8f46d1d9 PDF Text Text �������������������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2010 January 18 Brian Wood Creator An entity primarily responsible for making the resource Brian Wood Christian Hawkey Date A point or period of time associated with an event in the lifecycle of the resource 2010 January 18 - March 14 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Brian Wood is an American contemporary artist working with multiple media in New York. His paintings, drawings, photographs, prints, films, and books are exhibited internationally and are held in many private and public collections. Brian Wood works primarily with painting and drawing. Throughout his career, Wood has been immersed in questions about consciousness and ontology, the mystery of intense images arising to awareness, and their complex relationship with and away from time. Type The nature or genre of the resource Exhibition program Subject The topic of the resource painter paint painting abstract abstract art https://omeka.wilkes.edu/omeka/files/original/b64853f073cc2fd4650acaf6d6622d01.pdf 21b50ae47cf753974b1c8afe4e74e84d PDF Text Text �II- IJ )oroonr .rl'l t,allen *\:I;'rlrJl',,,"", Wilkes-Barre. PA 187b6 =Tel570-408-4325 Fax570-408-7733 wilkes.edu/ sordoniartgallery Gallery Hours: Noon - 4:30 p.m., daily Seyntour Lipton: A Study Works from the Sordoni Art Gallery's Permanent Collection June 14 - August B, 2010 Non-Profit Org. U.S. Postage PAID Permit No. 355 \Nilkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2010 June 14 Seymour Lipton: A Study Creator An entity primarily responsible for making the resource Seymour Lipton Date A point or period of time associated with an event in the lifecycle of the resource 2010 June 14 - August 8 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Seymour Lipton was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist but focused on sculpture from 1932. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. He made several technical innovations, including brazing nickel-silver rods onto sheets of Monel to create rust resistant forms. Type The nature or genre of the resource Invitation Subject The topic of the resource abstract abstract art sculpture sculptor Seymour Lipton https://omeka.wilkes.edu/omeka/files/original/9f10e50947dba2ec099889ce1fd70b4d.pdf b06948127711c6df2820fc20077ee501 PDF Text Text .:.-: g }; @.;"$--.; :ff,:: 9:; ELISE \TAGNER A Decoda in Pointing ��Elise Wagner - March 28 - A Decade in Painting May 22,2011 Exhibition Curated by Brittany Kramer DeBalko Catalogue Essay by Ronald R. Bernier; Ph.D. 2010-20t1 Dn Roy E. Morgan Exhibition SordoniArt Callery Wilkes University Wilkes-Barre, Pennsylvania Cover: Counter Collision II, 2009 encaustic & oil on birch 48" x 48" Courtesy of ChaseYoung Gallery, Boston, MA E -- @2011 SonooNI ART GALLERY SordoniArt Aailery, Wilkes Universiry 150 South River Street Wilkes-Barre, PA 18766 Telephone 57 0-408-4325 Fax 570-408-7733 wilkes. edu/sordoniartgallery 2,500 copies were printed byZodiac Printing, lnc �the result is arresting, with surFaces so vast (even on small scale), we ente; lose ourselves, and succumb to a pull powerful enough to command our attention. She applies her color concoction and scrapes it offl rubs it down, then applies it again, and still again working and reworking each panel numeror,rs tlmes, so that layers build one atop the other: Look closely and you'll retains traces see that each image ofits prior configurations vague and elusive memories ofearfier states, but none the less perceptible, still present to our awareness. And all this painting, abrading, burnishing, effacing is repeated and multiplied both across the surface and into depth, resulting in a simultaneous neaTness and larness Lo.p ll 2008 encaustrc. monotyry & oil on panel 24" Cau t.sy ofthr Attist Hodbr Discover - \ 48' conveyed in the very texture of the paint itself Within these highly charged to make known or visible; scientifically, to observe and reveal; fields olcolor, successive and interpenetrative states olawareness merge rnto in the archaic sense, to disclose, to bring to light something lorgotten or hidden. one another, each retaining something That intimation olwhat is to come is what Elise Wagner's painting is all about, ernerging infinitesimal and the vast - both on the part ofthe artist awareness of the ancJ the beholder - ofwhat has just passed and each giving a blurring of the boundaries of past, present and anticipated future. And these palimpsests of paint encourage us to linger, to note the marks ol presence and absence as they emerge and fade. Amidst the increasing velocity of our contemporary vrsual culture, Wagner's paintings compel the viewer to stop and pay anention. That to say, Embedded within the layers are is they speak to the unlolding of time. As each canvas srrstains the appearance ollengthy and calculated efforts of suggests the dense complexity marks or repaintinq wl'lich itself ofour perception tlrere srgnifiers not yet srgnrfieds allu.ion. ro lhe promises is a curious paradox at work, a dialectic olmotion and stillness, of seen ancl rrrrsccn, glyphs and claims of scientific olthe certain are star.char t gr ids truth. There ard ganglionic and the unknown; and it is this tensron that evokes tl-re slow ancl extended webs, astronomical spirals and celestral dimension to our, the beholder's, experience, well beyond the ternporally nebulae, the scraffito of the artist's and spatrally confined "instant" ofseeing. journal drawings incised and embedded ltt t; t l Cnutt.e l The process of Wagner's work is slow, as the viewer's experience of rt at Ni t ul.. 2AAB rl lla Atti\t lrcauyrc 6 or of bnclr l0 x l0 into the layered waxy suface; all ofthis eliciting lrom the beholder a must be. She begins with a thin birch plywood panel onto whrch she layers continuous shifting in the perception offlorms, a buildup and overlap ofstages her chromatic mixture of pigmented wax, fused to the surfbce with heat gun, which demands that our attention continually adjust in order to accommodate blowtorch or iron. We can sense her patient, persistent layering olpaint; and the various perceptual possibilities within the subject. lt is all about perceptron, �r The sensuously layered, and perception here is a matter oladjusting, shifting attention, losing and then callrng back into focus. The painted surface, however: remains remarkably successively painted and reworked srnooth; lrom first geological layer to last, translucence is sustained, light surfaces of Waqner's painling sustain continues to pass through the waxy membrane. ln other words, it rs the visual effect ofduration, both the process temporal and spatial. Early stages o1'painting itselfthat conjures this gradual disclosure ofelements and leatures at first left unnoticed, and so in one sense absent from our view of configuration are iust absent in to our awareness the sense that their temporary non-occurrence lay outside but always included in the background of the present of our momentary view. And this state being momentarily unnoticed and then recalled appearance. of viewer is part of the viewer's rich Mqnetic Porollel.2AA9 encau*ic f- oil on brch At the is made as present as the final surface same time, the io take a disengaging 1B'x 48' experience of the ineffable and the unknown. In short, Wagner catches the otut$yofchaseYaunscatteryButon.MA temporal flow of perception itself the surface ofrepresentation, which pushes beyond the conventional limits andvertiginouslookdowninto/onto olthe picture frame and subverts it for a new paradigm, And while there is an all over expanse oltvisual attention, disallowing any reassuring sense of a single, unified and certainly mucl-t about the images that urges us to momentary view. The beholder leels himself released lrom gravity, as it were; reflect on the certainties ofscience we both hover over the surltaces and peer into their depths, our disengaged ol considet for instance, the specificity titles: Hadron Loop, Particle Longitude, viewing steered by a medium at once ffuid and solid. In terms of distance and scale, we wonder, are we microscopically close or galactically far away? Magnetic Parallel, Meteor Shower this sense ofgradual apprehensrorr Mt,t Shwer 2007 encaustic ('dtt$y afthe Aiist r rgron by the sr L- oil on panel 16 x is it engages the realm ol "suggestion" or with time and space. What these paintings do, and do brilliantly, "mystery" wherein its listener sense olthe world, not as a sinele and coherent thought, Geling, or perception is further appropriate, , irlliuraphic quality ofWagner's rr is register our 16 with ordinary prose, its content with language the embodied gathering oFthese discontinuous and multiple perceptions through an extended encounter is called irr is less immedialely and about it, but rather its very relation to us as precarious, as multiple and unfixed, and so conrinually subject to re r i:ion. r'irrcretely available to perception and only more slowly and evocatively suggested I I re analosv is precisely what good poetry does too; very opacity oflanguage to engage with the oblect ofdescription rch a way that, unlike The entire pictorial surlace ofWagner's painting I think, in pondering the work; drawn, incised and gestured marks of some r I of ancient writing or scientific slmbology, floating up to the surflace, then rtt ulirrg, embryonically reaching the point of meaning belore fading away. Ronald R. Berniec PhD �Acknowledgements Since first encountering the work of Elise Wagner nearly two years ago, I have had the good fortune ofworking with people who have given generously of their time, expertise and enthusiasm. Foremost among them, of course, is the artist herself who has liberally shared both her talent and insight and has made working on this project both a pleasure and a privilege. A great debt of thanks also goes to Jane S. Young, Director of Chase Young Callery in Boston, Massachusetts for her tireless support, patience and good humor: Ib our guest essayist we also extend heartfelt thanks. Dr Bemier's contribution lends a particularly thoughtlul dimension to the project. We are especially grateful to the individuals who have graciously loaned crucial works to the exhibition. They have shourn enorrnous generosity of spirit by sharing their valuable and valued works of art. The richness of this exhibition would not have been achieved without their support. This exhibition is dedicated to the late Dr Roy E. Morgan, former arts and drama critic SordoniArt Callery. Brittany Firamer DeBalko Interim Director Staff Brittany Kramer DeBalko, Interim Director Bruce Lanning, Preparator mili,ymlilr This prcject is supponed, in pm, $r (01,flil t the Pemsylvmia Council on the Arts, 6 0lt Illt a state agency funded by the Commonwlth of Pennsylvmia, md the National Endoment for the Arts, a federal agency. fo r TheTimes Leoder, and Iongtime friend and supporter of the �lniilalizing Barcode ll, 2008 toner Caurtesy ofthe Artisl t transib encaustic A ink on panel l6' x l6 �'\.,r ".i., , ,, 1 {. il'd,\i,/r' ,r: ,F"'T I i. -&fl df io' ,-# F* o. l ; '} �llwut l'torizon ll,2009 encaustic, monotype & oil on birch 24" x 36' (iuttcsy of Private Collection. Boston, MA l&.-- ���.#"k-, ' .-:;... o'tr'*. 'r'* ,-,: I' i t'is Hudton Ltt,p 111,2008.:rrcauslc, rrr,rrrillpe CoU i.ry o/ th. Ar l^l l- oil in parr:L 2'l' x 48' �di II [r' Fr, r#, |','A ,,Jfi #l T J {* ,"1 * i{e ffi#' & " dt$ M # f# w*r {l ffifl trdfiS F" 1* &;F* { Wg ,q $ ff- *l: ja, #. " F. l "t T I h t\. :t l-"? p I h (n-" t r"d p..ll "W r\ rkJ :+'*i :, llt ti I i t I I $ *; E.,' If .. .F '-i *-d .-,":ii i$+ l: .-, ii ,. r1s*I 'i* d 4ffi i,. \t'| f,f;, $ ' -"1 ri gt1 " Sf': . Pilr ffi ,il E*&il �, | I..._.. ...^1. '.,.,;,.'. *"'.*. ' jj:, ' ..;....... Confuence,2009 encaustic & oil on panel 16" x Courtesy afthe Artist 16" �qH x€ #' & # F €1 5. I * x -$ { d t4 t, Effi @. re> Cloud Pressure,2007 encaustic Courtesy ofthe Artist & shellac ink on birch 10" x 10' �f1 H tllr,ll ll ,rrl l'li'tliil iri I .l B{ .. "iLr, �Tprro Rpvprse Platc 2008 encaustic Caurtesy ofthe Artist & shellac lnk on birch l0" x 10" �Exhibition Checklist Dimensions are given in inches, height precedes width Counter Collision 11,2009 encaustic Magnetic Parallel,2009 encaustic Event Horizon Sun & oil on birch 48" x 48" Courtesy of ChaseYoung GalLery, Boston, MA & oil on birch 48" x48" Courtesy of ChaseYoung Gallery, Boston, MA \t,2009 encaustic, monotype [- oil on brch24" x36" Courtesy of Private Collection, Boston, MA Riddle,2009 encaustic & oil on panel 12" x24" Courtesy of ChaseYoung Callery, Boston, MA Confiuence,2OO9 encaustic & oil on panel 16" Riddle Sphere,2008 toner transfer, encaustic x & 16" Courtesy of the ink on panel 12" x 12" Courtesy of ChaseYoung Gallery, Boston, lnitializing Barcode 1,2008 toner transfe[ encaustic lnitializing Barcode tt Artist [- , 2008 toner transfe[ encaustic [- ink on panel 16" x 16" Courtesy of the ink on panel 16" x 16" Courtesy of the Artist Artist Hadron Loop 1,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist Hadron Loop 11,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist Hadron Loop ttt,2008 encaustic, monotype & oil on panel24" x 48" Courtesy of the Artist TZrra Reverse Plate,2008 encaustic Particle Longitude,2008 encaustic Cloudburst Plate,2008 encaustic & & & shellac ink on birch l0" oil on birch 10" xl0" x 10" Courtesy of the Artist Courtesy of the Artist shellac ink on birch 10" x 10" Courtesy of the Artist Cloud Pressure, 2007 encaustic & shellac ink on birch 10" x 10" Courtesy of the Artist Meteor Shower, 2007 encaustic [- oil on panel 16" Terra x 16" Courtesy of the Artist lnfinity,2007 encaustic, monotype & water-based ink on paper l0" x 10" Courtesy ofthe Artist Collision Pass,2006 encaustic & oil on birch 40" x40" Courtesy of ChaseYoung Callery, Boston, MA Seared Memory 90901,2)}|encaustic & oil on birch 37.5" x37.5" Courtesy of the Artist Remote Reference 1, 1999 encaustic & oil on wood 37 .5" x 40.5" Courtesy of the Artist MA ��� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 March 28 Elise Wagner - A Decade in Painting Creator An entity primarily responsible for making the resource Elise Wagner Ronald R. Bernier Ph.D. Brittany Kramer DeBalko Date A point or period of time associated with an event in the lifecycle of the resource 2011 Macrh 28 - May 22 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource Elise Wagner's paintings are all about discovery, emerging awareness of the infintisimal and the vast both on the aprt of the artist and the viewer. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Elise Wagner painter painting paintings Rights Information about rights held in and over the resource SAG https://omeka.wilkes.edu/omeka/files/original/6d0c9541ece93489d12cff746f1e8ecb.pdf a54870baaebe70c1cc8bfc7919688c46 PDF Text Text �IIfF I I ,)orooru /arr t,arrervvvr*es Umversrry =nxY*:*.rri:H;: Tel570-408-4325 Fax570-408-7733 wilkes.edu / sordoniartgallery Summer Gallery Hours: Noon - 4:30 p.m., Fri & Sun. I 1:00 a.m. - 4:30 p.m., Sat. Near a.nd Far: Landscapes Frorxt. the Sordoni Art Gallery Perrtanent Collection June l0-August 7,2011 Philip J. Richards (1909-1991) Tide Creek, n.d. acrylic on canvas 197 Non-Profit Org. U.S. Postage PAID Permit No. 355 \4ilkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 June 10 Near and Far: Landscapes from the Sordoni Art Gallery Permanent Collection Date A point or period of time associated with an event in the lifecycle of the resource 2011 June 10 - August 7 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Invitation Subject The topic of the resource landscape landscape painting painting https://omeka.wilkes.edu/omeka/files/original/7510b0aa3d6727f2ae18910476142fc5.pdf 7c6e6827e10d40dbe1ecf66c20a0aa4b PDF Text Text ___l �ry I :"rr -i f.ry i-l: tr- G*,€ F*El ; l3 t I j tl -\ :':, * [fl d':ff 'li ;&,,;*ffi#-g{BiijBil r @1 f t lf"f,a: .' if l- .;-' I 14 Ae::..1,4ii',* -iE#-{.rEr d*-F.r' $ :i ri r,i, rg-I I-IIlnr id d lf. i t4dlqi Etda d. f;=, f,! -fif t,-' fnf,',i, ;ni ntrr+4s4Yr . .fi,',t-di'frt![r-,ff ri'j ru ,Ji,r "'ryJ ':\eJ &fl,';Er,;-a? -.Er'-i l '"'l ?*i Cans Seurat (detail), 2007 iJ G_'.'{ l'-ri-J �of statistics. Each image portrays a specific quantity of something: two million plastic bottles (five minutes of bottle use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. Finding meaning in these mass phenomena can be difficult because the phenomena themselves are invisible, spread across the earth in millions of separate places. There is no Mount Everest of waste we can make a pilgrimage to and behold the sobering aggregate of our discarded stuff, seeing and feeling it viscerally with our senses. Running the Numbers looks at contemporary American culture through the austere lens Instead, we are stuck with trying to comprehend the gravity of our mass phenomena through the anaesthetizing and emotionally barren language of statistics. Sociologists tell us that the human mind cannot meaningfully grasp numbers higher than a few thousand; yet every day we read of mass phenomena characterized by numbers in the millions, billions, even trillions. Compounding this challenge is our sense of insignificance as individuals in a world of 6.7 billion people. And if we fully open ourselves to the horrors of our times, we also risk becoming overwhelmed, panicked, or emotionally paralyzed. I beiieve it is worth connecting with these issues and allowing them to matter to us personally, despite the complex mixtures of fear, grief, and rage that this process can entail. Perhaps these uncomfortable feelings can become part of what connects ange! us, serving as fuel for courageous individual and collective action as citizens of a new kind of global community. This hope continues to motivate my work. This project visually examines these vast andbizarre measures of our society; in large intricately detailed prints assemble d from thousands of smaller photographs. Employing themes such as the near versus the far, and the one versus the many, I hope to raise some questions about the roles and responsibilities we each play as individuals in a collective that is increasingly enormous, incomprehensible, and over"whelming. -chris jordan, Seattle, 2008 �l{F I I Doroonl r\n \rarren- Wlkes Universiry =i;t:$'l#ii:;;;; Tel 570-408-4325 Fax570-408-7733 edu,/sordoniartgallery Gallery Hours: Noon 4:30 p.m., daily wilkes. Cans Seurat, 2007 Depicts 106,000 aluminum cans, the number used in the US every thirty seconds. Non-Profit Org. U.S. Postage PAID Permit No. 355 \4tlkes-Barre, PA � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2011 August 29 Running the Numbers: Portraits of Mass Consumption, Photographs by Chris Jordan Creator An entity primarily responsible for making the resource Chris Jordan Date A point or period of time associated with an event in the lifecycle of the resource 2011 August 29 - December 11 Format The file format, physical medium, or dimensions of the resource PDF Description An account of the resource In Running the Numbers, artist Chris Jordan creates intricate photographic prints assembled from thousands of smaller photographs, visually depicting statistics that dramatize aspects of contemporary American culture. Type The nature or genre of the resource Exhibition program Subject The topic of the resource Chris Jordan mass consumption photographer photography Source A related resource from which the described resource is derived Perlman Teaching Museum https://omeka.wilkes.edu/omeka/files/original/467b81ef307fba5734406c09f6715b42.pdf 9fc90e0e4f6b5f20f7a516f99d7fbdc5 PDF Text Text ���� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sordoni Art Gallery Exhibition Programs, 1973-present Description An account of the resource Exhibition programs created by the Sordoni Art Gallery from 1973 to the present. Digitized by Wilkes University Archives interns, Zachary Mendoza and Sophia Kruspha. Creator An entity primarily responsible for making the resource The Sordoni Art Gallery Source A related resource from which the described resource is derived Wilkes University Publisher An entity responsible for making the resource available The Sordoni Art Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1973-present Rights Information about rights held in and over the resource Wilkes University retains copyright of these exhibition programs. Language A language of the resource English Type The nature or genre of the resource Exhibition programs, flyers, and calendars. Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2012 March 26 Detroit Forsaken Creator An entity primarily responsible for making the resource Ryan Spencer Read Ryan Spencer Reed Date A point or period of time associated with an event in the lifecycle of the resource 2012 March 26 - May 20 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Exhibition program Subject The topic of the resource photography, photograph, Paul Spencer Read