Browse Items (17 total)

  • Creator is exactly "Stanley I. Grand"

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1994november13thedrumlithographs.pdf
The Drum Lithographs were made when artist Reginald Pollack and printer Jules Sherman were introduced.

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1996january21betweenheavenandhell.pdf
Between Heaven and Hell is an exhibition dedicated to the art made about or during the 1930's depicting New York Ciy's famous Union Square. Featuring works on paper, paintings, and sculpture, this exhibition acts as a cumulative survey of American…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1997may11garylang.pdf
This survey seeks to understand the nature of his accomplishment by establishing a chronology and contextualization of his works, by providing an interpretation of his philosophy and a decoding of his methodology, and by locating him within the…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1997august25contemporaryrealistart.pdf
This exhibition includes a selection of contemporary American paintings and prints from Mellon Bank's collecttion. The collection, which initially consisted of a small body of nineteenth-century paintings, was carefully supplemented in the early…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1997october5jimmyernst.pdf
Jimmy Ernst was a painter heavily influenced by Surrealism and Dada as seen in his erratic pallette and interest in chance happenings in his paintings.

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1998march15anthonysorce.pdf
This exhibition and accompanying catalogue represent the first in-depth survey of Anthony Sorce's protean artistic career. At times an innovator, at times a developer, Sorce has consistently experimented with new processes, materials, and aesthetic…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1999march7gregoryconniff.pdf
Attempting to make sense of our attachment to the world, George Conniff is a documentary photographer. His landscapes in black and white are ethereal reminders of the world we leave behind.

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1999may8thegraphicartofpaulbacon.pdf
Known for his music, Paul Bacon is also known for his astounding illustrations. Illustrating the covers of books such as Catch-22 and Rosemary's Baby, Bacon's work is well known throughout the art and literary world.

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1999september7williamsterling.pdf
William Sterling, a former Wilkes Universtiy professor of painting and art history, has had a profound influence on the area's artistic and intellectual life. This survey of his work encompasses the artists primary focus, which is to say that his…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/1999october24manifestationsoftheindigospirit.pdf
In 1984, while on sabbatical leave from the Art Department at Wilkes College, Richard Fuller went to Japan to learn the art of shibori. There, under the tutelage of a master textile artist and dyer Hiroyuki Shindo, he studied the fundamentals of…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/2000february20edwardschmidt.pdf
Edward Schmidt's Mythologies prsesnt an oblique, cultured, yet modern way of looking at reality. Informed by erudition, drawing inspiration from classical tradition, and paying frequent tribute to Old Masters, Schmidt's paitnings conjure up an…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/2000september5hankoneal.pdf
In this comprehensive exhibition, Hank O'Neal's portrait photography and the endearing stories they tell are on display.

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/2001january15cables.pdf
As a designer, Michael Thomas has chosen to engage in architectural issues primarily through the medium of photgraphy. This choice has allowed him to focus on the essential components of the most practical of the fine arts. This exhibition is a show…

https://omeka.wilkes.edu/omeka/plugins/Dropbox/files/SAG/2008january14someformesomeforyou.pdf
In a process that integrates the past into the present through the re-use of art history's forms, patterns, and figures, Aptekar challenges the passivity of influence and the burden of Old Master veneration.
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